The Family Jewels
The Family Jewels
NR | 01 July 1965 (USA)
The Family Jewels Trailers

A young heiress must choose between six uncles, one of which is up to no good and out to harm the girl's beloved bodyguard who practically raised her.

Reviews
Mjeteconer Just perfect...
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Scotty Burke It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
moonspinner55 Somewhat strenuous farce has Jerry Lewis exhausting himself both on-screen and off, portraying seven different characters while also serving as producer, director and co-writer (with Bill Richmond) of an extremely thin screenplay about a 10-year-old heiress and her search for a daddy. The tyke, worth $30,000,000 after being left orphaned, must choose one of her five uncles to act as her legal guardian--though she gets along best with her accident-prone chauffeur. Lewis is best in his 'straight' role opposite unassuming little Donna Butterworth, but the other acting opportunities are a bust due to Lewis' penchant for self-adoration (also the fault of the editor, who doesn't know when to cut off a scene). The plot is so slim, Lewis has to throw in added unrelated episodes (such as the chauffeur having to briefly manage a busy gas station) just to pad the running time to 99 minutes. Pete King's bouncy score adds a touch of fun, but the plugs for Gary Lewis (Jerry's musician son) are unnecessary and the constant hamming and mugging is often painful to witness. *1/2 from ****
Benedito Dias Rodrigues It's a creative plot which Jerry Lewis explore at the maximum this inventive concept of multiples characters which was used by Eddie Murphy recently and successfully indeed...so Jerry deserve the credit to be the first one,all characters developed by Jerry are weirdly funny,this original idea gave to the movie another dimension to the main characters... multiply so to speak.....Jerry Lewis is the most important comic actor for all time....covered for many nowadays!!!Resume: First watch: 2017 / How many: 1 / Source: DVD / Rating: 7.5
helpless_dancer Jerry had to reach deep into his bag of stupid jokes, gags, and ham handed comedy to come up with this little jewel[?]. It doesn't play well by today's standards, in fact the whole thing is double lame; especially the 2 bits using son Gary and his band. Did the Playboys need this gig to further their hinky dinky careers? I did get a few laughs, but the film was really just too goofy....as usual for Lewis. What was with Jerry's hair? Two or three inches long in the front, and a buzz cut in back: a reverse of today's style.
ronghero One has nearly always gotten the impression from watching the antics of Mr. Lewis that the humor is being undermined by a fatal egotism which knows no reasonable or acceptable boundaries. 1965's The Family Jewels marks the beginning of Lewis' long decline--his wish to play seven roles, far from constituting a bravura tour de force, is simply a sign of his nauseating hubris and megalomania. What better way to dominate the proceedings and garner all the attention for oneself than to occupy seven of the eight principal roles? Also, Lewis at this stage is teetering indecisively between being a director of kiddie flicks and turning out films designed to appeal (or at least be tolerated by) a mature audience. Here he fails dismally. The kiddie humor is mostly forced; the adult content betrays Lewis' all-consuming flaws of cloying sentimentality, self-righteousness, and hackneyed plot devices. You KNOW the little girl will pick the chauffeur to be her "father," you KNOW the foppish Brit will turn out to be a pool shark, the thug will have a heart of gold, etc. I get the impression that it is at about this point Mr. Lewis should have sought long-term psychotherapy so that he could have combatted the inner demons built up during the course of his (admittedly harrowing) childhood. Even at the self-expressed risk of losing his sense of humor, this move would have been cost-effective--his film previous to this, The Disorderly Orderly, was, in many respects, his last hurrah. Sadly, The Family Jewels (note the smirkingly referential title; note the poster in which a cloyingly "cute" moppet with a soft fuzzy beret is surrounded by seven phallic Jerry Lewises) deserves its reputation as a flop. But at least it's a very interesting case study.