Exoticalot People are voting emotionally.

Yash Wade Close shines in drama with strong language, adult themes.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Staci Frederick Blistering performances.

robert-temple-1 This was the first feature film directed by the multi-talented Adrienne Shelly. She also wrote it and played the lead role of Donna, the kind of girl who in New York slang of yesteryear used to be called 'ditsy' (a word presumably forgotten by now). In other words, she is charmingly living in a world of her own, sees things, imagines things, and may or may not be a bit crazy. Adrienne Shelly was a combination of a waif and a spunky comedienne. I cannot think of any other actress with her particular mixture of qualities. So one must classify her as unique. This low-budget independent film was shot in Greenwich Village and it has that distinctive insouciance and subtle humour which used to be peculiar to creative Manhattan residents. These days, people are rapidly forgetting how to laugh, as they are too busy snarling and ranting about political and sociological issues to remember that there is any such thing as humour. How can anybody laugh who spends all his or her time shouting? But these were gentler days, the days of the mid-nineties, when Manhattan still chuckled. And one of the shining talents then was Adrienne Shelly. Who could have imagined then that she only had ten years left to live, as she was only 30 and had everything ahead of her? It is very uncomfortable watching this lovely little film now because of its astonishing premonitory quality, knowing what later happened to Ms. Shelly. As part of the comedy of the film, Donna goes repeatedly to a fortune teller, brilliantly portrayed by Louise Lasser, who specialises in gloomy predictions. She repeatedly tells Donna that there is nothing ahead of her but a violent death. This may have been amusing in 1996, but it was not funny at all in 2006, which was the year that Ms. Shelly was violently murdered in Manhattan, at the age of only 40. It is too much like fiction becoming fact. I don't imagine Ms. Shelly's surviving family can bear to sit through this film, which seems like a gruesome prediction of what actually happened. For those less susceptible to the trauma of subsequent real events, the film is a quiet delight, and very original and imaginative.

seashellz Ive always liked Shelly in the Hal Hartly films, esp TRUST, and here she is no different. Though SM has its off moments, it is basically far more entertaining than half the full-budget crap out there. And to think that she made it herself. Her on-screen persona is more serious than she is: I love her quick retort in the bonus intro, in response to 'where she got the money to make the film' Adrienne turns to the camera, flashes an impish smile, and says: "Investment Bankers!"

Dominga Sudden Manhattan reflects a great love of the subtle moments in life. There are no "stock" characters within this film, each subject has their own individual quirks and fetishes, and fulfills the "Lattice of Coincidence" that becomes the plot for this movie. The movie is highly entertaining and a great departure from the predictable, and boring block-busters. This film is genuine and lacks the pretense of would-be "Artsy" independent films to which we are often subjected. Adrienne Shelley (the film's writer/director/lead) has a sly sense of humor, and her love of New York and "real conversation" is palpable and hilarious. Here is a talent who finds the art in real life. Worthy of eleven, if not one hundred, stars.

larcher-2 Might have been made from Woody Allen's out-takes; it has the feel of one of his weaker movies. It isn't bad, exactly, but it isn't good, exactly, either. A woman who might or might not be insane might or might not be witnessing murders by a man who might or might not have multiple personality disorder. The men and women who might or might not flit into her life might or might not join her in what might or might not be an investigation. The only characters who seem to be sure of anything are the cop who calmly assures her she hasn't seen anything and the gypsy who is sure of nothing but death, destruction, and collecting for her palm reading. Very funny moments, very freaky moments, and nothing much as a whole.