Straight A's
Straight A's
R | 16 January 2013 (USA)
Straight A's Trailers

Pressured by his late mother's ghost to return home to the family he abandoned, a former addict grabs a bag of pills and a sack of marijuana and hits the road to Shreveport.

Reviews
StunnaKrypto Self-important, over-dramatic, uninspired.
SincereFinest disgusting, overrated, pointless
Comwayon A Disappointing Continuation
Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
frankopy-2 How this movie was made is understandable enough. Someone had money to spend. But why it was made, other than to distribute that money among the cast, etc., is unanswerable.Led by lead Ryan Phillipe's putrid attempt at being some portion of Newman's "Hud," this is a certified mess. Bungled writing, directing, exposition. A horrid way to spend time, or a buck.I'd have to sit here forever to conjure up a redeeming factor for this bilge. Giving any sort of recommendation to this film just feels wrong, and I'd find it surprising were any of the cast members top recommend their work here as anything to include in a resume.
Srosxi I thought I'd heard most vulgar and profane language. I even thought I'd heard it often. But this film took the prize for having the most often, and most varied, use of bad language I have ever seen. Truly. I have seen hundreds of movies, and never have I been so dismayed.I'm not a hypocrite, I have been exposed to it. I did choose to watch it. I have used bad language in my youth. But to use it gratuitously for no reason, with young actors and actresses being exposed to it? Yeah, eventually they will hear it. But for a parent to agree to letting their son or daughter be in a film of such language? Sorry, I could not do that kind of damage to my own.The director, had no sight at all of what he was doing. Netflix said it was a Romantic Comedy. Uh, sure. Netflix described it as an Indie film, and that was true. The director had 4 previous films to his credit. And it showed abundantly. This film was for an audience that I could never be included in.Those that enjoy it, please, do not let me take that away from you. Those that have values, morals, ethics, then beware.
TxMike I am always interested in why a movie is named the way it is, and this one comes from a simple line half-way through. The young boy is fretting over an extemporaneous talk he has to give at school, because he has straight A's and doesn't want to break that string. His reprobate uncle looks at him and says "Straight A's aren't everything in life."That reprobate uncle is Ryan Phillippe as Scott in a quite different role for him. He plays the younger brother that had left their home in Dallas some years earlier, no one knew where he was, and his older brother had married Scott's high school sweetheart and they now had a boy and a girl. Now, on Tuesday he comes riding up on a horse. As he explains his drivers license was revoked and riding a horse was a way to get around. He had come all the way from Memphis.The former high school sweetheart and now sister-in-law is Anna Paquin as Katherine . She is living the non-working Dallas (actually filmed in Bossier City, Louisiana) socialite life and is surprised when Scott shows up while her husband is out of town on business for the week.The husband, and brother of Scott, is Texan Luke Wilson as William . He has his own troubles, in the casino bar after a day on the job he confides to a friend that he is planning to get home and split up with Katherine. It just seems that the excitement has gone out of their marriage.The young son is Riley Thomas Stewart as Charles and the young daughter is Ursula Parker as Gracie . Young Ursula is a "natural", she was so good in her role, but I also found out she is an accomplished violinist at her young age. A quick youtube search on "Ursula parker violin" will generate a number of results, and worth the effort if you want to see how good she is. Really good! Anyway the story spans a week, from Tuesday to Monday of the next week. Lots of things come out, lots of things happen, and some healing is accomplished. I wouldn't consider this a great movie, but a pretty good one. I was impressed that Phillippe handled such a different role quite well and believably. In fact all the actors were fine. Including Powers Boothe as the old dad who seemed to be losing his mind gradually.SPOILERS: There is a telling scene where "Uncle" Scott is attending Charles's presentation and at the end he stands up, claps, and shouts "That's my boy." Katherine's reading of the deceased boys' mom clarified things. As it turns out Scott really was the father, the boy was born 9 months after Katherine last saw Scott before he disappeared, and then she began seeing William. She was pregnant when they got married, but neither of them considered it a "shotgun wedding" because they really were in love. Now they find Scott has been secretly suffering with a brain tumor, after he made reconciliation with his dad and brother, he died and the married couple reassured each other of their love.
Armand that kind of movies who rolls questions. beautiful cast. nice story. and same charm of Ryan Philippe, delicate manner to do her role by Anna Paquin and Luke Wilson with personal art to build a reasonable character. it is not an impressive film. only necessary. because it represents one of soups for soul. few drops of magic, an original character, crumbs of love and a sacrifice - the Aztecs are not only detail - as price for happiness. and, sure, adorable children. short, nothing original. only delicate scent from a slice of life. naive but realistic in few lines, it is only fly of a sparrow. or, only, its shadow. a little story about profound things. a lesson. almost pink but far to be boring.