EssenceStory Well Deserved Praise

Steinesongo Too many fans seem to be blown away

Rijndri Load of rubbish!!

Jemima It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

DigitalRevenantX7 Tuna boat skipper Joaquin Shannon is enjoying his best mate's bucks party (he is engaged to Joaquin's sister) when his own fiancée Joan's brother shows up to pass on his father's hostility to Joaquin's proposal to him marrying Joan. Joaquin kicks him out of the bar but a mysterious man kills the brother & flees. Thinking that the groom might have killed him (since he was drunk & asleep next to the corpse) Joaquin decides to take the rap. Convicted of manslaughter, he is sent to prison for ten years but told that he will get out after a year if he keeps his nose clean. Once on the inside, Joaquin does his best to mind his own business. But when a cheap thug named Red Kincaid returns to prison after a spell outside, Joaquin's life gets harder. Red decides to ruin Joaquin's hopes of parole by taunting him into a fight, which he succeeds due to Joaquin's easy temper. But Joaquin has the last laugh when he singlehandedly foils Red's daring escape attempt. Given parole at last, Joaquin tries to adjust to civilian life. But Jean's father does his best to derail his career options. When Red finally manages to escape the prison, he forces Joaquin to join him on a little boat trip to Ecuador.Barton MacLane must have some kind of record for appearing in the most prison films. Besides Prison Break, he had appeared in the following prison films – San Quentin (1937), I Was a Convict (1939), Mutiny in the Big House (1939), Men Without Souls (1940), a different San Quentin in 1946 & finally Jail Breakers in 1955. With that kind of track record he must have had some good experience playing convicts.Prison Break is something of a morality tale of life in prison, although the title is somewhat inaccurate – MacLane doesn't actually take part in any prison escape (although he foils one himself) & the actual successful escape takes place offscreen. Instead, it's more of a story on how a man takes some rash & very poor choices to protect his friends & finds himself in almost perpetual trouble with the law. First, his fiancée's father objects to him marrying his daughter, which causes the woman's brother to try to stop him but ends up being killed by a stranger who flees the scene. Second, he takes the rap to protect a friend he believes caused the death, causing him to go to jail for a decade but with the option of parole if he stays clean in jail, which is going to be impossible with the prison heavy after him. Third is after he gets his parole, where his fiancée's father tries to keep him out of work, forcing him into a confrontation with the escaped heavy, who is finally revealed (SPOILER ALERT) to be the man whose actions in killing the woman's brother that landed MacLane in jail. The film is not always totally convincing but is pretty realistic, MacLane does his best to make the material work & the 1930s production values add some sort of modest thriller mechanics to the film.

classicsoncall As a pair of detectives, Barton Maclane and Ward Bond set up Humphrey Bogart for some of his best one-liners ever in 1941's "The Maltese Falcon". In this one, the pair find themselves on the outs for most of the picture in a prison story that's actually pretty good for a B flick, even if Universal Pictures is the company of record. The idea that MacLane's character is named Joaquin Shannon managed to keep me off balance for most of the story; an Irish-Portuguese fisherman is one combination I just couldn't wrap my head around.This is the kind of movie that was right up Warner Brothers' alley during this era. They had their own fair share of prison movies that dealt with victims caught up in unfortunate circumstances, films like "San Quentin", "Invisible Stripes", and "Crime School". MacLane portrays a tough prison guard who endures a demotion for his rough tactics in the first one mentioned, and to his credit was capable of portraying characters on both sides of the law quite effectively.The story presented here is somewhat improbable when you begin to analyze it, but I don't think that's what movie goers were doing back in the Thirties. What you have here is a fairly gritty prison drama in which MacLane's character simply wants to serve his time, but keeps getting sidetracked by career criminal Big Red Kincaid (Bond) who was inadvertently responsible for Shannon's conviction and sentence in the first place. It takes the entire picture to come full circle for Shannon to figure that out, and elsewhere might have made for a dramatic showdown. Here it was just a bit too anti-climactic to justify everything that went before, but at least the good bad guy came out on top.

Tom Willett (yonhope) Hi, Everyone, When a sailor goes to prison he makes waves. Barton MacLane is quite good in this 1930s tough guy who wants to marry a blonde, psycho-action drama.The first thing we learn when our hero goes to the Big House is that prisoners in cells in the 1930s did not have toilets. There is a mixture here of stock footage of a real prison and a set on the sound stage that matches pretty well. In the 1930s it was somewhat taboo to show any plumbing fixtures other than the kitchen sink.Ward Bond is a very good bad guy here. He looks a lot like Lee Marvin in many scenes. Ward made 21 movies in 1938 including this one. He would make 21 more in 1939 including Gone With The Wind. I doubt if anyone appeared in more great movies than Ward Bond did in his 57 years of life. He also worked in It's a Wonderful Life. He also did Maltese Falcon. Even with all his movie roles he is still best remembered as the wagon master on Wagon Train, a former number one TV series.Barton Maclane made many wonderful movies including Unknown Island and Treasure of the Sierra Madre. He was the only guy in Treasure... who had a girlfriend.Prison Break could be remade with more expensive sets and effects, but the story here is easy to follow. If you have a little imagination you can enjoy this one. Great cast, good music, good story and interesting examination of the effect of a prison record on someone's life. It also shows us how honorable some people can be when they want to protect a friend.Tom Willett

rsoonsa In one of his rare appearances as a lead, Barton MacLane gives what may be his best performance, playing the part of Joaquin Shannon, an Irish-Portuguese tuna fisherman off the Southern California coast who, due to his protection of his younger brother, is wrongfully convicted of manslaughter and sent to prison. The film has an apparent message, i.e., that a parolee has few rights as a citizen, but this takes up little filmic space while the struggle of Shannon to clear his name produces plenty of action, both in and out of the penitentiary, as he must deal with a cruel adversary, Red Kinkaid (Ward Bond) and still find time to woo his sweetheart, played by Glenda Farrell in one of her softer roles. As opposed to today, the Depression era status of released convicts, as this 1938 work demonstrates, proscribed their marrying, and this disappointment in addition to Shannon's inability to find a job propels him into situations which bring about a showdown with the dangerous Kincaid, for whom Shannon unwittingly served his time. Routinely directed by journeyman Arthur Lubin, the film benefits from effective editing by Jack Ogilvie and skillful work by cinematographer Harry Neumann, with scenes varied among commercial ocean fishing, penitentiary life, taverns,and fog-bestrewn docks preventing any slowdown during this rapidly paced movie, although both dialogue and action are marked by cliche and are somewhat predictable. MacLane's staunch performance is matched in impact by the vigorous Bond, while Farrell, although quick with a quip as ever, is rather winning in her turn as a steadfast paramour; others displaying strong interpretations are Victor Kilian as Farrell's father and Paul Hurst as a convict on the lam.