Linbeymusol Wonderful character development!

Phonearl Good start, but then it gets ruined

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Michael Ledo Nina (Fiona O'Shaughnessy) discovers Spitfires are not the safest car on the road in the first scene. Her boyfriend Rob (Cian Barry) is coping with her death as he gets by working at the supermarket. Co-worker Holly (Abigail Hardingham) who didn't like be called "vanilla" by her last boyfriend develops a dark side. Her and Rob hook up and discover that his dead girlfriend Nina likes to make appearances during their love making.Normally such an absurdity would prevent any more such contacts, but Rob and Holly decide they will work through it as the scene turns bloody and requires frequent cleaning. Nina's sharp tongue and catty attitude become the highlight of this dark comedy,I liked the film up until the ending when the humor aspect fell short as compared to the rest of the feature. They developed a great story, did it well, but I didn't like the final closure. It is a good film for indie lovers.If you liked "Burying The Ex" and "Life After Beth" give this one a view.Guide: F-bomb, sex, nudity (Fiona O'Shaughnessy, and thank you Abigail Hardingham )

Paul Evans I will never give up on a film, within reason, but there were times during this that I either wanted to fall asleep, or just switch off. I wanted to see it, purely because it had Fiona O'Shaughnessy, a girl who's quickly become one of my favourite actresses, hugely talented, and that voice, she is fantastic, but even she couldn't inject the spark that failed to light this film. A film that crosses over so many different genres, it's attempting to be avant garde, psychological, black humoured, it does bits of each, but isn't particularly strong in any. The music was great throughout, acting spot on, maybe it was the direction, just a bit slow.This should have been awesome. 5/10

adi_2002 I think the directors were inspired by other movies when they made this but the result is not to well. The main issue is that it follows the same scenes over and over again, the couple is making love, the dead ex-girlfriend mysteriously appears from under the sheet and so on. After one hour I had to stop it and finish the film two days later, it was that boring.Maybe more complex it was better and not so humble with the story, the only good aspect is the acting witch wasn't too bad and Nina's appearances who were creepy, at least for me. Only to watch by fans of the resurrection, blood, tender and horror all this put together in a film and you get Nina Forever.

rooee This Frightfest 2015 favourite is the first gem of 2016. A British indie written and directed by Ben and Chris Blaine, it's a jet-black sex comedy about a dead young woman who comes back to life whenever her ex-boyfriend has sex. And he's having a lot of sex with his new girlfriend, Holly (Abigail Hardingham).Avoiding potentially tiresome scenes of endless disbelief, the central couple accept the bizarre situation far more easily than their zombie. Indeed, Holly is actually turned on by the presence of Nina (Fiona O'Shaughnessy). The latter is in no mood for a ménage a trois, and proceeds to torment the new lovers. She's the embodiment of guilt.Nina Forever doesn't go for scares. But neither does it go for the surreal. The grounded way in which it depicts its essential weirdness is one of its main appeals. It's reminiscent of the deadpan exchanges between David and his dead buddy in An American Werewolf in London – that's the tone.Another key element is the characterisation. Holly and Rob (Cian Barry) are entirely convincing as the late-teenage lovers, swept up in their twisted, hermetically-sealed fantasy. And the Blaine brothers throw into the mix Nina's grieving parents, whose struggles to cope (dad's writing a terrible book; mum's trying to keep her daughter alive through Rob) are funny and moving.The Blaines' control of the material is seriously impressive. Everyone knows comedy-horror is a virtually impossible balancing act, but they mostly nail it, lightening the darkness of the material without ever taking the camp way out. It is horrific and it is funny, which is all you can ask. The balance is achieved through an unholy trinity of sex, death, and love. There's something here about faithfulness. If you never had a chance in life to stop loving someone, how do you have consent to love another? Real thought has been put into the script, creating a uniquely involving genre-evading experience. Its central romance is as carefully rendered as its gore. Nina doesn't just mean different things to different people; she means different things to the same people over the course of the story. She plays a key part in the ending, where quiet revelation awaits.And that's what this highly original film is: a quiet revelation.