Young Gods
Young Gods
| 24 October 2003 (USA)
Young Gods Trailers

Taavi,the enigmatic 18-year-old lead, has just inherited his long-deceased wealthy parents home and estate. It is high school graduation and Taavi's birthday, and after his fiends greet him au natural and are arrested, Taavi invites his friends to the mansion for a wild party. Taavi lives with a recording camera to his eye, a machine that allows his to keep interpersonal distance from everyone. Among his friends are Jere who considers himself a woman's man, Markus (who appears the well-adjusted one, and chubby, pierced Sami whose sexuality is ambiguous. The party gets wild, guests sleep around, and Taavi records it all!

Reviews
Matcollis This Movie Can Only Be Described With One Word.
Dorathen Better Late Then Never
Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.
Kayden This is a dark and sometimes deeply uncomfortable drama
omarsamra This film will catch you unawares. I felt that the film would be a risqué and rather typical coming of age film. It has all these variants but to a deeper degree. I actually finished the film and was extremely upset with all the male characters. They were willing to throw away their sufficient lives for the thrills of voyeurism. Jere especially. The other reviewer talked about how the camera was the source of all evil in this movie. After all it was how Tavvi found out the truth about his parents death and was the eventual downfall for two out of the four male characters. This film is not recommended for the lighthearted, and you how you will feel after the movie is totally up in the air. I was rather disgusted with their little game, but just my opinion. As for the way the movie was shot; it was done well the angles, the characters were somewhat believable....a decent film overall.
julian kennedy Young Gods: 7 out of 10: For once I would like to see a teenage drama where careless foolish teenagers get away with being well careless and foolish. Nobody gets hurt, pregnant, married, commits suicide, tragically killed ext… they just act like complete idiots and go off to college. Kind of like real life for a lot of kids.On second thought there are movies like this but they are all have Porky's in the title. Young Gods is unfortunately a teenage drama. Which means no foolish action will go unpunished.Before the drama really kicks in we have a super realistic look at the lives of four teenage boys. The movie nails the attitudes and actions of young males of that age group and the pace while leisurely actually reflects the indifference to time people of that age actually have. (It also reflects the boredom that comes with no school and no job.) The movie also has a surprisingly naturalistic attitude about nudity and sex. Some may be shocked by the young actors' nudity but it felt non-sensationalist and rather realistic.The plot about voyeurism and constant filming is overdone (see drama above) and the results of the boys' actions seem more draconian than real life. But this is after all a movie.Despite being relatively slow placed and occasionally over-dramatic Young Gods is an enjoyable, realistic and fresh coming of age film.
Myrzan The plot of the movie has been already described pretty well in comments by other people so I won't repeat it so extensively here. The other comments are however (or at least have been so far) quite positive so I thought I'd add my own opinion too since I didn't think this movie was that good.Like I said this movie is based on a good idea. In short it's about these 4 guys who get this idea of a sort of a 'game' where they would video all of their.. well, intercourses and then watch them together afterwards for fun. As most people can probably guess, things end up going very badly wrong and people get very hurt (a girl gets raped and one of the guys eventually kills himself).Sadly, the realization of the movie isn't as good as it could have been. It doesn't feel believable. I just couldn't buy it that these 4 guys would do the things that they are shown doing. The character development feels often unrealistic. It's sort of hard to explain. In the movie 'Traffic' the viewer is in my opinion shown pretty believably how people end up making bad decisions and end up losing control of their lives. This movie fails in that.As a result, I found this movie to be entertaining (often even amusing) mostly because of its general "freakiness" and its shocking subject rather than its quality. This movie reminds me of 'Baise Moi' and 'Mauvaises fréquentations' both of which are these sort of depressing french dramas where peoples lives basically go down the toilet (although 'Hymypoika' has a happier and more hopeful ending). If you like this, check them out. Also the movie 'Piano Teacher' has the same sort of feel (and dysfunctional characters) in it as 'Hymypoika' has.My vote is 6/10. If you haven't seen this you haven't missed anything special.PS. If you want to see finnish movie at its best I would recommend Gourmet Club. It has a funny plot and the cast includes Michael Badalucco (he played 'Jimmy Berluti' in 'The Practice'). Also I can sincerely recommend a very well produced and very entertaining dark comedy short film called 'Rare Exports Inc.' which reveals some amazing facts about the origin of Santa Claus. Reviews of both can be found here on IMDb.
gradyharp Walk down any street in metropolitan areas and the omnipresence of the Big Brother camera is frightening: cell phones now capture all manner of images from friendly to horrific, cameras at stores' entries scan customers like a police state, police have license plate detecting cameras on their vehicles, strolling youngsters and tourists have the ubiquitous camcorders recording sights and other people's privacy - the list is endless. This strangely mesmerizing film 'HYMYPOIKA' (Young Gods) from Finland addresses these facts and builds a story around just how invasive and destructive the personal hand-held video camera has become. '1984'? Yes, in many ways it is.Director Jukka-Pekka Siili has taken an idea from Jaajo Linnonmaa, passed it through screenwriter Jukka Vieno, and though Jarkko T. Laine is credited as the cinematographer, Siili records this story as though he were the one holding the intrusive camera. The technical aspects of the film - black and white into color into white noise screen into abrupt movement, odd angles, etc - are a strategically important aspect of the film's success.Taavi (Jussi Nikkilä),the enigmatic 18-year-old lead, has just inherited his long-deceased wealthy parents home and estate. It is high school graduation and Taavi's birthday, and after his fiends greet him au natural and are arrested (the policewoman Helena Pääkkönen - Laura Malmivaara - is attractive and forgiving), Taavi invites his friends to the mansion for a wild party. Taavi lives with a recording camera to his eye, a machine that allows his to keep interpersonal distance from everyone. Among his friends are Jere (Reino Nordin) who considers himself a woman's man, Markus (Jarkko Niemi) who appears the well-adjusted one, and chubby, pierced Sami (Ville Kivelä) whose sexuality is ambiguous. The party gets wild, guests sleep around, and Taavi records it all! When Taavi's friends discover his deed, a pact is made: each of the four young men will videotape their own sexual encounter. This contest begins innocently enough for the boys, but when the girls photographed en flagrante discover the ploy, anger erupts and varying degrees of tragedy occur. As with many invasive games, this contest progresses to humiliation, rape, and worse, and finally leads to the truth about Taavi's secrets about his parents and his own personality disorder - all focused on the video camera as the source of evil.The film is daring, entertaining, frightening, cruel and dissecting all at once. While many may dismiss this as just another example of foreign film exploitational technique, there is much more to the story than meets the first encounter. Siili has uncovered truths about our current preoccupation with privacy invasion and they are loudly criticized here. This unrated movie is not a film for the squeamish, but it is a significant statement that needed to be made. Grady Harp