The Truth About Cats & Dogs
The Truth About Cats & Dogs
PG-13 | 26 April 1996 (USA)
The Truth About Cats & Dogs Trailers

A successful veterinarian and radio show host with low self-esteem asks her model friend to impersonate her when a handsome man wants to see her.

Reviews
Fairaher The film makes a home in your brain and the only cure is to see it again.
ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
richard-1787 One of the previous reviewers wrote: "It's Cyrano de Bergerac on the surface but more of a sitcom in its substance," and even that's a stretch.Cyrano is ugly, big-time ugly. So ugly that his own mother had no love for him, and no woman has been willing to love him.The female host of the radio show that gives this movie its name, "The Truth about Cats and Dogs," Abbey, is not ugly in any way. She may not be a striking beauty, but then, neither is Uma Thurman/Noelle, the neighbor she passes off as herself to the caller who wants to meet her. One is short, the other tall. One is brunette, the other blonde. One a little on the plump side - but only a little; the other skinny. Abbey is not ugly while Noelle is strikingly beautiful. Abbey has one kind of beauty, Noelle another.Cyrano de Bergerac is about a truly ugly man who wins the heart of Roxanne by the extraordinary beauty of his language, a non-physical type of beauty. He very definitely does not have just "another kind" of physical beauty. He very definitely has NO physical attractiveness whatsoever.Abbey, on the other hand, has bought into a socially-conditioned idea of what men find attractive - tall, thin, blonde - but it's really all in her mind, since her friend Noelle isn't all that attractive, and Abbey herself is certainly not unattractive. We don't really get a chance to see if Brian really started by buying into the same social convention, since he was told by Abbey over the phone that she was tall, blonde, thin, etc. We never see him attracted to tall, blonde, thin dumbbells whom he knows to be dumbbells.When Brian tries to explain what he finds attractive in the woman he has spoken to over the phone, he basically says: "She's nice." Abbey gives no indications of a remarkable, poetic command of language either on her radio show or over the phone. Noelle on occasion - but only on occasion, and not very convincingly - comes off as dumb. Brian says that he likes intelligence, but he gives no indication of being intelligent himself, nor of having been attracted to anyone else for her intelligence. So we never really understand why he becomes attracted to Abbey. She's pleasant, but then so is Noelle.The three leads are all pleasant, but the movie doesn't really seem to know what point it wants to make. If it's "a handsome guy can fall in love with a woman even if she isn't beautiful, as long as she has a striking character," this movie doesn't make that point clearly or convincingly. Abbey just isn't sufficiently not-beautiful, or sufficiently striking in terms of her character, for us to buy that argument. Nor, unlike Roxanne in Cyrano de Bergerac, is Brian ever presented as really interested in qualities other than physical beauty, so that his final attraction to Abbey comes off as convincing.
david-sarkies As far as Hollywood romantic comedies go, there is little to differentiate them from one another. The girl and the guy get together in the end after forgiving each other for the deceit that they have pulled (or they simply get together after spending an hour and a half of film time chasing or being chased by the other). You might be gasping in shock and saying "you gave away the end," but think about it, how else does a Hollywood romance end. The only Hollywood movie that I can think of at the moment where the main characters do not get together at the end is Edward Scissorhands (and no, Romeo and Juliet does not count, because that is not a romantic comedy, but then again, neither is Edward Scissorhands).Abby is a vet who hosts a radio show called the Truth about Cats and Dogs where she helps people who have problems with their pets. Noah (Uma Thurman) is a model whose boyfriend is also her agent and lives down the hall from Abbey. Abbey is short with brown hair and Noah is a six foot tall blonde. Abbey is intelligent, Noah is not. One day Abbey helps a young English photographer tame a dog over the phone and the photographer wants to thank her, but Abbey, who is very conscious about her appearance, describes herself as Noah. Thus a deceit begins where this man's perfect woman is in fact two.Overall this movie was entertaining. The phone sex scene, in my opinion, was disgusting and I will not justify it. Even my friend, who has a rather warped sense of humour, thought it was disgusting. I guess the whole concept of love is when two people are together, and not separated by a telephone. I hate telephones as there is a huge gap between us and one that a true personal relationship cannot cross.The movie was funny, and thus it seems that the Americans are getting a better sense of humour, but in general, it was typically Hollywood. Still, when one thinks about it, a romantic comedy should have a happy ending. All of Shakespeare's comedies had happy endings where as the tragedies, like Edward Scissorhands, did not. I enjoyed it, but wouldn't label it as brilliant.
diggler_inc This film is one of the biggest pieces of crap I have ever seen. Both the leading ladies are fugly, especially Uma Thurman but she is supposed to be beautiful. I also love how they try to portray smoking as cool, as if this movie was made in the 1940's.The premise is thin and completely moronic. I can't believe someone was paid to write this garbage. It's not even good mindless fun and entertainment.Honestly, I really found nothing good in this film and I just want to warn others to avoid it at all costs.This is clearly a film aimed at very stupid women.
Vic_max This is a charming little movie. Although the story is an old and well-known one, the character performances and script were very good and made this movie interesting to watch. If you don't get interested immediately, give it about 15 minutes - that's what it took me to start really liking it.The movie is a classic "Cyrano de Bergerac" story about a radio talk show host who enlists the help of an attractive neighbor (played by Uma Thurman) to deal with an interested listener to her show.The first time I ventured watching this movie, I quit after about 10 minutes. However, I kept reading good things about it so I went a little further the second time and was hooked to the end.The main character (played by Janeane Garofalo) is brilliantly fun to hear. She is self-doubting, cynical and intelligently witty. Her character, along with a decent script and a few clever bits of wisdom along the way make the movie worthwhile watching. It's not quite "laugh-out" funny, but it's "cute".