GarnettTeenage
The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.
ChanFamous
I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Myron Clemons
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
dleyava
I spent the 2 hours last Saturday evening watching this film (part of a Wertmueller collection I'd purchase a couple of years ago), and when it was over I sat longer in stunned silence, savoring the beautiful film and touching story I'd just been engaged with. Gorgeous scenery and photography, colorful settings, fine acting and ensemble, a touching, even if troubling, story. Yes, this film may be difficult for more sensitive viewers, especially Americans, who are not the most comfortable with bodily functions and casual sexuality. After all, we live in a culture that won't allow a parent to spank their own child, and where a teacher has to make sure another adult is in the room when holding a conference with a student, etc. We've become increasingly distanced from natural affections and physicality, and that's very unlike the characters in this movie, But the Director was not seeking to make a film that would provide titillation as regards young girls, and I'm a gay male with no interest in youngsters, male or female. Rather, she has told a poignant and sometimes wrenching tale of WWII Italy and the tribulations of the child of a "whore" and what she comes to face amongst the difficulties of a society affected by warfare and privation, the attitudes to be found in smaller towns, the assumptions about herself that she has to defeat and her ability to triumph despite it all. Yes, some of the scenes are a bit surprising (I won't say "shocking"), but I never felt as if I was viewing pornography, soft or otherwise. I always felt that the director was seeking to make a point about the figures in her story, and I was left with an overwhelming joy at the basic humanity and "realness" of the characters. I even at first thought the plot may have been taken from a story by Guy de Maupassant, so lovely was its focus on real people, warts and all, without any sign of being judgmental. Please don't allow any misgivings to dissuade you from seeing this film (although you probably won't want to watch it with your kids), I think you will be glad you did when you reach the end.
christianrose
My estimation of this movie puts it ahead of Somewhere in Time, The English Patient and a host of other quality romance films. For you who are cloistered in your views of the human form, human contact and sexuality - you may be offended by how frank and casual this film deals with its protagonist. If you are willing to step outside of your cultural context and explore what life may have been like in an early 20th century rural Italian village, please do watch this film. I cannot praise it enough.The innocence and gentleness of Miluzza strains the heart as you watch her progression through the story arc. Men are lured in by her sculpted body but disarmed by her smile. And then there's her eyes - sadness and joy flash lightning quick. The style of acting is so natural - I wish the studios would take notice. This film lacks the artifice of so many "dramatic" films. It doesn't need a multi-million dollar film score to move you. It doesn't require dramatic lighting and innovative camera angles to tell you that you're supposed to be feeling something.Students of cinema and drama should take note at the art of subtlety and restraint this film manifests so effortlessly.
MartinHafer
The "nymph" in this story is the daughter of a prostitute and while I didn't find this particularly offensive, the whole idea of EVERYONE around the girl touching, talking about and staring at the girl's genitalia certainly did. I have no idea how old this girl actually was (physically, she looked about 13 or 14), but seeing her completely naked was very disconcerting--so much so that I turned off the film midway through it. Now I am sure that many out there might find my attitudes very "bourgeoise" and old fashioned (there's a lot of truth to this), but I also used to be a psychotherapist specializing in working with sexual abuse victims. In light of this, seeing an underage girl being this sexualized just seemed very inappropriate and sick. Now this ISN'T to say that the topic is a problem--just the way it was handled--there is definitely something to be said about a little discretion. My complaints aren't just a slam against director Lina Wertmüller's leftist bent (after all, I loved many of her other films). From what I saw, the film seemed pretty well made, but also excessively crass and disturbing. I just can't recommend it.
jack-322
This movie shows the social dilemma of an abused girl, showing how easily she is victimized, how unaware she is, and how society gives her little chance to escape her role. It does not overplay her role as a victim, and it condemns no individual, only society.
