Diagonaldi Very well executed

Stellead Don't listen to the Hype. It's awful

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.

MartinHafer I've seen most of Red Skelton's films, so I can safely say that this is one of his better films. It's not his best, mostly because his character was goofy but not as sweet as likable as he was in some of his other pictures...plus the end seem to go on a bit long. Still, it's enjoyable and you could do a lot worse!When the film begins, Red (Red Skelton) is a total loser who wants to marry his sweetie (Janet Blair). However, she is a realist and knows that Red can't hold a job...and their marriage would be doomed. When he fired from yet another job, he decides he wants to become a Fuller Brush man...selling brushes door to door. Oddly, about a third of the way into the movie, the plot changes dramatically---and Red is pulled into a murder mystery. And, to make it worse, the cops think he's the most likely suspect. Can he, with the help of his girl, manage to find out what really happened and prove his innocence?This film is pleasant and fun. As I mentioned above, the ending was a bit of a disappointment as Red's fight with the baddies took very long--too long. It was full of stunts and folks getting bonked on the head. I would have preferred one or two less bonks! Still, it is a lot better than many of his films with MGM where the studio insisted on placing this comic in musicals--which wasted his many talents.

mark.waltz You like films that make you laugh so much that your stomach hurts? Then, this is your film. Red Skelton, on loan to Columbia from MGM, strikes gold. As the title suggests, he's a salesman selling brushes, but it is not all sugar and cream for him. His girlfriend Janet Blair's supposed male friend (Don McGuire) gives Skelton the opportunity to sell brushes, setting him up to fail so he can move in on Blair. Skelton and Blair get involved in murder with hysterical results.The movie is overabundant with hysterically funny gags straight out of vaudeville, and it is amazing how many of them work. The initial selling sequences are filled with gags straight out of the classic shorts that influenced the first wave of television sitcoms. Skelton hysterically deals with a rascally kid with a speech impediment, a temperamental actress out to vamp him (Adele Jergens), and finally, the gardeners of the man who had him fired from his job who ends up becoming the unfortunate murder victim. A hysterical sequence in Skelton's kitchen (straight out of the state room sequence from "A Night at the Opera") follows with a group of suspects and of course, a riotously funny finale in a warehouse.Like its even more outrageous follow-up, "The Fuller Brush Girl", the film was headway for a funny redhead to move into greater success on television.

vincentlynch-moonoi All those wonderful years Red Skelton spent with MGM...lots of funny gags in many of their musicals. But, MGM didn't get comedy movies. They got humor in ,usicals, but they didn't get making movies that were out-and-out comedies. This, however -- when he was lent out to Columbia -- is one of his best comedies.The plot is simple -- can the goofy guy win the girl of his dreams (Janet Blair) by becoming a successful Fuller Brush Man...even if murder enters the picture.There's a succession of funny segments, first when Red gets fired as a street cleaner after setting fire to the city park and then smashing up the commissioner's car. Then there's an extended segment where he first tries being a brush salesmen and meets a different challenge at ever door...including a (if not the) Mean Widdle Kid. In fact, fans of the old Red Skelton television shows will recognize a numbers of lines and skits that became standards for Red. During the period, Buster Keaton was often off-camera in Skelton movies, and while I found no evidence of Keaton working on this film, you'll see his influence in some of the bits. There are some great sight gags in the "chase scene" at the end of the flick.This is very much Red's picture. Janet Blair does her job here, but it's nothing special. Hillary Brooke, quite active in Abbot & Costello films, does rather nicely here. And, Arthur Space is one of those character actors whose name you probably don't know, but he does nicely here at the police detective.If you like slapstick comedy, get this one for your DVD shelf. SONY has done a decent job here in terms of the transfer to DVD.

denscul Even if your not a fan of slap stick or Skeleton's trademark corn this movie captures the best of Skelton in a great comedy. This movie launched his entry into TV and his series still ranks as one of the longest lived. Critics of the show would pan Skelton's unabashed corn, but the Fuller Brush Man was a classic comedy, done as well as your average Marx Brother's work. If you had to pick one Skeleton movie as his best, this is the one.The movie begins with Red's complete failures in life and love. Unlike many of his movies and later TV roles, this movie show Skeleton as an actor who could show the pathos of his character. As a fuller brush salesman (a common fixture in the 40's and 50's), the occupation fits perfectly with Red's character as the proverbial pesty door to door salesman. Well on his way to another failure in life, Red gets involved in a murder that seems funnier and more convincing than his previous roles as a slap stick detective. The scenes in the WWII surplus wharehouse are both funny and extraordinarily well done. No computer generated action scenes, just excellent stunt work. If you like happy and funny endings, this movie will not disappoint.