Stellead Don't listen to the Hype. It's awful

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Izzy Adkins The movie is surprisingly subdued in its pacing, its characterizations, and its go-for-broke sensibilities.

atlasmb "Rachel and the Stranger" is a story that takes place on the frontier during the early days of the Ohio Territory.Jim Fairways (Robert Mitchum), a frontiersman who likes to disappear into the woods for months at a time, rides onto the property of his friend, Dave Harvey (William Holden), to find that Dave is disconsolate over the death of his wife, Susan. The property has gone to seed and Dave's son, Little Davey, though independent, is fairly neglected.After talking with Dave, Jim says he will be back in the Spring. Dave figures he needs to honor the memory of his wife by giving Little Davey the attention he needs, as his mother had. He rides into town (the fort) to find female help. The preacher knows of a bondwoman who might be bought cheap and he intercedes to facilitate the deal. Her name is Rachel (Loretta Young).The story is about the changes that need to be made by father and son, still pining over Susan's absence. Eventually it takes the return of Jim--who recognizes Rachel's value--to really precipitate things. The story is filled with big moments of action, small moments of interaction, and silent moments of understanding. All three stars are strong in their roles and the boy is played very competently by Gary Gray. This is a charming story that, at its center, is a love story.Holden would arguably hit his stride in a couple of years ("Sunset Boulevard") and Mitchum a few years later ("The Night of the Hunter"). But Young, who was slightly older, was already accomplished. Her performance is quiet, but strong. Given the success of this film and its four complementary performances, a sequel probably would have done well. But we will have to settle for this memorable production.

Neil Doyle RACHEL AND THE STRANGER has the kind of quiet charm that LORETTA YOUNG always possessed and benefits from the more rugged screen presence of its leading men--WILLIAM HOLDEN and ROBERT MITCHUM. Loretta is an indentured servant who becomes the wife of William Holden and must prove herself worthy of the affections of Holden and his young son.There really is very little in the story that is original and the outcome can be predicted from scene one. It's clear that Loretta, as Holden's second wife, will have a hard time replacing his winsome wife who was a woman of modest talents and dearly loved by husband and son (GARY GRAY). Not unexpectedly, they both warm to her and so does Holden's "stranger" friend, ROBERT MITCHUM, who does a nice job raising his voice in song accompanied by guitar. Mitchum gives his usual laid back performance, nicely understated. The story may be a little too slow moving for some tastes since it's more of a character study of a widower and his new wife than it is a western.There's no real excitement to the story until the Indian attack which comes late in the story, but the film depends on the central performances of Young, Holden and Mitchum to hold interest as the three of them have some amusing interactions throughout the story.Nicely photographed in outdoor settings photographed in crisp B&W, it's a film full of simple charm without anything pretentious about it.Only drawback: Overuse of the phrase "I reckon" to give the dialog a bucolic flavor. Its use is way overdone and actually becomes irritating when the script has the phrase repeated every few seconds by everyone in the cast.

Michael_Elliott Rachel and the Stranger (1947) *** 1/2 (out of 4) Highly entertaining western/comedy/drama has a man (William Holden) losing his wife but buying a slave woman (Loretta Young) and marrying her so that she can school his kid. Things get complicated when he doesn't pay her too much attention and his friend (Robert Mitchum) comes back from the hunting season. For the most part this is your typical love triangle but the incredible performances from the three leads makes this incredibly hard not to love. You've just gotta love a movie that opens with Mitchum walking through the woods singing and playing a guitar. Young and Mitchum also do a duet later in the film that is quite nice. The chemistry between the three stars makes this film work a lot better than it probably should have. There's some nice laughs at the end when the two men finally fight over her as well as suspense during an Indian attack.

Jem Odewahn This film plays out as a sort of western Rebecca (1940. Rachel (Lorreta Young) lives in the shadow of Big Davy's (William Holden)first wife when she is 'bought' to keep house and educate the young son. The film essentially follows Rachel's efforts to gain acceptance and prove herself a worthy acquisition.Young is good in her role, adequately conveying Rachel's disappointment with married life and her relationships with two men, Holden and Mitchum. Holden and Mitchum in a sense both occupy the stranger tag of the title. Young marries Holden as a stranger, and he remains a stranger even in marriage. Mitchum is the stranger who appears and seems to offer Rachel a chance at salvation. Both men suit their roles. Holden, at first a grief-stricken widower, cold and unwelcoming, begins to open up to Rachel and appreciate her as a wife and companion, not a slave. Mitchum sings and provides a lighter presence. Gary Gray gives strong support as the child who learns to love Rachel as a mother figure after his initial mistreatment of her.There are some interesting themes here, particularly the idea of female servitude. 'Rachel And The Stranger' poignantly questions the role of women in society and also the portrayal of women in western films. It looks at the gun myth in western films- guns allow Rachel to assert herself in a 'male' aspect. It hints at Rachel's dissatisfaction with the lack of sexual relations in her marriage. the Both central male figures are worth close analysis- Mitchum claims to love and appreciate Rachel more than Holden's character, yet he too only thinks of Rachel in monetary terms when he offers to 'buy' Rachel from Holden.'Rachel And The Stranger', in haunting black-and-white cinematography, is a real little gem of a film. It's simple, yet powerful themes and efficient running length mean that the film does not stray into long-winded sequences that detract from the original premise of Rachel's struggle as a 'replacement bride'.