Pluskylang
Great Film overall
RipDelight
This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
Fairaher
The film makes a home in your brain and the only cure is to see it again.
cgyford
Turkish television screen-writer and director Alper Mestçi ("Dikkat Şahan Çıkabilir" & "Gen") re-teams with long-time collaborator Güray Ölgü to make his directorial début with this compelling little horror film which takes a fascinatingly Islamic spin on the exorcism story to create a Turkish box-office hit that was even distributed in Europe.Turkish labourer Suat (Burak Özcivit) leaves his new bride Nurcan (Bigkem Karavus) behind and joins his childhood friend Metin (İbrahim Can) in Berlin to earn some money. Haunted by dark visions that drive him to attempt suicide Suat returns with and Metin to Istanbul to seek the advice of spiritual healer Haci Burhan Kasavi (Kurtuluş Şakirağaoğlu). Burak Özçivit puts in an astonishing début performance as the tortured lead and develops a compelling chemistry with strangely ethereal romantic interest Biğkem Karavus as well as the supporting cast headed by İbrahim Can on solid form and including star turns from Selma Kutluğ and "Kurtlar Vadisi" veteran Kurtuluş Şakirağaoğlu.The film-makers start off somewhat shoddily with some hokey shocks inspired by J-Horror hits such as "The Ring" and "The Grudge" but things soon settle down into a compelling little story that slowly ratchets up the tension with a few jumps and shakes along the way to create a Turco-Islamic horror a cut above most of the countries genre offerings."It was a great love but it was wrong!"
Devrim MIHCI
"Musallat" is a well written and good fictioned Turkish horror movie.I think it's unique among other genre movies shot in Turkey.As being the first movie focusing hugely good on the Islamic exorcism as main theme,it includes also an unusual love story beyond two worlds.The magnetism of the movie is cruel as the story,so we see the characters start to "freefall" into the darkening dynamics of the unknown.I might say that the chemistry of the visual direction and sound work used in the film are also on a high level.I cannot easily compare these specifications with the other movie examples in Turkish genre cinema. I think the negativity of this movie is coming up from the dialog scenes between the main character and his best friend in Germany because they look a bit synthetic.Congratulations and greetings to all the people who worked for this film.
nihatbarin
Some kiddies who are lack of cinema culture can't review this masterpiece that harshly because this movie is superior to not only American horror films but also Japan and Korean films.Surely,An American film company is going to buy script to adapt it to USA.forget all you have seen so far,because this is film is completely a new experience,a fresh breath from Magnificent Turkish cinema industry,a unique contribution to horror genre.I am pretty sure those criticizers typed their merciless reviews in fear and deep horror owing to the deep effect of the movie.I give it 10 out of 10.After seeing this film,you can't stop looking back over your shoulder or at dark corners.
ipektorun
I think this film is an innovative approach to its genre. I think a lot of the details in the scenes (especially the lighting, darkness used in the "exorcism" scene, the religious rituals, the mute scenes in the first part-Germany, the repetitions) are considerably and consciously put. I really liked the sound design and especially thrilled by the end scene. I also think that the destructive comments put here are not objective and accurate. I think these comment-owners are not actual cinema audience or viewer, moreover it looks like they have an alter motive or a hidden agenda. Therefore to support this attitude towards making Turkish horror a genre, which i believe that must be done, i voted 10.
