ferbs54
When we last saw the mermaid Miranda, in the 1948 British fantasy film that bears her name, she was sitting on a rock in the middle of the ocean, bearing on her lap an infant merbaby, the sight of which was apparently meant to stun and amuse the viewer. Although the charming Miranda had almost caused the breakup of no fewer than three relationships in that film, she had not been intimate with any of the men involved (and really, how COULD she be?), and so...just whose baby was this? In hindsight, the baby was apparently hers as the result of a previous underwater fling, casting a whole new light on just why the frisky mermaid wanted one abovewater adventure before becoming a mermom herself. Or perhaps she was merely merbabysitting in that final scene? I suppose that we will never know for sure, as the sequel to "Miranda," entitled "Mad About Men," which was belatedly released six years later, never even alludes to the subject of maternity. Happily, however, it is a wonderful sequel, reuniting two of the previous film's principals, Miranda herself (once again portrayed by the effortlessly charming Welsh actress Glynis Johns) and her eccentric caretaker, Nurse Carey (the great Margaret Rutherford, seven years before her first go at the Miss Marple character with which she would later be forever associated; 62 here, but still capable of performing some physical stunts, such as crawling on the floor and swimming).In the film, Johns gets to play two roles, a great blessing for all her many fans. The first of those roles is Caroline Trewella, a pretty blonde gym teacher who goes on holiday to her ancestral home in Cornwall. Caroline is engaged to a stuffy and prim fussbudget named Ronald (well played by Peter Martyn), who stays behind in London. Once in her quaint seaside home, Caroline is startled one night to hear very strange sounds emanating from the basement, and goes to investigate. I call this a basement, but actually, it is more of an underground cavern that connects to the sea (no fear of THIS basement ever being flooded, that's for sure!). In this cavern she discovers two very strange creatures: the simpleminded, redheaded mermaid called Berengaria (Dora Bryan), and her own exact lookalike, Miranda. The two, it seems, are distant relatives; one land based, one sea based. Miranda once again is desirous of having an adventure abovewater, while Caroline goes on a biking tour, and so the two hatch a very clever plot. Caroline pretends to have been injured in a gymnastic accident, and goes off on her tour, leaving in her place Miranda, once again ensconced in a wheelchair, her large telltale fin wrapped in a blanket. Once free to have fun, Miranda sets her sights on procuring a better fiancé for Caroline than the stuffy Ronald. She thus entices (effortlessly, as always) a local hunky-dude fisherman, Jeff Saunders (Donald Sinden), as well as the moustachioed Colonel Barclay Sutton (Nicholas Phipps), much to the chagrin of his fiancée, Barbara Davenport (Anne Crawford)...along the way also entrancing the local pawnbroker and dress vendor.This sequel, it occurs to me, is very much the opposite of the original film. Whereas "Miranda" had been filmed in B&W, had featured only one mermaid, and had involved that one mermaid's flirtatious actions almost causing three couples to break up, the sequel was filmed in beautiful color (the scenery of the Cornish coast looks very nice, indeed), features twice as many mermaids, and spotlights Miranda trying to play matchmaker and bring people together. Once again, the script was provided by Peter Blackmore, the author of the original "Miranda" play, and once again, it is a sparkling and witty one; hence, Miranda says of her previous adventure on land "I had a whale of a time," and later, of her own singing, "I've never had any trouble with my scales." The sequel features more in the way of silly humor, thanks in large part to the antics of that ditzy Berengaria, culminating in a finale that almost seems lifted from the Three Stooges short "Micro-Phonies." Fortunately, director Ralph Thomas, who would go on to helm one of my favorite Bond pastiches, "Deadlier Than the Male," elicits terrific performances from all his players. But once again, it is Glynis Johns who steals the show here with her effortless charm and underrated beauty, shown to great effect in lustrous color. She is remarkably appealing, sexy and seductive as the playful Miranda, despite being the literal fish out of water, and fresh and feisty as the more conservative Caroline. I'm sure I am echoing the thoughts of all her many fans when I say that when it comes to Glynis Johns, the more of her, the better, and "Mad About Men" provides a double showcase for her abundant charms. This is a delightful fantasy that comes more than highly recommended, indeed. Still, I can't stop wondering about that little merbaby....
BaronBl00d
Mad About Men is a sequel to the innovative little British comedy Miranda. That film was about a mermaid coming out of water and befriending every male she met. This picks up some time after with Glynis Johns reprising her role not only as Miranda but also as stuffy teacher Caroline going to Cornwall to sell her house so she can marry snooty Peter Martyn. There she finds Miranda, realizes the two look just alike, and leaves Miranda in her place as herself. Naturally, Miranda is up to nothing but mischief, again befriending every male she meets. Brain surgeons are not needed to figure out how this all ends, but the film has a nice pace and keeps the whole thing afloat somehow. Like its predecessor, Mad About Men is charming, funny, and frivolous entertainment. Johns is breathtaking in colour. She exudes tons of sex appeal once again as the fishy nymphomaniacal mermaid looking for men. Margaret Rutherford reprises her role as the nurse who knows Miranda's secret and as always is a joy. The rest of the cast is very solid, and director Ralph Thomas does a more than workmanlike job creating some believability - a possible problem with this film, unlike Miranda, being in glorious colour.
MartinHafer
Miranda is a nice mermaid who speaks perfect English. She meets up with a human who is her exact double. Apparently a distant relative had "relations" with a mermaid and this supposedly accounts for them looking 100% the same (a plot element only seen in movies and "The Patty Duke Show"). This nice mermaid and her nice counterpart decide to let Miranda pose as the other lady for a fortnight--during which time Miranda chases after men with wild abandon.I am not a huge fan of the first mermaid film starring Ms. Johns (MIRANDA), though it was an amiable time-passer. Oddly, despite it being a very "small" film, a few people on IMDb gave it a score of 10, though I notice that the scores for this follow-up film, MAD ABOUT MEN, were not so inflated. This is really odd as both films are very similar and it's really a coin toss to decide which is the better picture. Interestingly enough, this sequel came 8 years after the original film. Also, while I have not seen it, apparently Ms. Johns made a brief cameo appearance as the mermaid in another film (HELTER SKELTER). So, overall, the film is charming and worth a look--just don't expect magic.