Colibel Terrible acting, screenplay and direction.

BoardChiri Bad Acting and worse Bad Screenplay

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

popcorninhell Kundo is an odd but charming amalgamation of influences. While very strongly identifying itself as a martial arts film, much like The Good, the Bad, the Weird (2008) in its heart it's a western. Its hero, Dolmuchi certainly lends himself to western tropes; a downtrodden man turned outlaw seeking vengeance. Add to that a Robin Hood-esque sub-plot involving a band of larger-than-life rebels and you have yourself one of the most intriguing South Korean imports since Mother (2009).All is not well in Joseon dynasty Korea (approximately mid-19th century). There are consistent strife between the the ruling aristocracy and the poverty stricken farmers and artisans that struggle to survive. During this time Jo Yoon (Kang) is taken from the brothel he was born in, to the house of his father (Joo) and told he is the heir to his fortune; that is until his half-brother comes along. Thus, Jo Yoon slides into all-consuming evil and claws his way back up to power after the "death" of his brother. His brother's pregnant wife (Kkobbi) avoids harm so Jo Yoon hires a lowly butcher Dolmuchi (Ha) to finish the job. Dolmuchi refuses and his family is killed as a result. Thus the game of good and evil is set with Dolmuchi siding with a team of bandits who steal from the rich to give to the poor.Members of the the gang of bandits are introduced with flashy tile cards while riding in the saddle which emulates the slap-dash styling that defined Sergio Leone's most iconic westerns. You get a very clear sense of the personality of the bandits from the get-go and director Jong-Bin Yin wisely uses this short hand so we feel invested in their fate while concentrating solely on the struggles, both internal and external, of Jo Yoon and Dolmuchi. Dong-Won Kang is rapturous with his calm, concise words and demeanor. The concubine's son turned nobleman wears white and darts with the steady grace of a samurai yet his preening has a very dark and sinister side. Meanwhile Jung-Woo Ha's Dolmuchi is as coarse as a bag of rice with his constant swearing and Fairbanksian swagger. Despite receiving a burn on his head after the death of his family, Dolmuchi keeps a sense of humor and takes relish in relieving noblemen from their top knots. The commonality between the two is a seething anger that threatens to undo their progress.Despite it's epic sweep and solid acting, Kundo may ultimately have trouble putting butts in the seats due to its fighting sequences. The fights are well choreographed don't get me wrong, but there's nothing that stands out apart from perhaps the final showdown. Even then Jo Yoon is put at so much of a disadvantage one can't help but speculate that if he had the use of all his limbs and faculties he would once again be able to easily defeat Dolmuchi. In addition there are some scenes that seem to conflict in tone with one another for no apparent reason. Then again it might just be a product of film grammar from another culture I have yet to truly understand.All in all though, Kundo is a riveting Korean epic with a story that rivals the best of western mythology. There is some strong character work and directorial choices that sets it apart from others of its ilk and while the fighting scenes were short of spectacular, the bandits and their unique skills sets stop them from becoming monotonous.

MartinHafer Imagine if you took an Italian western, Kurosawa's "Seven Samurai" and "Robin Hood" and then transported all this to 19th century Korea. This is pretty much what you get in Jong-bin Yun's masterpiece, "Kundo: Age of the Rampant". It's a new martial arts epic that I cannot recommend strongly enough--and fans of this sort of picture are bound to be satisfied with this excellent film.The film begins during the latter years of the long Joseon Dynasty. The country is racked with famine, disease and locusts. But these locusts aren't the kind you're thinking of...they're the human kind. These are the various lords and governors who exploit the people and make the suffering and starvation even worse--as they strip the land from the people and force them into slavery. However, an honorable gang of bandits have made it their mission to right wrongs, care for the poor and punish the evil men in charge. For a while, their mission goes off without a hitch, as bureaucrat after bureaucrat are captured and sentenced for their crimes. However, one of these evil men, Yo-Joon, is something else. He is not only among the most evil and bloodthirsty, but he's an incredible fighter and more than a match for any of these Robin Hood-style bandits. Plus, he has his loyal band of seven evil warlords and an army...what good could these bandits do against such odds? Well, being heroes, they do what heroes must do even if the mission seems like certain death.The film's plot is very reminiscent of an old western and the music really heightens the effect. It's not exactly Ennio Morricone's in style but has many similarities to his scores that this great and very prolific Italian composer wrote for epics such as "The Good, The Bad and The Ugly" and "A Fistful of Dollars". It's rousing and energetic to say the least. And, the main bandit, Dochi, is also cut from the same mold as these great old films. All in all, a terrific film that features top-notch acting, music and production values--as good as any martial arts movie you could find. See this film...just don't take your young kids. Only a crazy person would let them watch this film or films like it. It's extremely realistic in its violence and bloodshed--as you would expect. So, even if they beg you, find another film for them and watch this one when the little ones are asleep, as it clearly earns its R rating.

KineticSeoul I personally thought this movie was alright and what standout about this movie the most is the cast. In a way the story is sort of similar to "Robin Hood" except there is no love interest between the protagonist and someone else. And it puts quite a bit of emphasis on the sword fighting martial arts sequences. There isn't many standout action sequence, except maybe on scene where the vicious nobleman takes on a group of bandits by himself (which is probably the best scene in the movie). Overall, this is a rebellion movie about peasants that got pushed around too far by corrupt officials and they decide to stand and fight. When it comes to the core, it's basically a story about a butcher that lost everything going up against nobleman who has father issues. In fact more than the butcher who is basically the hero or anti-hero of the story is one of the least interesting characters. And the most interesting one in this flick being the pretty boy nobleman who is also and elite swordsman and his back-story and what makes him tick. Overall this is a alright watch, with few decent scenes but when it comes down to it, it's actually quite forgettable. And just didn't have much meat to it. Sometimes simple story can really work, but in this case I just didn't really care.6.2/10

ASouthernHorrorFan I have to admit that I am not well versed in Asian action films, nor Korean history but I love this film. YOON Jong-bin's "Kundo"is the story of a bandit clan that take on the tyranny inflicted on the peasant population during the Joseon Dynasty. The film is a Korean period piece, set in 1859, and brings together a modern vision to classic Asian action-fantasy with tradition dramatic passion. "Kundo" tells a very powerful saga between the impoverished people suffering at the hands of the ruling nobility. It is a tale that rings, not only in historical record, but in modern time around the world. Similar to the legend of Robin Hood, "Kundo" creates a wonderful narrative of one group of individuals standing up to the oppression, taking what they can from the rich, and handing it out to the poor. Something that is universally recognizably as true human heroism. Yoon brings the story to life in epic style, filled with both visual and emotional power that captivates. The special effects in "Kundo" are restrained and by no means rise as the star of this film. The story, with all its raw intensity, personable emotion, and hypnotizing sound effects are of equal status in this one. The choreographed fighting style is every bit as entertaining as Hong Kong's action films that match this type of film. However the character that develops in "Kundo" balances that fantastical ability of Asian martial arts and war with true passionate story telling that hits at the heart. It is relatable on so many levels. At times the film reminds me of the American westerns of the late 60's and early 70's that tried to give an honest voice to the First Peoples plight.Over all I have to say the "Kundo" is an affective film-creating a strong atmosphere than pulls you into the story completely. Yoon is brilliant in his ability to make a historical picture relevant to modern audiences while honoring the past. Elements of Western bravado show at certain moments, without spoiling the film I can only say that the film is truly entertaining, giving moments of Kevin Reynolds' "Prince Of Thieves" dramatically-Hong Kong styled fighting and action reminiscent of Tsui Hark's "Once Upon A Time In China". Ther is also a bit of wild west attitude in "Kundo" that reminds me of Christopher Cain's "Young Guns". And yet Yoon manages to keep a unique signature style that is what must be totally Korean, all the elements that make "Kundo" such a stellar film are balanced perfectly with out being overstated. It is a true cinematic gem.