Maidgethma Wonderfully offbeat film!

SpuffyWeb Sadly Over-hyped

Twilightfa Watch something else. There are very few redeeming qualities to this film.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

BA_Harrison Only five films into my 'Girls, Guns and G-Strings' Andy Sidaris box set and I'm already struggling to find new ways of describing what is essentially the same damn movie every time: the same actors; the same characters; the same location; the same silly ingredients.Guns replaces Sidaris regular Hope Marie Carlton with the equally gorgeous Roberta Vasquez and introduces a couple of reasonably cool B-movie stars as villains (Erik 'Ponch from CHiPs' Estrada and Danny 'Machete' Trejo)—everything else is exactly as one would expect: dumb plot; big breasted women in very skimpy outfits; hunks with bad hair; ridiculously large hand weapons; deadly remote control toys; and assorted men in drag (in this case, a pair of trannie assassins).With a fraction more action than usual (there are some nice 'n' bloody squib shots), Roberta Vasquez getting topless on a motorbike, and suitably nasty deaths for both Estrada and Trejo, this one is possibly my favourite of the series so far. Then again, it might not be. It's hard to tell.5.5 out of 10, generously rounded up to 6 for IMDb.

Woodyanders Ruthless arch criminal Juan Degas (nicely played with laid-back assurance by Erik Estrada) uses the Hawaiian Islands as his base of operations for smuggling guns from China to Latin America. Several federal agents band together to take Degas down. Once again writer/director Andy Sidaris works his usual entertainingly kitschy magic with his customary winning blend of lovely ladies who bare their tasty wares with pleasing regularity, an amusingly goofy sense of self-mocking humor, big splashy explosions, several ineptly staged action set pieces, a good amount of bloody violence, a constant snappy pace, and gorgeous globe-trotting locations which give this picture an impressively expansive feeling of scope. Of course, the standard bevy of hot babes helps a lot: busty blonde Dona Speir as the feisty Donna Hamilton, yummy brunette Roberta Vasquez as the sultry Nicole Justin, scorching Cynthia Brimhall as foxy singer Edy Stark, ravishing Devin De Vasquez as Juan's sexy, yet lethal moll Cash, and adorable Kym Malin as sassy wrestler Kym. Moreover, Phyllis Davis delivers a lively performance as Donna's hard-nosed district attorney mother Kathryn Hamilton, Danny Trejo does well as Juan's smooth henchman Tong, and Chuck McCann contributes a funny turn as impish magician Abe. As an added plus, the divine Ms. Brimhall belts out a couple of cool songs (the titular tune in particular is a real boot) and two bumbling transvestite hit men supply gut-busting comic relief. Hward Wexler's slick cinematography gives this movie an attractive bright look. Richard Lyons' bouncy synthesizer score hits the stirring spot. An enormously fun flick.

Smartt When I was a wee tot I never cared about superfluous things like plot, characterization or people yakkin' exposition for more than 30 seconds. What I wanted to see was the car chases, explosions, high kicks and bikini girls with machine guns. Happy happy happy, joy joy joy! Of course, one day we have to grow old and abide to the rules of Society, that forces us to become, uh, "sophisticated". We ditch Hollywood blockbusters in public and pretend to like Finnish art movies and David Lynch. But deep down inside, in the heart of that happy child we once were, we really want to get home in time for the Baywatch rerun. And that, friends and foes, is the spirit of Sidaris' work. I've seen the polls at IMDb and voters aren't fond of Andy's flims. They're completely missing the point AND the fun.

mangraa2 I've sat through some s***. Skateboard Kid 1 and 2. Uncle Sam. They didn't even compare to this. Just.. dear lord. If you're a masochist, rent it/watch it at 1:30 a.m. on Cinemax. Horrible dialogue horribly delivered by horrible actors in horrible sets with horrible special effects.