The Hour
The Hour
TV-14 | 19 July 2011 (USA)

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SEASON & EPISODES
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  • 1
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  • Reviews
    Softwing Most undeservingly overhyped movie of all time??
    MoPoshy Absolutely brilliant
    Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
    Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.
    bluegoldhighlander I sincerely hope this show gets another season as I really enjoyed it's debut. The Hour was a real "don't miss" for me with it's mixture of suspense, drama, romance and occasionally a laugh. *Caution, spoilers.* The show's setting in such a fascinating political time added to it's appeal, and coupled with a subtle exposure of the abuses of power as demonstrated by Britain's MI6 made for a very intriguing mixture.I enjoy British TV and film, as it seems to rely less on slapstick, sex, toilet humour and car chases. This is an intelligent series that made me want to refresh my memory on the history of the era, with Suez, the Hungarian Uprising and British spy scandals.I thought the entire cast did a great job, with special nods for: * Ben Whishaw's nervous intellectual * Romola Garai's professional woman trying to walk the line between career and personal life * Anton Lesser's subtly menacing manager * Dominic West's upper class, prep school type working to be accepted as a part of the mostly working class teamI thought the show demonstrated a skillful blending of personal interest with political events. And the tone and scene was very well set, with the BBC's offices slightly darkened atmosphere and wonderful period feel.Applause, and please give us more.
    Roelof Luttikhuis The Hour is a great series made from an interesting angle: media in post-War Britain. Since I have a media background, the story line of a BBC news show that is made under influence of the government appeals to me very much. What I especially like about The Hour are the characters. None of them are either good or bad and their behavior and views seem very realistic. There's no crude division between good or bad which gives the overall story line a layered kind of dynamics: the overall story line as well as the personal drama interested me from the beginning to the end. How I 'grew into' the characters while watching the series reminded me of The Wire. Acting is well done by the way, which pushes the series to a very high level.This is the first series I saw after seeing the American-made Homeland and it is such a relief to me that the British do not seem to fall for the blunt simplifications of good and bad as portrayed in American drama.Bravo!
    Leofwine_draca Review of Series One:This decent BBC drama miniseries depicts the lives and loves of three journalists working for the corporation during the 1950s. The series gets off to a dodgy start with the first couple of episodes, mainly because the main characters are all so damn cold. It then gets a lot better as we get to know those involved, and by the end it's become a real blast.Romola Garai's Bel is really the centrepiece of the whole production, the producer who attempts to hold it all together while making some huge mistakes along the way. Ben Whishaw's Freddie is a bit of an oddball at first, but his deepening involvement with the series' conspiracy undertones makes him a character to watch and, come the finale, he's the most interesting by far. Dominic West is faultless, as he has been in everything I've seen him in.The attention to detail is impeccable, and I particularly enjoyed the way that world-shaping events have a key influence on the plotting. There's romance, drama, murder and humour in spades here, along with strong performances from both veterans (Anna Chancellor, Juliet Stevenson, Tim Pigott-Smith) and relative newcomers (Burn Gorman and Julian Rhind-Tutt are both particularly good).There are occasional faults – the unravelling of the conspiracy storyline is over-complicated and muddled – but these can be easily forgiven. Altogether a compelling piece of literate TV drama, and I'm overjoyed to hear a second series has been commissioned.Review of Series Two:Series two of THE HOUR turns out to be an improvement on the first series, which was great to begin with: the performances are more natural, the storyline more tightly focused, and the sense of danger and impending deadlines far more pronounced.The series boasts impeccable production designs, intriguingly interwoven plotting and some excellent performances. In this series, Hector is really put through the wringer, allowing the audience some more of Dominic West's finely mannered acting; Oona Chaplin, playing Hector's wife, also comes into her own as a fully developed, sympathetic character for the first time.There are casualties: Romola Garai is utilised less well here, although Ben Whishaw is as charming as ever. The problem is that the focus is away from Garai, unlike in the first series, and she's given little to do. Everyone else seems to have deeper, stronger character stuff, whereas her screen time is limited to some corny romance that never goes anywhere.There are missteps, too, not least Abi Morgan's attempt to give ALL of the main characters some emotional storyline, even the nerdy bespectacled comic relief guy. There's just not room for it, and bringing in a typically hissy Peter Capaldi doesn't work either; his sub-plot with Anna Chancellor just left me cold, getting in the way of the REAL story.Still, these flaws aren't enough to ruin the enjoyment of this series, which just seems to get better and better with each episode. As with series one, it culminates in a remarkably tense and gripping final episode that leaves me hoping for third outing.
    saldb Not sure how this was picked up. The pilot episode is very slow and gets interesting only about 3/4 of the way in. Granted maybe us Americans prefer fast action and suspense - The Hour has potential. Main characters are introduced with little exposure to personality they are left as stereotypes in the first episode.The next few episodes explore the characters more and the story archs develop. The show then becomes more interesting. With a lot of editing (maybe 30-45 min episodes) this would succeed on US TV.It's a lot like MadMen on the cover - bunch of mid-20th century people working in a company. However the plots in the story are not developed like Mad Men and really besides the fashion, alcohol, smoking, secretaries there aren't parallels.