Adeel Hail
Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Alistair Olson
After playing with our expectations, this turns out to be a very different sort of film.
Paynbob
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
mark.waltz
There are going to be a lot of modern audiences who find Jimmy Stewart's pilot character to be the epitome of a male chauvinist. He balks at the thought of working for a woman, let alone being married to his boss. That's the story here of when he encounters the wealthiest orphan in the world (Joan Fontaine, whose character claims to be 26, is actually 28, as played by an actress who was really 31), having just married the most boring man in the world. She's changed her mind, the groom slugs Stewart, and after the briefest of all attempts at a honeymoon, Fontaine runs into Stewart's hotel room and refuses to leave. Of course, after taking three sleeping pills, it is going to take more than dynamite to get her out of bed, but if Stewart and his co-pilot pal Eddie Albert have their way about it, they will.Joan Fontaine, in one of her few comic roles, is extremely funny as she slips and slides out of a chair and Stewart's arms while under the influence of these pills. Stewart and Albert agree to take her as far as Chicago, but along the way, they pick up a newlywed couple as well as a clerk who is wanted for embezzlement. It's "It Happened One Night" in the sky where a corpse, a chimpanzee and a bunch of fish ready for filleting are accompanying this mixed group of passengers. Then, when the plane hits bad weather, it's down it goes, right into the front yard of hick Percy Kilbride, his non-Marjorie Main wife (Edith Evanson), and their brood of 10 kids (and they've just started!). You know the minute a record player in the bridal suite begins to play "Hold That Tiger!" (which Kilbride always seemed to discover playing on his radio whenever he turned it on in the "Ma and Pat Kettle" series), you're in Universal territory, especially when Pa Kettle's Indian friends are the ones who show up to pull the plane out of the mud. The fact that this came out as the same year of "The Egg and I" proves this point, an ironic fact of free publicity in movie history.There's lots of funny moments here, especially the shot of the cigar- smoking chimp, embezzler Porter Hall getting all misty-eyed at the presence of a baby in his arms, and the battle of the sexes between Stewart and Fontaine. Marcy McGuire, the pop-eyed ingénue of a series of RKO musicals of the war years (and got the first screen kiss from Frank Sinatra), plays the new bride who sneaks a ride aboard the plane, while Vera Marshe is Hall's floozy secretary who runs off with him and the stolen money. This is a late screwball entry in the Post World War II era where comedies were more topical yet not always entertaining. You will be consistently entertained here.
Claudio Carvalho
In New York, the spoiled Diana "Dee Dee" Dillwood (Joan Fontaine) is an indecisive millionaire that has broken with her various fiancées. Her uncle and her psychiatrist convince Diana to get married with Henry Benson (Willard Parker) and they go to a fancy hotel. Meanwhile the pilot Marvin "Marv" Payne (James Stewart), who owns an air flight company with two old airplanes with his friend Bullets Baker (Eddie Albert), lodges in the wedding suite on the next door of Dee Dee and Henry expecting to rest to fly to California on the next morning. Dee Dee flees from the wedding night and hides in Marv's room. She uses a strong sleeping pill and on the next morning, she does not wake up. Marv and Bullets take her to the airport and she convinces them to take her to California with them and a chimpanzee; a soppy couple that has just married; an embezzler with a wallet full of money; a coffin with a body; and frozen seafood. After a storm, passenger and crew are stranded in a farm of a hospitable family where Dee Dee learns that the she will find her true love when she kisses the right man. "You Gotta Stay Happy" is a delightful screwball comedy with James Stewart and Jean Fontaine that show wonderful chemistry. I saw this movie yesterday and I laughed a lot with the funny situations, especially when the poor Marv wants to sleep and is interrupted many times. It is amazing how Hollywood does not present a tribute to Jean Fontaine (96), to her sister Olivia de Havilland (97), to Maureen O'Hara (90) and to Lauren Bacall (89) and any other actor or actress from the Golden Age still alive in the Oscar ceremony. Ms. Lauren Bacall is still filming but it would be heartwarming to see Ms. Jean Fontaine, Ms. Olivia de Havilland and Ms. Maureen O'Hara reunited again, after all those years. My vote is eight.Title (Brazil): Not Available
philosophymom
Though "You Gotta Stay Happy" came after the heyday of screwball comedies, it follows the recipe well enough: take one zany heiress, mix up with earnest hero, add wise-cracking best friend, toss in some comic stereotypes for support, add a dash of innocent deception to get the plot rolling, then a pinch of mistaken identity (or something like it) to keep things stirred up, and top off with some chaste romance. Bake (or half-bake) for a little over an hour and a half, garnish with a cigar-smoking chimpanzee, and... voilà! Enjoyable light entertainment. You may be hungry an hour later, but it's fun while it lasts.Jimmy Stewart's Marvin Payne is a variation on the actor's patented good-guy persona: a decent if sometimes cranky pilot, he's trying to keep his ramshackle airline *and* his carefully crafted life-plan running smoothly. Joan Fontaine, proving surprisingly proficient at comedy, plays indecisive rich girl Dee-Dee Dillwood, whose antics seem calculated to throw Marvin off schedule in both arenas. And Eddie Albert, as "Bullets" Baker, shines in an early and excellent incarnation of what would become his trademark 1950s character-- the lovable sidekick.It's hard to outline the plot without giving it all away-- partly because all the pieces are intertwined, and partly because there aren't all that many pieces-- but I'll try. Fontaine's running from the altar, and Stewart, not fully aware of her circumstances, is somehow persuaded to let her aboard his cargo plane. Meanwhile, co-pilot Albert has enterprisingly sold seats to a few other unauthorized personnel. Will our intrepid fly-boys manage to steer their two-engine plane through stormy weather to complete all deliveries and stave off bankruptcy, or will they be too distracted by the fact that the police seem to be looking for one of their illicit passengers? And how about Stewart's heart, which seems to be flip-flopping for Fontaine a full six years ahead of schedule (he's penciled in "love" for 1954)? Will he be relieved or upset, if and when he learns her full story? It'd be too much to say that "the plane lifts off and hilarity ensues," but I was both amused by the proceedings and invested enough in the leads to care whether they got their happy ending. A warning: some of the aforementioned comic stereotypes-- naive Native Americans, women content to stay in their place-- haven't aged as well as others, so put on your 1940s hat before popping in the DVD.
Patrick-96
This is probably James Stewart's worst film. His co-star is Joan Fontaine, who never was adept at doing light comedy, she and Stewart have no chemistry together whatsoever. They get no help by the pale script and the pacing of the film is very slow. A dud.
