Jeanskynebu the audience applauded

ChicRawIdol A brilliant film that helped define a genre

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Coventry Yi-haaaa, now where did I put my banjo? It has been ages since I watched a good old-fashioned 70's hillbilly-hicks exploitation thriller that shamelessly imitates the plot & success aspects of "Deliverance"! Sadly, however, the obscure "Whiskey Mountain" nearly didn't meet my – admittedly too high – expectations. I don't understand what went wrong, because all the omens indicated that this movie would be right up my alley. I love cheap and trashy drive-in cinema from the seventies, I absolutely love the cool horror protagonist Christopher George ("Pieces", "City of the Living Dead", "Grizzly"…) and I even have a fond but inexplicable weakness for the previous work of the reputedly incompetent director William Grefé. Yes, I confess… I'm a really big fan of "Stanley" and "Impulse" and I also tremendously enjoyed notorious stinkers such as "Mako: the Jaws of Death" and "Sting of Death". Then what exactly is the problem with "Whiskey Mountain"? Well, quite frankly, this film is incredibly boring and approximately half of the running time consists of pointless footage of the four lead characters driving through remote backwoods areas on their motorcycles with guiding evergreen music playing in the background. The foursome, two couples, is heading towards Whiskey Mountain in search of family treasures, but they encounter a bunch of unfriendly and marijuana- addicted rednecks on their paths. Nothing of interest happens during the first full hour of the film and I really had to fight sleep several times (sleep often won) in order to reach the climax. The tone and ambiance of the film aren't nearly as gritty and unsettling as they should be and even the excessive use of banjo music gets pretty dire after a while. Christopher George, cult wench Roberta Collins ("Death Race 2000", "Eaten Alive") and the rest of the cast deliver decent enough performances, but the script simply is too weak. But the main shortcoming definitely was that I was watching a crummy old VHS tape with terrible picture quality and nearly inaudible sound. Perhaps if "Whiskey Mountain" ever finds its way to DVD, complete with restored picture quality and remastered soundtrack, I'll give it another chance.

jonathan-577 A less than redemptive hunka junk that is mercifully free from the ravages of competence. Some Northern idiots come to the deep South looking for some confederate rifles stashed on the legendary Whiskey Mountain. They are menaced by scary hillbillies, in a wide nod to 'Deliverance'; but it turns out that the hicks are fronting for a Northern marijuana-trafficking badass. This is brought to light so early that it doesn't even qualify as a twist. The women are locked up and raped into catatonia; rather than rescuing them, the guys run down to town to get the sheriff, who is lazy and doesn't believe them. I think if my girlfriend were being raped I'd kind of take the shortest route to the hideout anyway. It's OK though because as soon as they show up to tenderize the baddies the girls get all cheery and hop around, if only trauma were like this in real life. Also featuring a backwoods guy with a beard who cackles a lot. Not exactly bursting at the seams with ideas.

microx96002 This movie was not released.... it ESCAPED!!!!!! I actually got brain damage watching this. It is hard to believe people got paid for acting (oops, too strong a word)"being" in this! At least I presume they got paid. How could it have made any money???

Gangsteroctopus Like "Star Wars Episode One: The Phantom Menace". No, I'm not kidding. I mean, at least this film has people in it that sort of act like recognizable human beings. And any film with WIP-pic stalwart Roberta Collins in it can't be all bad. Maybe mostly, but not all. This is just your sort of run-of-the-mill "Deliverance" rip-off, '70s drive-in fodder from the interesting if not especially talented William Grefe. The fact that it was clearly shot in 'scope and that it was a budget video label (Best Film & Video) that put it out goes a long way toward explaining why it looks so cruddy. So give it a break!