Welcome to the Dollhouse
Welcome to the Dollhouse
R | 22 March 1996 (USA)
Welcome to the Dollhouse Trailers

An unattractive 7th grader struggles to cope with suburban life as the middle child with inattentive parents and bullies at school.

Reviews
Incannerax What a waste of my time!!!
Konterr Brilliant and touching
Helloturia I have absolutely never seen anything like this movie before. You have to see this movie.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
mark.waltz "Are you a lesbian?" Teenager Dawn Weiner is greeted with these words after finally sitting down in the school cafeteria just minutes after starring open-mouthed for a table where she would be hopefully welcome. It is obvious that poor Dawn is the school reject, a dandelion among roses, or so the nasty cheerleaders who ask her this rude question choose to believe. After denying the question, a possible lesbian of years to come announces that Dawn had just come onto her and later will demand to watch her defecate in the school bathroom. This isn't a polite movie, and to put blame where it really should go, Dawn's treatment at the hand of these bullies is not helped by the adults in her life: her nasty teacher, the principal who believes he is trying to help her, and especially, her self-centered parents who baby her little sister while basically treating her equally as nasty as the students do.Mother (Angela Pietropinto) is the biggest culprit, always believing the worst about her, and emotionally abusing her every chance she gets. Anyone who has felt that their parents hated them simply because they misunderstood them will identify with Dawn here. She spoils the Jon Benet Ramsey look-alike Missy (Daria Kalinina) and belittles poor Dawn every chance she gets. Like a character out of a John Waters movie, Mrs. Weiner should go down in the hall of fame as one of the nastiest movie mothers ever. She makes Faye Dunaway's Joan Crawford look like Sally Field's M'Linn from "Steel Magnolias" in comparison.While it is understandable that she'd want Dawn to tear down the clubhouse she's built (it is after all an eyesore), the way she does it is without any type of sensitivity. Father (Bill Buell) isn't any better, maybe a bit quieter in his abuse, but still supportive of it. The only remotely likable member of the family is brother Mark (Matthew Faber), and he ain't any prize, either, totally selfish with his consumption of his rock band and desire for education, but perhaps it's because he can't wait to escape from his truly messed up family. Missy is one of those nightmare "Bad Seed" children, oh so pretty, oh so polite, but phony, phony, phony. While I wouldn't wish a fate which befalls her on any child, I can see why Dawn can't stand her.Dawn, herself, ain't totally without faults. She bullies herself, in this case, her only friend, a sixth grader who hangs out with her in the clubhouse, obviously desperate for a friend: any friend. After a scene with a bully (as Brendan Sexton Jr.) who has threatened to rape her, Dawn yells at this innocent kid, who has just offered her comfort, calling him a faggot. Heather Matarazzo gives a heartbreaking performance as the unfortunate Dawn, someone you are sure will either end up an ax murderess or a suicide victim. As for the character of Brandon, the bully who has threatened to rape Dawn, Sexton gives an insight to what makes a bully a bully. He obviously is curious about who Dawn really is underneath, yet can't help but treat her like crap when around their fellow students. But once alone with her, he reveals who he truly is, and this reminds me of junior high bullies I knew who actually became quite a different person when alone with me. Still no excuse, but an excellent insert into the screenplay to allow us to see the multiple dimensions of seemingly really horrid kids. Victoria Davis reminded me a lot of a young Jodie Foster, albeit one who needs to wake up and stop harassing other people for being something her character obviously is.The ending is a sad one, an insight into what is going to be in this character's life. Yes, there are moments where you can't help but laugh, and yet, still feel bad about the fact that you are indeed laughing. Bullying is, in fact, no laughing matter, but perhaps that is the intention of the writer and director to get us to see that while he wants us to laugh, he also wants us to think. In thinking about it, hopefully we will grow up and realize that humanity really needs to get away from the images it tries to project on children to be. Grow up, he says, Dawn Weiner could be you, your daughter, your sister, your best friend's kid. Time to wake up and smell the junior high school cafeteria mystery meat.
FilmGuy34567 Welcome to the Dollhouse-***1/2 (out of 4): Junior high can be tough and it is especially tough for little Dawn, who suffers from her abusive classmates, less than satisfactory home life, and her own discomfort with the problems of adolescence. Perhaps one of the most raw and unsentimental coming of age pictures ever made, though the tone is purely original. We are in many ways touched and even heartbroken by the central character and her troubles, but often catch ourselves laughing at the sheer misery and misfortune encountered by her. Half black comic and half drama, but completely insightful: this film is definitely one for the books. It also is the first display of the humorous misery of writer-director's Todd Solondz's imagination.
tnrcooper This film well encapsulates the horrors of middle school, perhaps more than was your experience, but the point is well taken. This unfortunately-named girl (Dawn Wiener), whose plight is not helped by her gawky looks, nerdiness, and refusal to take her punishment lying down, brings the pain of middle school into sharp relief. Having read a lot of the comments on IMDb, it's clear that this movie resonates with many. Landmark director Todd Solondz doesn't shrink from depicting the most cringe-inducing, skin-peeling, soul-destroying tortures inflicted by kids on their peers during those difficult tweener/teen years. Dawn Wiener (Heather Matarazzo) lives with a mother who has no idea of the pain in which her daughter is in and with a father with no guts to intervene to his wife on his daughter's behalf. Her older brother is an academic success, although also very nerdy and her younger sister is the belle of the ball who can do no wrong in her mother's eyes.Solondz has constructed a very plausible hell in which his young protagonist suffers. She has no friends save for one boy who is the only other member of her "Special People Club". Her locker is the site of some particularly vitriolic abuse (although, having worked at schools, I found it implausible to believe that no teacher would have intervened to have the abuse removed), she is called "lesbo" and one girl who is particularly nasty will not let her leave the restroom without taking a crap.I liked the fact that this protagonist does not take the abuse lying down. Solondz creates such a good movie that he does not make Wiener into a wallflower. Indeed, she reacts in sometimes callous ways, taking out the anger she feels on someone less powerful than her. It's not necessarily pretty, but it's human nature. She reacts in anger to several things and I found this refreshing. She is not depicted as an ineffectual person. She fights back against her treatment-which people do, in real life-and Solondz deserves credit for this characterization of his protagonist. This really is a tough film to watch but I think this is one many young teens and tweeners would do well to watch and discuss with their parents because it could be a jumping-off point for a discussion about bullying and cruelty at this very difficult age.
annevejb A prime quality that the DVD had for me was a price much higher than I usually can pay. Used to be that when I browsed IMDb details I sometimes looked at the tag at the top that showed availability in the different Amazon countries, availability as disk or tape or whatever. Way back then I purchased from local low cost shops, but it was interesting to browse. Then I progressed to purchases from the local, UK, Amazon but only for what I could pay for by cheque. Then I got to be able to pay electronically and it was suddenly possible to purchase low cost disks from second hand sources in the UK, Germany, USA and Canada, etc, via Amazon UK. The disk availability box at the top of an IMDb page was starting to have potential for real value, though I tended to search just in Amazon UK. Some of the really interesting disks were not available, some needed access to paying to a different country's Amazon, especially for low cost disks, but this was a massive start for being able to search for disks by title rather than from the more restricted range of what was available locally. Locally is still really useful, but it is more a serendipity sort of thing. Then the IMDb system changed. The disk availability button was not there. Then it was there but not showing the range of countries or versions of disks, if UK Amazon had the title in a variety of versions then either only one would be shown or an Amazon USA version would be shown. So, there was a basic indicator of availability, which is useful knowledge, just the way of searching the different stores was gone and at August 2009 this was still gone. So things were okay and unless an Amazon other than UK became the sole outlet for such as The Adventures Of Pete And Pete Season 3, some have a hunger for that Trachtenberg series, then things were tolerable. What happened instead was that Amazon USA became the sole outlet for Unfabulous Seasons 1 and 2. Also Zoey 101 seasons 3 and 4. While the prices are nothing like my ideal it was suddenly essential for me to get a payment method that Amazon USA accepts and in August 2009 I managed. Dollhouse. When I got to make my first order there was a copy of this at USA at a much lower price than I had ever noticed at Amazon UK or any other outlet. Except that order failed, it was not available for a delivery address in the UK. Two other items went through, though. It looks as if some traders are able to export, but not others. Later experiences told me that I still have a problem re availability of difficult to find titles. The outlook can seem bleak. The stuff that I had been noticing will mostly have not been available for export. * Dollhouse is from the year when season 3 of Pete, Pete appears and is a couple of years after Heather Matarazzo appeared in an episode of each of seasons 0 and 1. It is weaker than Pete, but in some ways it is as strong. I find that it echoes My Girl and Tideland, but from a different culture and in a more down to earth way. All have the main actor as of an appropriate age, scary but sense when musing on these sort of aspects. Dollhouse is bound to feel offensive to some who can accept My Girl. To me it has a reality that I can relate to more than with My Girl, though both stories are alien at the same time. Napoleon Dynamite, about a different age range and a different subset of symptoms, I now have to wonder how those characters would appear if that story was set at age eleven. Mysterious Skin and The Quiet expand on the range of faces of this. I found Dollhouse difficult to get into, but I vastly prefer this to Princess Diaries as that falls flat for me as soon as Mia gets the makeover, the point where one is supposed to gain empathy with Mia? Much is said of Dollhouse being a story about the difficulties that an ugly girl can face at age 12, but watch this with any care at all and it is obvious that this is a rather nice looking girl who is badly damaged by the ugly ways of those around her. One needs the right sort of helps to be able to get around that sort of thing and this story makes a loud comment about how real those helps can be. I have to like this feature a lot. The message board hints of some considering the three bad boys to be pure criminal types, but the strongest hint put in a criminal way. For me, Dollhouse gives a context that puts such into perspective. What this shows of their back to front reality, criminal seems an inappropriate label. That is the real strength of this feature. This is not about the apex of the pyramid of society, it shows a dunghill. Dawn comes out with some really putrid behaviour and there are some reviews here that consider that to be a reflection of her personality. To me, she is just showing some effects that can happen when one is blowing in the wind, chaff that does not have enough free will to escape being blown in that way. Rather than Dawn being horror I consider that she is blown into a horrifying and damaging situation, but one has had to have been in that sort of situation oneself to accept that is an aspect of her being a victim of horror.