Up Close & Personal
Up Close & Personal
PG-13 | 01 March 1996 (USA)
Up Close & Personal Trailers

Tally Atwater has a dream: to be a prime-time network newscaster. She pursues this dream with nothing but ambition, raw talent and a homemade demo tape. Warren Justice is a brilliant, hard edged, veteran newsman. He sees Tally has talent and becomes her mentor. Tally’s career takes a meteoric rise and she and Warren fall in love. The romance that results is as intense and revealing as television news itself. Yet, each breaking story, every videotaped crisis that brings them together, also threatens to drive them apart...

Reviews
Solidrariol Am I Missing Something?
Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
photosoflife Every couple who are serious about their relationship should sit down and watch this movie together. As the characters and storyline develop we are presented with a world full of stresses and change that many of us face in our own lives. If you sometimes wonder what should be your priority in life then let this film be an example of how to love and support the partner beside you. For those in touch with their emotions this film has many useful lessons, and for those who are not let it awaken your potential : a masterpiece to watch again and again. Just be prepared for your emotions to be taken on a roller coaster ride. Laugh, smile and cry with someone you love. Start eating your popcorn early on as you'll probably forget all about it as the movie progresses.
gradyharp There is an advantage when the fare on television is so bland that the box of purchased DVDs comes out of the closet: some of those oldies are so good that they make the current crop of contemporary comedy/drama love stories inept. Such is the case in viewing the very popular 1996 film UP CLOSE AND PERSONAL, a film whose nidus is Alanna Nash's exposé book 'Golden Girl: The Story of Jessica Savitch' adapted and remolded for the screen by no less than Joan Didion and John Gregroy Dunne, under the careful and tidy direction of Jon Avnet, and starring two of screen's most popular talents Robert Redford and Michelle Pfeiffer. The film suggests the Jessica Savitch story, the newswoman who, in the 1970's, became the "First Woman Anchor". Sally/Tally Atwater (Michelle Pfeiffer) is from the other side of the tracks in Reno who is obsessed with becoming a news star. She fakes her résumé, barges into an important television studio run by the indomitable Warren Justice, fakes is and fails as a weather forecaster, yet is so refreshingly purposeful that she is taken under the wing of Warren in a Miami newsroom, given not only a makeover in appearance, but also the chance to make a difference in a news story involving the sad plight of Cuban exiles swimming to freedom in Florida, and becomes a news star on TV. There is a chemistry between the two and despite Warren's tendency to marry and divorce frequently the two fall in love. Yet despite her love for Warren, she takes the big chance and moves on to Philadelphia, where he follows to rescue her faltering career at the cost of his own - as she rises he falls. It is a love story and more - a Pygmalion reshaping of a true tale. Both Redford and Pfeiffer look and act great and they are surrounded by a fine cast of extras - Stockard Channing, Kate Nelligan, Joe Mantegna, etc. Nice to remember when love stories were not just about potty mouth derring-do, but instead were well written and well crafted little films.Grady Harp
louiself-1 ...the fact that the interaction between the characters at times is very stilted. A particular scene in which Warren Justice (Robert Redford) is telling Tally Atwater (Michelle Pfeiffer) how to put a news story together is particularly telling. Their dialogue is an interaction that has a noticeable pause between each line, and it made me think that perhaps it had not been well directed.The scenes don't always seems a smooth continuance.The sub-story regarding the siege at Holbrook Prison was lengthy and took a large part of the movie. Whilst it portrayed Tally's growing talent and removal from Justice's Svengali-like influence, it, for me, broke the continuancy of the movie.But despite this, the movie really struck a chord with me. It is one of the few movies I bought on DVD that I watch repeatedly. For some enigmatic reason, I love the movie despite the obvious flaws.
bardlover This movie is one of the best romantic movies I've ever seen. The plot is not only endearing, but it is actually believable. Not only does Sally/Tally have to struggle to become accepted and successful, but she has to deal with having feelings for the very man who gives her a hard time. Michelle Phiffer is excellent in this movie, as is Robert Redford, as always. The supporting performances are also well executed. Of course, the song "Because You Loved Me" adds so much poignancy.With the death of her husband, Tally has to face a personal and professional struggle. She has to speak at his memorial. My two favorite scenes are the one in which she realizes Warren was in fact the one who died ("His shoes!") and where she ignores the TelePrompter speech and speaks from her heart.Truly a great movie.