This Above All
This Above All
NR | 12 May 1942 (USA)
This Above All Trailers

In 1940 England, aristocratic Prudence Cathaway alarms her snobbish parents by joining the WAF service branch. She soon meets and falls in love with the brooding Clive Briggs, despite his prejudice against the upper classes, and agrees to spend a week with him at a Dover hotel. When Clive's soldier friend, Monty, arrives to retrieve him, Prudence learns that Clive went AWOL after Dunkirk, and urges him to recall why England must fight the war.

Reviews
SpecialsTarget Disturbing yet enthralling
Micransix Crappy film
Blake Rivera If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
crisbetts2075 This is a fairy tale, but, as fairy tales go, quite a nice one.It's interesting to see Hollywood's take on Britain under the Blitz - lots of chirpy cockneys cracking jokes as the bombs fall and irascible tea shop proprietors laying down the law.Most of Hollywood's ex-pat Brit community turns out in roles that must have been bread-and-butter to them - Gladys Cooper as the snooty old patrician lady, Nigel Bruce in amiable-oaf mode, Queenie Leonard as the tart-with-a-heart, Melville Cooper as the dopey uncle.Joan and Ty look gorgeous and do a professional job with the script, even when it gets a bit sticky (Joan's cliché-ridden eulogy of England is particularly painful).If you can swallow the stereotypes and suspend your disbelief, there are worse ways of spending 110 minutes!
yonahred Just watched oskar werner as German traitor, a couple days ago I watched tyrone power proletariat fall in love with slumming joan Fontaine, she of the upper class, father a doctor who could have gotten her a better post, but she wants to sign up with the masses. On double date she meets tyrone in the dark and then a daytime date and they fall in love. They go to an inn and stay chastely in adjacent rooms and then he talks in his sleep: war terrors. Tom Mitchell shows up trying to convince him to turn himself in. Joan senses his mental turmoil without knowing its cause. A conversation with a kind one armed priest convinces him to turn himself in. He calls joan. Lets meet before i turn myself in. But the mp's catch him first. But a kind officer allows him a few hours to go meet joan, but German aerial attack and his helping hand and a falling wall puts him in the hospital. Joan goes to father and doctor dad operates on tyrone's brain. Will he live? We can only pray. But he marries her in his hospital bed. This was propaganda to convince the working class to join in the war against the Germans despite the system being corrupt. Quite explicit in pushing this message. The title is one of the worst ever.
krisztike099 Wow..it's a quite old movie but it's very beautiful^^ I love its romantic story and the cast was pretty good. The film is based on a superb book: Eric Knight-This Above All. It's a greatly composed philosophic-romantic story.I think if you liked the movie, you should read this book! It's one of my favorite books,I simply love it^^ You will be much poorer in feelings, if you don't read this book... And thank you for the quotes...I think the book contains some more.. and more memorable^^ By the way,does anyone know where I could find it in English? I've been searching for it on the internet, but i've found it nowhere...:(
MartinHafer This film stars Joan Fontaine and Tyrone Power as a couple who meet and fall in love during the darkest days of WWII--even though Fontaine actually knows very little about Power and his checkered past.From the onset, I was a bit surprised by the decision to cast Tyrone Power. Sure, he was a big, handsome star with 20th Century-Fox, but he was playing a Brit--even though he had no trace of a British accent. Now had they said he was a Canadian, it might have been much more believable. As for Ms. Fontaine, I am often critical of her performances (since I think she got the Oscar for a lackluster performance), but here she is exceptional and very effective.The other major problem I have with the film is the whole notion of the romance. First, Fontaine is a true patriot--a member of the nobility that could have sat on her butt through the war but volunteered for the military. Yet, she manages to fall in love with a man who, as far as she knows, hasn't volunteered or served. And, when it turns out he's a deserter, she STILL agrees to marry him!!! Now, you do discover that he's really not such a coward and he does manage to redeem himself, but still you wonder how Fontaine could come to love this man based on who he was at that time.It's a shame really because apart from these problems, it's a very lovely film--with exceptional direction, music, acting and a wonderful evocative mood. In fact, as a positive propaganda piece, it's exceptional and was very timely in 1942--though just a tad preachy. Overall, it's still a good film and worth your time--just don't try to get too hung up on the plot holes or it will ruin your viewing.PS--In the film, Fontaine says "I am not a blue stocking". I looked up this term and it's an outdated slur that refers to a educated rich woman who was a member of a particular British literary society. The members were known for being total "fuddy-duddies".