Smartorhypo Highly Overrated But Still Good

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Edgar Soberon Torchia At the risk of being wrong, I would say that production in the world film industry is mostly run by the high and medium social strata, with little creative input from the lower class. The middle and high class filmmakers may "starve" (for lack of material means to produce, not food) while they make their way, but once they enter the industry –as image makers for advertisement, television, film or new media- they frequently adopt a too comfortable vision of existence. This approach prevails when they deal with delicate social subjects, as the one Rodrigo Pla tackles in "La Zona", which has the certain value of being one of few films describing the potential violent relations between persons who live walled in exclusive and closed residential complexes, and people who live outside in marginal communities that surround the gated crowd, as in this case. Three poor guys cross the wall of La Zona to steal. Two die, one hides in a family house. Next a "Zonian" teenager finds the one hiding inside his house. For me, the merits of this film end here. Although Pla describes the fascistic tendencies of civil defense and police force, flirts with hyper-violence and adds a gram of science-fiction, this humorless film (and the situation was open to it and much more) opts for a melodrama formula, a tale of the "bad consciousness" type, and in the third act it never recovers. I do not know if the uncontrolled sappiness is a cultural trait of Mexicans, but as used by the filmmakers it has been the cause of much imbalance in many motion pictures, from the works of El Indio Fernández ("María Candelaria") to Iñárritu ("Amores perros"). From the moment the walled teenager's heart softens and he tries to become the savior of the young thief, "La Zona" follows the usual path of melodrama, with servile score that overemphasizes what is obvious. The cardboard characters grow stiffer, Daniel Giménez Cacho handles one of the most embarrassing scenes, in front of a TV set (Maribel Verdú is thankfully in the background and out of focus) and the ironic final shot of the ex-walled and temporarily liberated teenager eating tacos in the corner of a popular barrio, functions as a little scolding to the middle class adults who protect their small privileges to provide a gift (or borrowed) life to kids as the taco-eater, but above anything else as a wimpish validation of the kid's "courage" who, when the lights of the cine go up, will return in his comfortable 4X4 to pa's home in La Zona. And from there… we go back to the first shots of a little (symbolic?) butterfly, flying beyond the wall… Watch it, but wear glasses.

sharkies69 Saw La Zona last night as part of the Hola Mexico film festival.Whilst I found the film reasonably entertaining I was ultimately left disappointed. Considering it was a feature film, I felt like I was watching something that was made for television.The actors do their best but ultimately the script is lacking and there is a real by-the-numbers feel to this.The characters are not fleshed out and the film lacks genuine tension which is a shame as the premise is a good one. There were lots of potential angles and ideas that were not explored.Some of the techniques used though worked well. Particularly the opening scene of the neighborhood houses in the reflection of the cars window which appears again later in the film. The security cameras in place around the zone also worked well.

madrasell-1 There is nothing wrong with the synopsis, the "gated community" - dilemma could be delivered with a twist like this, no doubt. But the problem is how it is executed.There is not one character here with any kind of depth whatsoever. Its all one-dimensional cardboard-pieces responding to some really incoherent twists of the plot.The dialogue is embarrassingly bad sometimes and the actors fight to get some kind of guidance in their performances. The story kind of wants to be both drama and suspense-thriller but fails on both parts.Not that a drama cant be in the vein of a thriller and vice versa. (Check out Buenos Aires 1977 for some chilling thrills and high drama.)The stage is great though. The scenes of the clean cut streets clashing with the outside slums is alone thought-provoking. And the watchful eye of the surveillance-camera is perhaps tiresome by now but never the less effective here. But thats hardly a reason to spend time and money on this shoddy piece.

lmontijo OK. So I just saw La Zona @ SFIFF, and I must say... BRAVO!! Another big success for Mexican cinema, and well earned indeed. Rodrigo Pla's first feature delivers a harsh social and political critique about Mexican social classes and fundamental morality within a gripping and thrilling narrative. As another Mexican film about social contrasts, I must say, it proves originality. La Zona (or The Zone) delves further into character development and the consequences of moral judgment. Pla's film remains interesting because it touches upon a broader universal theme: the human struggle to choose between right and wrong. With an engaging narrative, inventive setting and well developed character arcs, La Zona gets its point across, and makes us think… This film delivers recurring themes in Mexican cinema but with a much fresher and more creative perspective, not to mention exciting…Much 'props' to Villanueva's enthralling cinematography and to Zaragoza's performance as the chief of police…8 out of 10. I really liked it.