The Obscure Spring
The Obscure Spring
| 21 October 2014 (USA)
The Obscure Spring Trailers

Igor is a plumber; Pina serves coffee. It is winter and they both deeply desire each other, but they are not free. In trying to figure out how to realize their love, she decides to make a lion costume for her little son and he decides to buy a photocopying machine for his wife. Spring will come at last and with it the consummation of love, filling their lives with hope and sex.

Reviews
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
euroGary Despite it's not living up - for most of its running time - to the "contains explicit content" warning on the Edinburgh International Film Festival 2015 website, I enjoyed 'Las Oscuras Primaveras' (English-language release title: 'The Obscure Spring'), a slow-moving Mexican film. Pina works in an office block as a tea lady (but no Mrs Overall she - actress Irene Azuela is very attractive). Working in the same block is Igor (José María Yazpik - a lived-in face but a powerful body). Both have humdrum home lives: she is a single mother living with her manipulative young son; he has a dowdy, nervous wife. They engage in a series of (disappointingly clothed) sexual encounters in the office block basement, but both baulk at the greater intimacy of a night at an hotel. The 'relationship' falters and they find different ways of compensating: Pina by throwing out her son's toys; Igor by buying a photocopier (no, really...)Azuela and Yazpik do a good job with their parts, creating believable, everyday people involved in unusual events. I like the fact that although there's much to feel sorry for in the characters - Pina's youth disappearing to the responsibilities of parenthood and Igor with his desperate-to-please but ultimately boring wife - both are also flawed. If you like kitchen sink dramas, this engrossing film is just right - and it contains a death scene of which 'Midsomer Murders' would be proud...