The Lady in the Car with Glasses and a Gun
The Lady in the Car with Glasses and a Gun
| 05 August 2015 (USA)
The Lady in the Car with Glasses and a Gun Trailers

She’s the most beautiful, most short-sighted, most sentimental, most perplexing, most obstinate, most untrustworthy and most troubling of heroines. The lady in the car has never seen the sea. On the run from the police, she keeps telling herself that she’s not crazy… Only...

Reviews
Tockinit not horrible nor great
ScoobyMint Disappointment for a huge fan!
Breakinger A Brilliant Conflict
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
gergelyh-15596 This is already the second bad screen adaptation of a magnificent book. Well, to enjoy even the original story, you must either remember or imagine the times without cell phones and developed forensics investigation -- this seems to be a problem for some reviewers here. If you can, the book has everything lacking in the movie: a beautifully crafted chain of events with the murderer's accomplice constantly modifying his plains to frame and kill Danny and the seemingly unlikely chances that let her escape the net again and again. But these "random" events are deeply connected with her character that in the book undergoes an exemplary character development, first drifting with the events, then the self-doubt, and in the end taking the things in her own hand before reaching Marseille. ("The phoenix being born again" -- this is really dismal that this memorable point of the book is not shown in the movie at all, it's not even attempted.) Her inner strength is nowhere to be seen in the movie, although they succeeded in showing her meekness as well as her longing for freedom and luxury.The actors seem to have done everything they could within the limits of the script, but Benjamin Biolay is miscast as Monsieur Caravaille: he should be a heavily built strong man, menacing already in his appearance, but energetic and silken at the beginning, not annoyed and lethargic all the time. Freya Mavor is rather good but her skin is not tanned, which is very important in the book -- this is why everybody she encounters on the road instantly believes she is from the upper class. With this very bold freckled and pale appearance she could never be mistaken for another woman. And the role of "Georges" is kind of quickly thrown together here, while vivid and remarkable in the book, so Elio Germano did not have a real chance either -- but succeeds to show at least a little from both his easy-going and menacing sides.The air of the sixties is well represented sometimes, in the indoor settings, her clothing and certainly in the mighty Thunderbird itself -- but come on, all the roads are empty and besides the actors there is not a living person in sight at Paris-Orly. Some contemporary footages could have helped here!
Bob An What an interesting movie! There is something quite Lana Del Reysque about this movie that is really intriguing and beautiful at the same time.The main female role is perfect. Very convincing. Very French and suitable for this kind of mystery thriller. The title of the movie just adds something unusual to it which goes perfectly with unusual development of the movie. As the girl is on her way to the sea ( that she has never seen) you get the feeling that she is not well mentally...that maybe she has a bipolar dysfunctional personality or something. That even maybe it is something in her glasses that she switches from time to time or even that her bipolar personality has something to do with mirrors... Well, at least, I had that feeling. And the feeling of mystery - I would say - is the predominant in the movie.It is nicely shot. Keeps you guessing and wondering ... the end with the explanation is really unexpected, but it is fitting.All in all, quite good! 8 from me.as it is some 2 hours and 45 minutes to midnight and new 2016, this may very well be the last movie I watched in 2015. Not a bad ending.
Ivanoil I would suggest this movie to people who like slow and deeps flowing thrillers. Don't get me wrong , i like good foreign film , especially when it is shot in an extraordinary way as this one, really , the directors job is nice and all the flashbacks are making the film very special but there is one huge problem to this film and its the fact that its very very boring.It starts nice and you can see that its full of potential but as it moves deeper into the script its just becoming less and less appealing to a person.I've always liked french actors for their high skills of acting ,this title is no exception , you will enjoy not only the acting of the actresses mark my words .Still , i don't think that this one will be interesting for a high number of public and to be honest i don't recommend it.
alexishallaert Great aesthetics throughout, beautifully shot, amusingly playful dialogues -sometimes unreal, sometimes carrying shifting meanings or seemingly no meaning at all- this film is a dreamy, sensual ride with a gorgeous actress (and character) on which the camera often lingers... The male counterpart can also be evocative though, but I like how the film just celebrates this beautiful woman, and with great music makes her attitude even more catchy. Meanwhile, the character is ambiguous, sometimes naive, other times vindicative and strong, sometimes simply weak. I struggle to find the underlying meaning of the film and though I have theories I am more than satisfied to let my appreciation of the movie be on a purely aesthetic level.
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