StunnaKrypto Self-important, over-dramatic, uninspired.

Btexxamar I like Black Panther, but I didn't like this movie.

LouHomey From my favorite movies..

Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Predrag The cast was fabulous. This was Audrey Hepburn's last appearance on the big screen as well, in a role as "Hap", the angel who Pete (Richard Dreyfuss) first encounters after dying from his plane exploding. Holly Hunter shines as Dorinda, Pete's girlfriend, who tries to come to terms with Pete dying. John Goodman is also funny and lovable as Al, one of the pilot trainers. Steven Spielberg's tale of love defying death is a good premise for a story and he does very well. Richard Dreyfus plays the fire pilot who dies trying to save some forest fire men who are trapped by a large blaze. He is recruited by Audrey Hepburn to return to earth and act as a guardian angel/trainer for another young pilot. Little does he know, that he is also there to help his girlfriend (Holly Hunter) and friend (John Goodman) come to terms with his sudden death and move on with their lives. Some good performances from the main players and a joy to see Hepburn on the big screen again in this small cameo.There's a lot of room for emotional moments in this film, so don't forget the tissues. I love the whole idea of the film. It's great to watch Richard Dreyfuss weave his magic with a touching script. And John Goodman is the perfect buddy for, first Pete and then Dorina. In the end we have to forgive Ted for wanting to take Pete's girl. It is hard because we can see Pete is still desperately in love with her. But when he turns the corner and starts pulling for Ted, we can't help but follow. A good solid movie that will leave you with a smile, if not some tears, on your face.Overall rating: 9 out of 10.

capone666 AlwaysThe worst thing about dying on a plane is that your last meal is an infinitesimal amount of complimentary pretzels and your choice of coffee, tea or juice.Unfortunately, the fire-bomber pilot in this drama didn't have enough time to decide his beverage before crashing.While on his last dump of fire retardant, pilot Pete's (Richard Dreyfuss) plane explodes mid-air.Waking in the company of heavenly hairdresser (Audrey Hepburn), Pete is told of his afterlife's purpose: to inspire a new pilot (Brad Johnson).But when the rookie takes a shine to his widow (Holly Hunter), Pete persuades the newbie to volunteer for a dangerous mission in hopes he fails.While Steven Spielberg's remake of A Guy Named Joe, lacks the director's grandiose style, it does contain heaps of his schmaltziness.Besides, when you die in a plane crash you don't go to heaven, you go into the survivors' intestinal tracks. (Yellow Light)vidiotreviews.blogspot.ca

leplatypus Contrary of its title, the movie is a swan's song: it's the final movie with Spielberg for Dreyfuss and it's the last movie for Miss Hepburn before she goes to her hair stylist. The entire movie is about ending (death, end of romance, leaving friends). However, as it's a Spielberg's movie, it's not about mourning and desolation but a vibrant call for love and optimism. For me, this movie would be always indeed my favorite Spielberg's because it's one of the best love movies that I have seen.As unusual as it is, I'm sure the setting in an incendiary unit brings something particular, fire being the image of passion. Also, the facetious Dreyfuss and John Goodman brings a lot of warmth but the movie is clearly illuminated by Holly Hunter. I didn't know her well but she is an amazing brunette, small, fragile but also courageous and passionate. With her, Spielberg can amend a filmography a bit too masculine, because his hero is always a boy or a man. Now, it's true that we can't talk about this movie without mentioning "Ghost" that have the same story (a ghost lover) and the same choice for a 50's song ("unchained melody" vs "smoke gets in your eye"). "Always" has failed while "Ghost" wins it all. However, my preference goes to "Always" because it's more powerful, devoid of all violence and without Whoopi (see below) as well. Pairing: "Purple color": maybe it's only other love story but as it stars Whoopi, this is the only Spielberg's movie i will never see.

skullislandsurferdotcom During the 1970's, Steven Spielberg and Richard Dreyfuss made a great team. The intense little actor played a likable shark expert in JAWS and a suburban alien-obsessed dad in CLOSE ENCOUNTERS OF THE THIRD KIND. And ten years later, they attempt to rekindle that magic. And although there's some good use of The Spielberg Touch… flowing camera-work weaving in and out of glorious special effects… this is a romance that tries too hard to pull heartstrings.Dreyfuss and sidekick John Goodman are firefighting pilots with a dangerous job. Dreyfuss is a daredevil who, with each venture, risks his life more than necessary. The first thirty minutes consists of Holly Hunter, Dreyfus's girlfriend who works ground control, and Goodman trying to tell their friend he's taking too many chances. But this occurs between sappy dialog and the building of a relationship that wasn't very special to begin with.That is, until Dreyfus is killed and, while wandering around a earth-based purgatory, New Age angel Audrey Hepburn gives him an afterlife mission: to help a handsome young pilot, Brad Johnson, earn his wings. But Johnson's true aim is to win over Holly Hunter – turning an interesting twist into a wasted subplot.Dreyfuss, as a ghost, seems more like a creepy stalker, placing thoughts into people's minds to maneuver their choices – especially Hunter, who he won't let go of. Meanwhile, he reluctantly helps Johnson… who unsuccessfully balances a suave yet dorky character… become a great pilot.Holly Hunter, while being a cute, spunky actress, is miscast as an ingénue every man desires. Goodman does his usual fat funny guy, but to an annoying level – he and everyone else seem to be playing for opening night audiences. And Dreyfus goes so overboard with forced sentimentality you'll wish the shark had got him or that those aliens never brought him home.The Ariel shots, while filmed beautifully (especially the pivotal death scene), are simply used as breaks from an overlong Hallmark Card. And Steven Spielberg would thankfully end his creative mid-life crisis with HOOK and get back to business at hand.And More Reviews: www.cultfilmfreaks.com