GamerTab That was an excellent one.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

smokehill retrievers I was a bit surprised to see so many other reviewers panning this film, since I had seen it once before and thought it was quite good. I watched it again, and I still believe it's a far better-than-average costume drama.Several people thought Cary Grant was miscast, and even criticized his British accent. Well, what accent do you think a British citizen from the 1760s WOULD have? His character was a "low-born" British colonist, for crying out loud! I thought he did well, definitely playing against type, and I thought his actual British origins, hardly high-born, made him an excellent choice for the part. His character's progression over time, in this film, was believable and, I thought, well done. I suspect it parallels, in some ways, Grant's life changes from humble British kid to acclaimed Hollywood star.The film itself, with its use of the colonial Williamsburg settings and attention to detail about frontier life, was refreshing, as of course was the excellent casting overall. I also thought the very realistic historical treatment was commendable, laying out clearly many of the controversies and issues facing the colonies during these times. I'd recommend it for kids, especially, since what they get for American history class about this period of time is truly awful -- what little there is.I'd give it a solid 8, easily.

LadyWesley What a disappointment! I had never heard of this movie, but I love movies from the 30s-40s, enjoy watching Cary Grant, and find American Revolutionary history fascinating.I give the producer credit for shooting exteriors on location -- but Cedric Hardwicke provided the only other pleasant surprise.(An over-the-top performance should be expected from a character named Fleetwood.)Cary Grant was just horrible; as others have noted, he adopted a goofy accent and seemed to be on amphetamines; and he never should have been made to wear buckskins and a ponytail, for goodness sake. And poor, dull Martha Scott -- who could believe that she inspired such love and devotion after one meeting. Personally, I could have done without quite so much "Tom" Jefferson.The plot was simplistic; the dialog mundane. I couldn't take it for the entire two hours.

ldavis-2 This premiered yesterday on TCM. In his intro, Robert Osborne said this was one of Cary Grant's least-known films. Ten minutes in, you know why. Matthew was 9 or 10 when he loses his father. A title card then moves us forward 12 years, meaning Matthew should be 21 or 22, but is played by the 36 year old Grant! It doesn't help that Matthew is an a-hole! He rejects his first son because he is crippled. So instead of naming the kid after his dead father, Matthew sticks it to him by naming him after the hated Fleetwood! The irony that Matthew becomes the very kind of man he despises Fleetwood for being - landowner (and slave owner), politician, member of the upper-crust - is completely lost on Z-Grade director Frank Lloyd.As if he knew he was horribly miscast, Grant tears through this like he's on crack! Martha Scott struggles mightily. Only the great Cedric Hardwicke emerges from this unscathed. Fleetwood is a snob, but one with an innate sense of civility who tries to walk a fine line between love of his King and love of his adopted home. He makes you feel Fleetwood's bitterness as his world crumbles around him, betrayed, through no real fault of his own, by the very people he thought of as his own.Did anyone pick up on that Roger was gay? Fleetwood gives Jane the family's necklace because he knows Roger will never marry! And Tom-Cat Jefferson was SO effeminate, I was waiting for him to hook up with Roger! Boy Howdy!

stills-6 Simpler than it first appears. This movie tries to be an epic about a frontier man transformed into a civic and military leader - but it doesn't try that hard. Cary Grant doesn't look like he knows quite how to play this guy, and I don't blame him. The material isn't wonderful, although it's a nice story. The wrong elements of the plot are emphasized, and the character of Matthew Howard is less a complicated man than a simple cypher.It's not a bad movie by any means, but it looks like it's trying desperately to copy "A Tale of Two Cities" and "Gone with the Wind" at the same time. It just doesn't have the legs for either one. I give this movie a 6 for Cary's personal magnetism, even in a stifling role like this one.