Ten Tall Men
Ten Tall Men
NR | 26 October 1951 (USA)
Ten Tall Men Trailers

Sgt. Mike Kincaid of the French Foreign Legion learns, from a Riff prisoner, that an attack will soon be made by the villainous Hussin on the Legion's outpost of Tarfa. Kincaid volunteers to lead nine other Legionnaires on a mission to delay Hussin's attack till reinforcements arrive. When he discovers that Hussin plans to marry Mahla, a girl from a rival tribe, in order to build a coalition against the French, Kincaid kidnaps Mahla. Hussin forcefully takes her back, but by now his planned attack on Tarfa is crumbling and Mahla has begun to fall in love with Kincaid.

Reviews
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Prismark10 When French Foreign Legionnaire Kincaid (Burt Lancaster) is told of an impending attack on the outpost of in North Africa while he is imprisoned. In return for his freedom he and his men will distract the enemy until help arrived.However he learns that the treacherous leader of the Riffs plans to marry Mahla, a girl from a rival tribe in order to create an alliance against the French. Kincaid kidnaps her and takes for the desert where both fall for each other.Burt Lancaster was the tough, compassionate and dashing soldier several years before From Here to Eternity.The plot nicely shot in Technicolour does have a hint of being shot in a Hollywood back lot rather than a desert. It also has a whole heap of campness especially with a bare chested Lancaster about to be tortured.Its purely a film of its time with a light plot, broad humour, a clunky romance where the white soldier kidnaps the Arab princess and inexplicably fall in love. Still you feel that all involved had their tongues in their cheeks and went all out to entertain.
SipteaHighTea The movie was excellent. To me, it was a very funny version of the movie Dirty Dozen (although the Dirty Dozen did not come until 1967). In the movie Dirty Dozen, Lee Marvin tells the prisoners that if one screws up, the others go right back to prison, so therefore, they are depend on each other. Since he is in charge of the mission, Marvin also realizes that his life also depends on them too and pointed out that fact to his superiors.In the movie Ten Tall Men, Burt Lancaster says almost the same thing: "The main reason we're going to do it is we have no other choice. And just one other thing: each man has got to depend on the next man. I'm going to see to it that the next man doesn't let him down." Only difference is that Lancaster has two corporals to back him up while Marvin has the MP sergeant to help him out plus the men under Lancaster's command are not facing a death sentence or long imprisonment for murder. The insults at the wedding and the big brawl which occurred was the highlight of the movie. It's too bad that the movie not available on DVD and I don't know why TMC doesn't have it in its inventory of movies to be purchase.
zardoz-13 "3 Men in White" director Willis Goldbeck's "Ten Tall Men" is a rip-snorting adventure in the Errol Flynn tradition about recklessly brave heroes and slimy villains running loose in the dunes. Basically, the Roland Kibbee & Frank Davis screenplay, based on a story by James Warner Bellah and Goldbeck, is a French Foreign Legion escapade against murderous desert tribes that want to wipe out the French. The light moments outweigh the dark moments in this nimble actioneer that looks like it is a 19th century epic until the heroes find an abandoned French supply truck in the last quarter hour. Nevertheless, this is fast, furious and frivolous nonsense with Lancaster in command at all times supported by Gilbert Roland and Kieron Moore. Lancaster fans will love this opus. He specialized in swashbucklers after he made some film noir thrillers at Universal. This Columbia Pictures release is in glorious color and the cast is first-rate."Ten Tall Men" opens with French Foreign Legion Sergeant Mike Kincaid (Burt Lancaster of "All My Sons") masquerading as an Arab merchant. Kincaid trudges along a desert trail with his two veiled daughters, in reality Corporals Luis Delgado (Gilbert Roland of "Camille") and Pierre Molier (Kieron Moore of "Mine Own Executioner") in disguise waiting to catch an enemy Rif warrior. They manage to catch one and they return after being gone for two weeks. Anybody who looks with lustful eyes at the new exotic dancer in town, Marie DeLatour (Mari Blanchard of "Jungle Heat"), ostensibly the sweetheart of martinet French Lieutenant Kruger (Stephen Bekassy of "Hell and High Water"), gets put in poky. Not surprisingly, while Kruger is interrogating the Rif prisoner that Sergeant Kincaid provided him, Kincaid is making time with DeLatour. Meanwhile, the savvy Rif prisoner informs on Kincaid so that he can avoid any more of Kruger's probing questions. Kruger marches a squad to DeLatour's apartment and finds Kincaid. Predictably, Kincaid winds up in the clink with his Legionnaire buddies, Londos (George Tobias of "Objective, Burma"), Mouse (Nick Dennis of "Spartacus"), and Roshko (Mike Mazurkia of "Murder, My Sweet"), and learns from the Rif prisoner that Tarfu is going to be wiped out. Kincaid tells Kruger about the enemy plans and insists that he can save the garrison as well as the town if Kruger will give him ten men. Naturally, Kruger has his doubts and cannot spare the manpower so Kincaid settles for men in the stockade.Our heroes descend onto the enemy camp deep in the desert by an oasis. They spot what they believe is a munitions tent and decide to blow it to smithereens. Instead, they discover that the tent belongs to a beautiful girl, Mahla (Jody Lawrance of "Mask of the Avenger"), who is not only about to marry Khalif Hussein (Gerald Mohr of "Invasion, U.S.A.") but also unite two tribes intent on running the French out of Morocco. Kincaid and his men snatch Mahla and Hussein and company pursue them. Mahla tries to escape, but she cannot get away from the tenacious Sergeant Kincaid. Eventually, each earns the grudging respect of the other. Hussein means to kill Kincaid slowly, but Mahla demands that he release Kincaid or she will not wed Hussein. Reluctantly, Hussein capitulates to this demand. No sooner has Hussein freed Kincaid than he dispatches two Rif guards to kill him. Happily, the two guards are none other than Delgado and Molier in disguise again. They rescue Kincaid, spoil the marriage, rout Hussein and save the town. The commandant of the Foreign Legion orders Lieutenant Kruger to administer full honors to Kincaid after he pins on the medal. This includes the ceremonial French embrace. Kincaid gives the medal to Mahla and tells her that it belonged to his mother.Fistfights, shoot-outs, horse chases, and more enliven this adventure film. The diminutive Frenchman who plays Lancaster's orderly is future "Hogan's Heroes" star Robert Clary making his film debut. Die-hard Lancaster fans will not his acrobat buddy Nick Cravat in the wedding scene. Forget your troubles and enjoy this movie.
MARIO GAUCI The phrase "they don't make them like this anymore" is often used in this CGI-infested age to describe extra-laden and 'authentic' Hollywood spectaculars of yesteryear but, frankly, watching this more modest, tongue-in-cheek Foreign Legion adventure, I was equally struck by just how old-fashioned (and refreshingly so) it all was – not that the sand storm sequence included here would pass muster with today's audiences! Anyhow, from the very start of the film, we have Burt Lancaster, Gilbert Roland and Kieron Moore disguised as, respectively, an Arab merchant and his two daughters!; legionnaires who are punished for daring to look twice at their Lieutenant's fiancée; an Arab chieftain who marries off his daughter to a rival Sheik to bring peace between their warring tribes and in a bid to rid their country of the 'French' infidels; the kidnapping of that same feisty daughter who, not only turns the heads of all her ten titular captors but, after several escape attempts, eventually steals the heart of tough guy Lancaster; etc. However, shot in lovely Technicolor and moving at a rapid pace, the film is an enjoyable ride through familiar territory; what was somewhat surprising, plot-wise, is that while much was made initially of the unloved Lieutenant (Stephen Bekassy) and his blonde girlfriend (Mari Blanchard), their characters virtually disappear once Lancaster's jailbird unit sets out on its mission! Despite its baffling ultra-rarity, the film is peopled by an interesting pool of talent both in front and behind the camera: Lancaster is in his third adventure flick; Gilbert Roland is his usual laid-back, womanizing Latino self; John Dehner the proverbial rotten apple in the group; George Tobias (perhaps thankfully) sacrifices himself early on; Nick Dennis and Mike Mazurki are among the rowdiest of the 'Ten'; Gerald Mohr adequately provides the required villainy; this was the second product from Norma Productions (which first partnered Lancaster with producer Harold Hecht); writer Roland Kibbee would much later go on to share directorial credit with Lancaster on THE MIDNIGHT MAN (1974; which I will be revisiting presently); associate producer Robert Aldrich would later direct Lancaster in four movies – including TWILIGHT'S LAST GLEAMING (1977; which I'll be viewing for the first time during this ongoing Burt Lancaster tribute); and, most interestingly perhaps, this was multi-talented Willis Goldbeck's most notable directorial effort but, at least two of his screen writing credits are highly impressive indeed: Tod Browning's FREAKS (1932) and John Ford's THE MAN WHO SHOT LIBERTY VALANCE (1962; Goldbeck's last film work)! One final note: after searching high and low for this film on account of a friend of mine who is a big Burt Lancaster fan (and recalls the star's brief sojourn in Malta in the 1970s), ironically, it was he who eventually provided me with a means to catch up with it via a surprisingly well-preserved VHS-sourced copy he acquired!