Acensbart Excellent but underrated film

Teringer An Exercise In Nonsense

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

leonblackwood Review: I really enjoyed this movie. Sean Penn really put in a brilliant performance along with the other actors who contributed into making this movie a great watch. Throughout the movie you see people telling there own stories about the talented Emmet Ray, including Woody Allen who had wrote and directed this movie extremely well. I hadn't heard of this talented guitarist before watching this film so I found this movie interesting and enjoyable. In the film, Emmet Ray was a completely different person when he was playing his guitar to when he was womanising and breaking hearts. Mixed with his outrageous spending habits and his addiction to stealing, there is enough drama throughout the movie to keep you entertained. The main shocking aspect to the film has to be Sean Penn's guitar playing. Woody Allen made a point of showing the audience that it was actually Sean Penn playing the guitar so I have to tip my hat to Penn for learning such a difficult, unique way of playing the instrument. Anyway, if you know of Emmet Ray then its definitely worth a watch and its also worth watching just for entertainment. Watchable!  Round-Up: Emmet Ray really did have a weird and wonderful life. From dating a mute, falling into a house with loads of cash and marrying a lady who he didn't really know, he really lived each day as it comes. His random unpredictable lifestyle made everyone around him wonder if he would have been a better guitarist if he got his life together, but he never thought that he had a problem. He was a very cocky individual that had his head in the stars, which is why the concept for the film was so good. Sean Penn really did play his role well along with Samantha Morton who played the mute convincingly. The only thing is that you don't really know what truly happened in some of the scenes because his life was documented. People throughout the movie are using hearsay more than evidence about the mans life, which is made obvious when you hear there stories about the man. Anyway, enough said, watch the film.Budget: N/A Worldwide Gross: $4.2millionI recommend this movie to people who are into there Woody Allen movies which follows events in Emmet Rays life, who was a talented guitarist with personal issues. 7/10

tobias_681 In the core of this movie is the fictive character of Emmet Ray who says of himself that he is the 2nd best guitarist in the world right after Django Reinhardt (who actually lived). The movie tackles some other subjects but focuses on Emmet and his problems. It works quite well because Sean Penn gives a terrific performance. The movie also portrays the 30's quite well and it got some good cinematography (like most of Woody's movies).Woody pays homage to Bergman's The Passion of Anna with the interviews he uses to narrate some of the story and express some thoughts from another point of view. The interviews are a very minor part of the movie, but a fun (and unique) little element. The movie is also a homage to Fellini's La Strada. The 2 main characters in Sweet and Lowdown resemble the two main characters in La Strada so if you enjoyed Sweet and Lowdown you might find these two movies interesting (it probably also works the other way around).If you haven't seen it yet here's my conclusion: It's not a masterpiece (far from), but it's a good movie that should especially be a treat for musicians, other artists and Allen or Penn fans. If you like character drama and don't mind the comedic touch this is a movie for you. If you're not that interested in character dramas you won't hate it but it's not a movie I would highly recommend to you.

James Hitchcock The story is told about the now-defunct British humorous magazine "Punch" that, when someone complained to the editor that "Punch is not as funny as it used to be," he replied "It never was." The same could be said of Woody Allen. For years the received criticism of every new Woody film has been "Woody is not as funny as he used to be". He never was. Exactly when he was funny varies according to the particular tastes of the critic in question. Some will tell you that he has not been funny since "Hannah and Her Sisters", others that he has done nothing worthwhile since "Manhattan". There are probably even some purists who will insist that nothing in his later work can compare to early slapstick comedies like "Sleeper" or "Bananas".I myself have never been an adherent of the "Woody is not as funny as he used to be" school of thought, for two reasons. Firstly, not all his films from his supposed golden age in the seventies and eighties were equally good; several of the sketches in "Everything You Always Wanted to Know About Sex….", for example, today come across as frankly embarrassing. Secondly, by no means all of his films from the 1990s and the 2000s are weak; he has made a number of good films during this period, of which "Sweet and Lowdown" is one of the best.In structure the film is a mock-documentary about Emmett Ray, a jazz guitarist from the 1930s. Ray is a fictitious character, although the spoof is so well done that it becomes entirely credible. (The day after I first saw this in the cinema I went to the library to check out what it said about him in an encyclopaedia of jazz. Needless to say, I did not find his entry). Scenes from Ray's life are intercut with shots of jazz experts, including Allen himself, being interviewed about Ray's music. To add to the idea that this is a non-fiction documentary, the various commentators give differing versions of anecdotes about Ray or differing interpretations of his life.Allen, of course, is well known for his love of jazz, and it would appear that he first conceived the ambition to make a film about a jazz musician in the early seventies, but this did not come to fruition until 1999. He originally planned to play the part of Emmet Ray himself, but unless he has a much wider range as an actor than he has hitherto shown it was a wise decision to cast Sean Penn rather than himself in the role, as Ray is far from being a typical Woody character. For a start, he is neither Jewish nor a New Yorker. Nor is he a nervous, angst-ridden, self-deprecating intellectual- indeed, he is far from being an intellectual at all. Great artists are not always great men, and for all his brilliance as a performer Ray is a deeply flawed individual- crude, boorish, an alcoholic and a kleptomaniac. Besides his music, he has a sideline as a ponce running a stable of prostitutes. His idea of a hobby is to go down to the local rubbish dump and shoot rats, even inviting his girlfriends to join him in this dubious sport. Obviously the last of the great romantics.Ray is also conceited about his talent, proclaiming himself to be the second best guitarist in the world after his idol Django Reinhardt (who was of course a real person). Ray's relationship to Reinhardt, whom he does not know personally, is a complicated mixture of jealousy and hero-worship; he adores Reinhardt's music, but also hopes to be able to better it. Ray's one redeeming quality is his passionate dedication to his art, and Penn (in an excellent performance) is able to suggest all the many facets of his personality and to make him someone who is not totally unsympathetic despite his many faults.The other really excellent performance is that of the young Samantha Morton as Ray's sweet, innocent girlfriend Hattie. Hattie is mute, which means that Morton could only express her character through gestures and facial expressions. It is a performance similar to that of Marlee Matlin as the deaf-mute heroine of "Children of a Lesser God", although with the difference that Hattie, although mute, is not deaf. Uma Thurman is also good as Ray's wife Blanche, an upper-class socialite who marries Ray out of what might be called "nostalgie de la boue". She is attracted to him precisely because he is crude and uncultured with dubious personal habits- they first meet when she catches him stealing an ornament at a party.There is plenty of humour in the film, much of it centred upon Ray's sense of self-importance, such as the slapstick sequence about his attempt to make a stage entrance seated on a wooden crescent moon lowered down from above. It is not, however, a pure comedy, but also a character study and a film about the power of music to transform even the most mundane of lives. I am by no means a great jazz buff, but I was enthralled by the beauty of the music in this film (performed by the guitarist Howard Alden). This is one of Woody's most impressive films from the last two decades. 8/10

Amy Adler Back in the 1920's and 30's, the fictitious Emmet Ray (Sean Penn) was a superlative guitarist, second only to the great Django Reinhardt. His rise to eventual fame, however, was rocky, due to his gigantic ego and eccentricities. Apart from drinking a bit too much and being a no-show at engagements he was committed to play, Emmet also believed in the love 'em and leave 'em philosophy. But, when Emmet felt the world closing in on him, he just headed off to the nearest dump to shoot rats or went to a railroad yard to watch the locomotives. One day, Emmet and a fellow musician court two ladies on a New Jersey boardwalk. After a flip of a coin, Emmet is saddled with Hattie (Samantha Morton) a mute laundress who can nevertheless hear. She soon becomes smitten with Emmet, so much so that even he can't help but bask in her never ceasing attention. After a gig ends, Emmet and Hattie head to Hollywood so Ray can pursue a career in movie soundtracks. But, over time, Emmet decides to dump Hattie, because as an artist, he can't have any permanent commitments. Eventually, a new woman, writer Blanche (Uma Thurman) enters his life and his career endures more ups and downs. But, has Emmet totally forgotten the sweet Hattie? This is a superlative film, with a great cast, story, and music. Woody Allen wrote this gem, of course, and it is very funny and tragic at the same time. Allen appears in the movie himself, as a commentator on the music of Emmet Ray. Penn, known more for his serious work, is a total delight as the self-centered but engaging guitarist. Just watch him try to land on stage from a giant swinging moon and you will laugh yourself silly. Morton, who garnered an Academy award nomination (as did Penn), has no dialogue but is wonderful and expressive as the sweet, faithful woman done wrong. The rest of the cast, including Thurman, Gretchen Mol, Anthony LaPaglia, and others, is fine, too. The look of the film, a re-creation of the twenties and thirties, sports excellent costumes, scenery, and amenities. Finally, the music is lovely, vibrant, and a pure pleasure to hear. If you have never tried an Allen flick, here is one on which to begin your pursuits. It will strum its way into your heart and soul, between huge peals of laughter.