Nonureva Really Surprised!

Spoonixel Amateur movie with Big budget

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Cody One of the best movies of the year! Incredible from the beginning to the end.

lastliberal If you want to make a worthwhile slasher film, there has to be certain elements present. If any are missing then this will just be an adventure for Paul Naschy completists, which is not a bad thing.There is plenty of gore and violence after the movie gets going for a while. It is not overly gory, but enough to make it a good slasher. The gore does look realistic, which is good, as did the decapitation. There was plenty of screaming, too.The best endowed girl in the film does give us a show with her boyfriend. When the slasher puts her away for later, her stupendous breasts are covered in blood. We get to see those breasts over and over.Paul Naschy made a really good killer. He had a sinister smile and was very funny as he collected his victims.It was a very suspenseful film. I won't say scary, but very tense. It kept you captivated through the entire time. The ending is, unfortunately, unclear.

Witchfinder General 666 The World of Horror has lost one of its last remaining icons. I was deeply saddened to learn that Paul Naschy (born Jacinto Molina), a true deity of European Exploitation cinema and one of the last living legends of the Horror genre, died of pancreatic cancer at the age of 75 in his native Madrid last week. Maybe best known for playing the Werewolf Waldemar Daninsky in thirteen films between 1968 and 2004, Naschy was a multi-talent who scripted and directed many of the films he starred in himself, and doubtlessly the most charismatic and influential leading man in Spanish Horror cinema. Not all of the films in Naschy's career may qualify as 'good' in a traditional sense (though some, such as the near-brilliant "El Jorobado De La Morgue" of 1973, doubtlessly qualify as great), but they are almost entirely highly entertaining and impossible-not-to-love gems of European Horror cinema, and they all have a certain inimitable charm to them that can not be found anywhere but in a Naschy-film. The world of cult-cinema is a lot poorer for the loss of this great man, but it is oh so much richer for the wonderful films he has given us. So what would be a better way of mourning this icon than to celebrate his work by watching as many of his films as possible? I had delayed the viewing of this film several times, for the reason that I generally prefer my Horror to be old, and therefore rather watched the films Naschy did in the 70s and 80s. These preconceptions were unfounded, as one of the most wonderful films Naschy ever was in was the 2004 film "Rojo Sangre", which was directed by his son and which basically was a giant tribute to leading man Naschy. Carlos Gil's "School Killer" of 2001 is indeed not one of Naschy's best films, but it s still a highly entertaining Naschy one-man-show that none of my fellow fans of the man should miss. The main attraction of the film is, of course, Paul Naschy, who stars as the eponymous School Killer. The film starts out pretty unimaginative when a bunch of kids decide to spend the night at an abandoned old boarding school set in the middle of nowhere in the mountains. Strange and supernatural things soon begin to happen, and when it turns out that the school was the site of a massacre in 1973, things begin to get out of hand... The film begins unspectacular, and gets a little ridiculous when the first supernatural events occur. However, it really catches up in the second half, and once one has acquired a taste for the rather far-fetched premise of the film, it actually becomes really creepy. Naschy is once again awesome and wonderfully creepy in his role, which basically carries the whole film. The rest of the cast aren't memorable, and their characters are pretty forgettable; however, even though the young characters are a little annoying at times, Naschy's creepiness makes it possible to actually feel for them.Overall, "School Killer" is no must see, but it is a decent little film and, especially now, it is mandatory for us Naschy fans to see the master in as many of his later roles as possible. There are dozens of Naschy films to recommend over this one, such as "El Jorobado De La Morgue" ("The Hunchback of the Morgue", 1973), "La Orgia De Los Muertos" (The Hanging Woman, 1973), "El Espanto Surge De La Tumba" ("Horror Rises from The Tomb", 1973), "Latidos De Panico" ("Panic Beats", 1983), any of the Waldemar Daninsky films like "La Noche De Walpurgis" ("The Werewolf Vs the Vampire Woman", 1971) or, more recently, "Rojo Sangre" (2004). However, once one has seen many of the films Naschy has been in, this is yet another worthy addition to his oeuvre. Once again: The World of Horror has lost one of its last icons. My deep condolences go to Paul Naschy's family. Rest in peace, Hombre Lobo. You were a legend, and you always will be. And legends never die!

Anthony Pittore III (Shattered_Wake) A group of teens decide to take their slumber party to an abandoned school where, 27 years prior, a horrible massacre took place. Unfortunately for them, the person responsible for the slaughter still lurks the halls of the derelict school and he is not happy with their presence.This film is not like most modern teen slashers we've seen. It's much darker, much more suspenseful, no wise-cracking murderer, etc., and I liked it for those reasons. From a film-making point-of-view, it's not great. The acting is below average. The writing was pretty bad and quite full of clichés, containing randomly tossed-in references to American horror films, some that didn't even make sense (like. . . "Have you seen Scream 3?", a girl asks. Yes, I have, and it had nothing to do with walking through the doors of an old school so it in no way relates to this film). But, hey, it's a slasher flick, those are part of the fun. Also, the underutilization of characters was heavily exhibited in this film. There were six main characters (not including The Security Guard) and, to be honest, only three or four were really used. Two characters (the token black guy and some other girl that wasn't important enough to get a label) barely spoke: Between them, I'd estimate about five or six lines total. Also, the girls (other than one) weren't formed well enough to differentiate them from one another. They could've replaced each of the girls with one another repeatedly throughout the film and I wouldn't have noticed the difference. The pacing, however, works well as the horror begins right from the start and rarely ceases. The atmosphere is utilized well and the direction reveals some truly chilling moments. . . although, the overall appearance is a bit cheap-looking due to, what I assume is, low-grade camera equipment (and operation). The ending, though I liked the idea they were going for, was fairly poorly done. It felt rushed and without explanation enough to make it effective. With the amount of time they spent running around looking for nothing, they could've spent a little bit more time on the conclusion to make sure it didn't feel like some random event thrown in for no good reason (which is a flaw many modern horror films are afflicted with). However, ignoring a few irksome issues and trying to focus on the first 98% of the film rather than the ending, this is actually a rather good modern slasher that should be checked out, especially if you're a fan of Spanish and/or atmospheric horror.Obligatory Slasher Elements:Violence/Gore: There's a good bit of blood and gore, realistically done, but not buckets. The violence is extremely well done, not to excess, but pretty brutal at points.Sex/Nudity: Little bit, and with the hottest girl in the film.Cool Killer: Well, security guards are hardly considered 'cool,' but this guy is pretty wicked. His creepy smile was chilling.Scares/Suspense: The suspense is top-notch. . . very tense, very well done. There are also some extremely creepy moments that fused jump scares and the spooky atmosphere.Mystery: None at all, really.Awkward Dance Scene: Of course: between a couple of guys and a half-unwilling female in the flashback.Classic Quote of the Film: 'One more trophy.' Final verdict: 7/10. This may be stretching it, but fans of Session 9 might want to check it out simply for the similar tone and atmosphere.-AP3-

Scarecrow-88 Why has Ramón(Carlos Fuentes)brought his five college mates to a spooky abandoned school building which used to service the black sheep children of wealth? That answer might just lie in a diary in his possession supposedly written by his dying father. What they come in contact with is in fact a relived episode involving another group of six, with five of them presumably meeting graphic fates at the hands of a sadistic security guard(Paul Naschy)which occurred 20 some odd years ago. But, as they seek out a way to escape from this place, terror awaits them as that horrifying moment in time replays as the group run for their lives, often in states of panic as the killer begins to hunt and destroy them in a various bloody ways. Will Ramón and any of his pals survive this night of horror or becomes ghosts forever repeating the very same night like those before them?Stylish Spanish slasher has that professional gloss and potent, shocking violence to match. Some witty exchanges between the characters..layered in their dialogue are pop-culture references to American horror films which might annoy some viewers. A demented Naschy is really ferocious with the kiddies as he attacks them gleefully..quite a bloodthirsty maniac who carries out his violent acts with relish. I found the loud musical cues a bit annoying and the filmmakers often use flashbacks from previous events in the film as reminders to the audience. I don't think these tricks are necessarily needed, but felt the director wished to communicate in depth with the viewer hence the use of cues and flashbacks. A minor diversion for this film's plot keeps moving and the camera follows the pace of the characters and how they react to the chaotic situation presented to them. Your enjoyment of this film may ultimately come down to your acceptance of the paranormal supernatural aspects of the plot. Moments in time relived and a killer who continues his work seemingly from the grave. The twist does seem a bit jarring and abrupt, but this might(..or might not)work considering how the story plays out regarding why Ramón's father is shown amongst those ghosts re-enacting those grisly events two decades prior. I will say that this film probably wouldn't hold up if scrutinized in detail, but as a slasher flick, it's a breath of fresh air.