Night of the Strangler
Night of the Strangler
R | 01 October 1972 (USA)
Night of the Strangler Trailers

In New Orleans, a relationship between a black man and a white girl leads to a string of murders.

Reviews
Matialth Good concept, poorly executed.
Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
Catherina If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
a_chinn There are seeds of a good film here in a story about a man, The Monkees' Micky Dolenz, who disowns his sister after learning she is pregnant with boyfriend's baby because her boyfriend is black. The sister is later found murdered, which leads Dolenz and a black priest to investigate the murder, which has been disguised as a suicide, trying to find an individual with a peace-sign belt buckle who they suspect is the culprit. There could have been some interesting commentaries on race relations with this kind of a set-up, but the film is basically a cash grab exploiting the real-life Boston Strangler, who still at-large, and following a big budget Hollywood production a few years before about the Boston Strangler. Never mind that no characters are actually strangled and the story has nothing to do with that case. It's a super cheap production without any real scares or suspense, so there's not a lot to recommend outside of the novelty value of seeing Micky Dolenz is a very un-Monkees-like role. Well, he is still a bit of a 1960s hipster/hippie, but he plays a much darker character than his Monkees Micky character. Overall, "The Night of the Strangler" is a forgettable quickie low-budget picture that offers a darker role for Micky Dolenz, but is a missed opportunity for murder mystery about race relations.
Wizard-8 The title of this movie is incorrect in two ways - first, the events of the movie take place over a long period, and the killer in the movie does not once strangle anybody. (Though I admit that the more correct title "Weeks of the Multi-Skilled Killer" doesn't have an attractive ring to it.) Title aside, the movie by itself isn't exactly a grabber. The acting is acceptable, but there's little else of merit to be found, unless you've ever wanted to see ex-Monkee Micky Dolenz cuddling with a naked woman. The movie is kind of slow and sluggish, padded out with a lot of filler, so much so that some characters are off the screen for significant portions of time. The murder sequences aren't particularly memorable, and the rest of the direction is pretty pedestrian. As for the mystery portion of the movie, while the movie tries to throw in some clever red herrings along the way, viewers who are listening and watching carefully will very likely be able to determine who the killer is and what his/her motivations are. Even I was able to do this, and I'm normally clueless with murder mysteries! Though I was confused by the mystery as to why Turner Classic Movies decided to resurrect this forgotten movie on its channel.
monkeegurl85 For an older movie with less usage of money, the movie was really weird but in a way scared me. I personally thought it was great, but with a sad ending..well just sad together. If you are a Micky Dolenz/Monkees fan, this movie is a must to get.
zombie2 The biggest reason I had for wanting to see this film is the fact that it stars Micky Dolenz of the Monkees. As anyone could tell by watching it, Night of the Strangler is pretty low-budget but has a good (and, for 1972, very controversial) plot. It centers around a white girl who falls in love with and gets pregnant by a black man. When the two are mysteriously killed, the investigation focuses on the girl's two brothers, Vance, who is kind and was supportive of his sister, and Dan, an arrogant racist who would rather have seen his sister have an abortion than have a black man's baby. A black priest who tries to console the two brothers throughout the film also adds to the increasingly obvious tension. Sort of a "Guess Who's Coming to Dinner" meets "Whatever Happened to Baby Jane." A really good film if you're lucky enough to find at your local video store.
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