Mostly Martha
Mostly Martha
| 10 September 2001 (USA)
Mostly Martha Trailers

Martha is a single woman who lives for one passion: cooking. The head chef at a chic restaurant, Martha has no time for anything - or anyone - else. But Martha's solitary life is shaken when a fateful accident brings her sister's eight-year-old daughter, Lina, to her doorstep.

Reviews
SpuffyWeb Sadly Over-hyped
SincereFinest disgusting, overrated, pointless
HeadlinesExotic Boring
Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
spratton European cinema seems able to draw upon some excellent actors, who perform on screen without an audience thinking "oh, they are actors". This movie is witty, and painful, and musical ---- you will be humming or attempting the words of that Italian song! Martha the chef is workaholic in a way we all recognize and are not repelled by. Her scenes with the therapist are great comedy. The restaurant-kitchen scenes surpass anything I have previously seen in any movie --- thrilling, absorbing, completely enthralling. I don't know why Hollywood wanted to re-hash this top-drawer movie into a B-entertainment piece under a silly title. I have watched MOSTLY MARTHA perhaps six or seven times and will certainly repeat the pleasure. After I first saw it in a movie theatre, I walked out asking my companion "Why can't all movies be as genuine as this?"
kaupy A bit of Teutonic charm that brings you along almost effortlessly. It earns a 9 out of 10 from me, an almost perfect balancing of elements both sweet and savory. If you are a "foodie" then you will enjoy the kitchen scenes and attitudes. Food preparation is Martha's raisin d'etre, at least until she is forced to change from chef to caretaker of her sister's daughter. Then the grip Martha has on her world goes from "tight with the occasional slip" to "strained and slippery".Romantics will enjoy a process of interaction that becomes attraction between Martha and the new chef Mario. Their's is a perfectly paced interplay of her tense misgivings against his amiable demeanor. One almost wishes that Martha's psychiatrist demonstrated as much insight as Mario.No, the movie isn't perfect. The ending was a bit elaborate, a slightly simpler one might have been more effective. But it's by no means a bad ending as is. Small tweaks here and there would have made this a ten for me, but I suspect many viewers may find it a 10 in their books.I watched this with Rare Birds. Another supposedly foodie movie, but in fact, one that barely qualifies as such although Rare Birds is a pleasant two hours. Mostly Martha, as a double feature, would go very well with Chocolat. But it could also be paired with Eat, Drink, Man, Woman for a fusion of east - west dining/movies experience.
Stephen-34 You have it now. Buy, don't rent this film. It's a keeper. Most notable and with great kudos to the director, the films stays true to itself almost all the way through. Far enough to beat out most other films. There are a few quibbles toward the end of the film, but not enough to shake off the aura it imparts just giving yourself over to its story.The camera moves efficiently and cleanly throughout the film, and the actors respond with clean understated action and dialog.The story is spare, and I found what I think is a clue to the writer's intention, as the protagonist describes the menu purpose of "Fish in Butter and Basil sauce." Listen for it and see if you don't agree, she is speaking to us about her story/film.To own this is, like Nurse Betty, to own something you just have to pull out and watch a couple of times a year. just because they're so darn good.No wonder the folks in H'wood are busy at making an American version for 2007.
MartinHafer This film is an excellent psychological study of a VERY controlled and emotionally constricted woman who uses food, believe it or not, as a way of avoiding intimacy. She is a superb chef who is incredibly precise and demanding concerning her cooking because she is so uncomfortable with people. However, into her tightly controlled world comes chaos in the form of her niece--whose mother was just killed in an auto accident. Not surprisingly, she has a hard time relating to this child and I was thrilled that her transformation to a whole person took time and wasn't achieved in a Hollywood-style way. Instead, this little girl (who was not overly cute or fake--thank goodness) and a new chef at her restaurant (who was completely unlike her) influence Martha in a way that is believable and satisfying.By the way, while not quite as good as The Big Night (which came out the same year) or Babette's feast, this movie is VERY reminiscent of them--elevating food to a true work of art.