ada the leading man is my tpye

Ploydsge just watch it!

Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

matthijsv-esveld This film is truly original. I can not stop thinking about it. Everything it shows you is necessary from beginning to end. The narator tells the watcher she doesn't die in the end, and that takes the attention away from the girl and it brings a real "coming of age" vibe to the story. This is supported by the great way it shows how you can feel when someone you like touches you and more. But then, in the end, she dies anyway. Even though everyone suspected this, it is still a great plot twist and it brings back the pain of losing. This makes the end the pinnacle of the movie, and end this fenomenal scenario. Thank you to everyone credited.

sol- Life changes for a philosophical high school student when his mother guilts him into keeping a classmate dying of leukemia company in this quirky comedy starring Thomas Mann, RJ Cyler and Olivia Cooke as the three title characters. The trajectory of the film is not hard to predict with Mann (the 'Me' in the title) coming to truly appreciate his new friend and reevaluate the way he has pigeonholed all of his peers over the years. And yet, the film remains thoroughly encapsulating thanks to witty, observant narration from Mann and a fun subplot in which Mann and Cyler "swede" classic films, 'Be Kind Rewind' style. There are some well done moose and chipmunk claymation scenes too that reflect how Mann feels about the girl who he has a crush on taunting him. It is Mann's highly calculated approach to surviving the high school experience that stands out the most though with his attempts to befriend everyone and every clique at his school to avoid developing enemies. He makes for a fascinating character too with his reluctance to call anyone a true friend out of fear of rejection. The final few scenes of the film go a little overboard in his painting Man as a generous, giving and selfless soul behind his detached exterior, but there is a lot to like in the way Mann comes to realise that he is not quite as cynical as he once thought. Given the key themes of death and dying, the movie makes a sharp argument for never letting oneself get too detached in life no matter how hard some things may be to endure.

Semisonic If I had to pick a single genre of Hollywood movies to save from a global catastrophe, I'd go with the coming of age films. Because it's probably the only type of films in which it's not just about business and grossing revenues. Such movies are also a way to establish a communication between generations, to talk to our youth and both teach them something and explain that the world around isn't as cold and ugly as they might think. Not every film succeeds at that cultural mission, but at least most sincerely try. Which, in the modern world where kids are especially estranged from their parents, is a big deal indeed.Me and Earl and the Dying Girl is another step forward in this intergenerational dialogue. But, unlike some parents who honestly believe that since they are not young themselves then their kids' issues are nothing but some laughable nonsense, this film never ridicules its heroes.Nor does it oversweeten things. MaEatDG might sound similar to The Fault In Our Stars because it revolves around the topic of cancer, but, besides that, those films have nothing in common. And it's a good thing, because the last thing TFiOS had was sincerity. Instead, that movie glamorized cancer and that feeling of being terminally ill as if it's some sexy little perk that only makes you more appealing or interesting. However, death is definitely no fun, and fighting death might be an even less of it, which is the dark part of the picture MaEatDG didn't shy away from showing. Showing without making things pretty or convenient, and showing without intentionally making them too ugly to squeeze yet another tear of forcibly induced sympathy. Nah, unlike John Green, Jesse Andrews, on whose novel this film is based upon, decided to use more delicate colors and emotional intonations to make the story of Greg and Rachel both believable and relatable.One needs a big talent to make a gripping story about the things that happen to people routinely. And let's be sincere: just like becoming an adult, death is something most of us have a first-hand knowledge about. So I'm genuinely amazed how Alfonso Gomez-Rejon managed to pull off a movie so deep and touching about the issues so familiar and maybe even banal: finding your true self, establishing a real cost of friendship, learning to love others and yourself, fighting for personal liberty of creativity and choice. When we grow older, we tend to lose those memories of the time when we were still in the making as humans. And if this film manages to remind someone on the older side how it is to be that ball of clay, still unsure which shape to take, and maybe show someone on the younger side that the life is beautiful enough to find courage to explore it, then Hollywood hasn't been completely in vain.

mrmurr9909 This movie was a beautiful tale of a young boy that has shut himself out of all emotions only to find one person that is able to draw it out of him. I laughed, I cried, I cheered. It also took me back to the days I was in High-School. The creativity and complexity of each character keep you locked in. I found myself truly caring about each individual character, and even saw some of myself, friends, and family members in them.The style and tone of the movie make it wonderful to view. Many unique camera angles and intimate shots. I just loved the overall feel during the movie, and was left with a feeling of peace once it was finished. I truly enjoyed and highly recommend.