Lady Chatterley
Lady Chatterley
| 06 June 1993 (USA)
Lady Chatterley Trailers

Lady Constance Chatterley is married to the handicapped Sir Clifford Chatterley, who was wounded in the First World War. When they move to his family's estate, Constance meets their tough-yet-quiet groundskeeper, Oliver Mellors. Soon, she discovers that the source of her unhappiness is from not being fulfilled in love, and in turning to the arms of Mellors, she has a sexual awakening that will change her thoughts forever.

Reviews
Interesteg What makes it different from others?
Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
David Traversa An excellent work of art in a long and expertly made movie. Being almost totally visual, I must admit I'm carried away by visually beautiful movies, and this one is tops. The English countryside, so green, the gardens of these upper class people, practically loaded with incredible flowers (whole paths protected by walls of flowers, a superb and exquisite view) the house, something out of this world, its furniture and very valuable paintings, Connie's period costumes (Constance Chaterly, the actress Joely Richardson), I think on one scene she is wearing an authentic white pleated silk Fortuny gown; the open top cars, impeccable antiques used in several scenes..., briefly, a feast for the eyes.Joely Richardson is a very pretty actress with a fantastic body and next to Sean Bean (another very sexy beauty) they make a perfect couple for the protagonists antics, which are several and most passionate (explosive?) showing us quite clearly the very difficult circumstances a socially mismatched couple could find in those 1920s, when this story is taking place, in the heart of England, a country populated by a lower class exploited to death by a handful of aristocrats (aristocrats according to the genealogical tree they fabricated for themselves, conveniently forgetting the dark and dubious origins they all came from just a few previous generations).It's almost painful to watch those scenes where these super rich talk openly about their inferiors (servants present) making any possible hurtful remark as if they weren't standing next to them, silently waiting to satisfy any requirement. I hope that the English people ended once and for all that kind of abysmal social differences because nowadays that seems barbarian and so terribly unjust. The visual contrast between those excessively manicured green gardens and the blackish, depressing mining town without any trace of greenery anyplace, is shown breathtakingly when Connie goes to the completely black environment of the mine, fully dressed in impeccably radiant white clothes.The music accompanying most scenes is quite annoying, very loud and repetitive, invading many times, quite disruptively, what is going on. Could it be that Ken Russell, the director, was very gifted with the visuals of a movie but didn't have a sound musical education?It must be remarked that Russell was very unique, very personal with the look and the choreography of his actors in his films, since in many scenes one realizes that only him could have made it that way, very much what we feel when watching an Almodovar film. And of course, this excessively odd personalities backfire sometimes, but when they hit the mark... the results are glorious.The story is fascinating although very dated, nowadays we have seen so many examples of royalty marrying their chauffeurs, gardeners, street sweepers, delivery boys, etc, that all that fuss seems completely out of date. But placing ourselves in those dark 1920s (at least dark for the poor), we are perfectly able to follow our protagonists and feel the pain and anguish they went through.The book by D. H. Lawrence is out of this world, a ravishing lecture, even after all these many years since he wrote it.A very-very enjoyable film.
rchalloner I agree that this is a very good adaptation indeed of the novel and the closest in spirit to what Lawrence was writing about in my view. If there is one stereotype however, that Ken Russell (and Lawrence before him) perpetuates beyond reason, it is that a woman can only be sexually stimulated and fulfilled by penetration. It seems ludicrous even for that day and age (when the sexual hypocrisy of Victorian and Edwardian England was still in play), that a man so apparently sophisticated and sexually aware as Sir Clifford does not even consider cunnilingus or manual stimulation of his wife. Sex is therefore reduced to a raw gratification of mutual lust between Lady C and Mellors. Where is the beauty, the sensuality and the giving of true sexual love in all that?
Heidi Shanklin As my mother used to say, "The man can read the phone book and I would be satisfied." A truly masterful performance for all involved. I did not even know this existed until recently and I sat to watch it in one sitting. Joely Richardson and Bean exuded the passion which was present, even more than in the books. And I loved Shirley Anne Field's Mrs. Bolton. It appeared as though she truly wanted Connie's happiness, or perhaps she just wished to have the master under her thumb, but either way, it was a stellar performance.And Sean Bean...Oh, my. I have followed his career since seeing the Sharpe's episodes and in everything he is in, he takes the part and makes it his own. A simply wonderful effort and a beautifully touching love story.
nonsvch I'm a bit biased as Joely is a favourite of mine. Very faithfull adaptation, well scripted, some brilliant performances by Joely and Sean Bean (Boromir). I bought the DVD and its certainly a MUST own, as this is another trademark quality BBC production!Must go and read the book again!