SunnyHello Nice effects though.

Holstra Boring, long, and too preachy.

Kailansorac Clever, believable, and super fun to watch. It totally has replay value.

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

J. (CountJonnie) JC Van Damme single handedly created the action genre with his flashy ways. Not surprisingly, he gets older and others take over. On his way down, he cought us by surprise with his JCVD movie, in which he showed more emotion and acting skills than ever before.Maybe there was hope, but alas, in all movies since, his acting is gone, but also his willingness. He looks and feels unmotivated. All that could be forgiven, if only the action would make up for it. Since this movie has JCVD and Daniel Bernhardt, I was waiting for one final battle, with all the flashy kicks you could ask for.And than............nothing. Van Damme lost his will to act, but also the will to fight. To be fair, Van Damme did one nice spin kick. But that was so obviously a stunt double, that it was shameful. After movies such as this one and Black Water, for me the Van Damme era is over.

rob-lentini The worst JCVD movie I've seen and that's saying something. Most of his movies a poorly written and definitely not Oscar worthy but watchable because of the action he brings to the screen. Not this one, he looks old and miserable in this effort and I only gave it a 1 because its not possible to give any less.

zardoz-13 The people behind the Jean-Claude Van Damme thriller "Kill'em All" must have seen Bryan Singer's classic "The Usual Suspects." Stuntman-turned-director Peter Malota and scribes Jesse Cilio of "The Perfect Weapon," Brian Smolensky of "The Gadarene Swine," and freshman writer Craig Stewart chronicle the action in similar non-linear fashion, juggling past scenes with present, like "The Usual Suspects." First, we have two FBI agents talking to Suzanne (Autumn Reeser of "The Big Bang") about her experiences in a running gun battle throughout a hospital after a foreign head of state had been critically wounded in an assassination attempt. Basically, they are trying to establish his identity because the computers at the hospital where she worked as a nurse have been damaged. Second, we have an apparent bodyguard for the wounded foreign politician, Philip (Jean-Claude Van Damme of "Universal Soldier"), dodging bullets while whittling down the opposition until nobody is left to challenge him. He is like Bruce Willis in "Die Hard," one man pitted against several adversaries who triumphs over them. According to production notes, this melodrama was filmed in Biloxi, Mississippi, while the dramatic action appears to occur in Los Angeles.You'll appreciate some good things in "Kill'em All" as well as some bad things. Unfortunately, the interview scenes impede the speed of the plot. Suzanne and two Feds, Agent Mark Holman (Peter Stormare of "John Wick 2") and Agent Linda Sanders (Maria Conchita Alonso of "Extreme Prejudice"), sit at a table and utter exposition that could only have been conveyed in such a setting under such circumstances. Some of it seems gratuitous. For example, the obnoxious Holman spins a yarn for Suzanne about the man who shot and killed a foreign head of state. Holman explains to her that the son of the diplomat watched his father die from a long-range gunshot thirty years ago. This is supposed to justify the assassin's behavior. Suzanne has a difficult time convincing them that she accompanied a gunman named Philip because she had no other options available unless she decided to die. Apparently, Philip had saved Suzanne once, and Suzanne felt sure he might have to save her again. Clearly, from everything presented in these dialogue exchanges, the unmistakable impression is that the nurse feels grateful to this mysterious Philip for rescuing her life. Agents Holman and Sanders indulge in 'a bad cop and good cop routine' respectively as they search for a flaw in Suzanne's story. Meantime, director Malota cross-cuts between the interrogation at FBI Headquarters to action footage of the protagonist Philip as he eliminates one villain after another. Even at age 57, Jean-Claude is still a light-footed juggernaut with his spinning leg kicks. The chief drawback of this approach is that "Kill'em All" occurs largely in flashback so we know there is no way that our hero Philip stands a legitimate chance of biting a bullet. Altogether, Malota and his scribes isolate the action to a hospital emergency room and then the five floors of a hospital that have been decommissioned. The decision to confine the action to essentially one set evokes memories of director John McTiernan's superb thriller "Die Hard." The big difference here is that Philip in "Kill'em All" is not trying to save lives so many as wipe out the villains. The one thing that stands out is the decision to have Philip, suffering from two wounds—one to the back of his head and a knife wound on his right bicep--that not only drain his energy and strength but also exposes him as vulnerable in his close encounters with the villains.This sturdy Van Damme thriller clocks in at 95 minutes, boasts some predictable surprises, but never wears out its welcome. As one of many unsavory villains, Daniel Bernhardt stands out as unforgettable. Although it isn't the most inspired of his straight-to-video actioneers, Van Damme's fans should enjoy the non-stop action and the mystery surrounding Philip as well as Suzanne.

Michael Ledo The film is a flashback from the memory of Suzanne (Autumn Reeser) an LA hospital nurse (filmed in Biloxi). She tells a story about how Philip (Jean-Claude Van Damme) saved her life and killed a bunch of people. We later discover he was after the Serbian Minister, a war criminal. The film includes his son Kris Van Damme as a bad guy Dusan who can kick his foot above his head as can bad girl Almira (bikini model Mila Kaladjurdjevic). The film is fairly straight forward until the last ten minutes where we get the twist which made the film worth a view for JCVD fans.Guide: F-word. No sex or nudity.