Hard to Kill
Hard to Kill
R | 09 February 1990 (USA)
Hard to Kill Trailers

Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger - himself, his son, his best friend, his nurse - but most of all those who arranged for his death

Reviews
Diagonaldi Very well executed
TrueJoshNight Truly Dreadful Film
Jeanskynebu the audience applauded
Tedfoldol everything you have heard about this movie is true.
OllieSuave-007 This is an action flick starring Steven Seagal as Mason Storm, who was left for dead by gangsters who killed his wife. He awakens from a coma seven years later and goes on mission to avenge his wife's death and bring those who wish him and his son harm to justice.It sounds like a cliché plot for an action movie, but it does have a pretty suspenseful storyline, from Mason trying to fake his own death to hide from the bad guys to the involvement of a corrupt U.S. senator. The acting was fine for the most part, but I just thought some of the bad guys were a little too overzealous and the female lead, Kelly LeBrock, had some OK chemistry with Seagal, but just seemed a little emotionless. Seagal also seemed a little stoic, but the highlight of his characters was his awesome martial arts skills - great seeing him grapple around with the villains.Overall, it's a pretty good action-flick. Lots of excitement and edge-of-your-seat adrenaline.Grade B
Robert J. Maxwell No matter what your opinion of Steven Seagal's acting abilities or the kinds of material he's ground out, you have to admit he has certain advantages over the rest of us that go beyond martial skills. For instance, in this story of revenge against a corrupt politician and his dozens of goons, Seagal is shot at the beginning and spends seven years in a coma, wrapped up in hospital sheets, sustained by various tubes and mysterious devices that beep and blink on and off.Yet, consider that he suddenly wakes up after seven years in a hospital bed and still sports the rufous bronze of his earlier physical incarnation. And one would think Seagal would be overdrawn at the memory bank but instead he remembers EVERYTHING that put him there. None of this "Where am I?" crap.I asked myself, "Self, how is it possible for a man to remain brain damaged and comatose and still recover his memory and his motor skills in no time at all?" But all I got back was a lot of gibberish about Wallerian degeneration and nodes of Ranvier and extra-pyramidal this and that, so I gave up trying to make sense of it.Is it really necessary to spell out more of the plot? Seagal wakes up remembering where he's hidden some evidence that will convict a current senator of fraud, extortion, autosexuality, mopery in the first degree, and wearing white after Labor Day.The rest of the film takes us through Seagal's attempt to recover the evidence and the senator's thugs trying to prevent him from recovering the evidence. To observe that, along the way, there is some violence is like saying that a skin flick contains some pornography. Not to worry, though. Yes, a good friend dies and his wife is shot to pieces but nobody touches Seagal. Seagal, unarmed, is involved with three knife fights on independent occasions. Well, two knife fights really, because the last one involves a Chinese chef's knife that looks more like a meat cleaver. Of the dozens of dead and maimed bodies that Seagal's passage through the film generates, exactly 34.2 percent are thrown through glass windows. I counted.The villainous senator's campaign slogan is, "You can take that to the bank." At one point, Seagal mutters to himself, "I'm going to take YOU to the bank, senator -- the BLOOD BANK." Yet, for all the wisecracks amid the mayhem, it's a thought-provoking story. The thought it provokes is: "Dear God, don't ever let Steven Seagal get mad at me."
julesdil Awful this hard to kill action film was a waste of my time , for a start it does a annoying soundtrack some boring action that is so tame , and acting which fails to be good. Every bit of the plot is standard a group of hit men kill segal although he is still alive then he kills them , then when the action and revenge scenes come it is so tame , only a bit of blood and a group of tame shootouts and the typical , gun , fight , odd quote , just miss it. I think people just don't agree but they should because many others will hate this film and haaa they should make a good action film , this uggggg get the bin out . overrated 15 certificate for moderate violence.
Scott LeBrun Good, straightforward actioner with Seagal in his second feature film vehicle (after debuting in "Above the Law"). He plays Mason Storm, an undercover detective who digs up some dirt on a mobster and a crooked politician, and receives multiple bullets to the chest as a result (turns out some of his fellow cops are crooked, too). His wife is murdered, and his son disappears. Meanwhile, he spends the next seven years in a coma, and when he awakens, he's ready to get his revenge. Efficient direction by Bruce Malmuth in this enjoyable diversion that gets right to the point, and delivers enough violence to keep us happy. It also gives us a smoking hot love interest in the form of luscious Kelly Le Brock (Seagal's wife at the time), as the nurse who takes an interest in him and helps him get back to prime ass kicking condition. The supporting cast is all quite capable, from the always fantastic William Sadler as the weaselly, cowardly senator (who should have known better than to give himself an identifiable catch phrase), Frederick Coffin as Storm's loyal old buddy O'Malley, Charles Boswell, Branscombe Richmond, Andrew Bloch, and Dean Norris as various corrupt detectives / thugs, and lovely Bonnie Burroughs as Storm's ill-fated wife. There are some amusing touches to this screenplay, as it initially takes place in 1983, during the night of the Academy Awards, and there's also Storm's reaction to the changes that have taken place, such as President George Bush, Sr.; his reaction to seeing Geraldo Rivera on TV is particularly funny. We also get to see Seagal with his hair down for once, and sporting a very nice moustache and beard (cultivated by the nurse during his coma). Then there's the opportunity to see Seagal play a character who's very vulnerable during one section of the movie, and who's obliged to orchestrate an escape using a handy mop. The pace never flags, and it's fun as always to see Seagal doing his thing, at least during these early years of his career where he really gave more of an effort. And the villains are wretched enough scum that we just can't wait to see them get what they deserve. A solid film of its type, "Hard to Kill" delivers the goods for fans of this genre.