Janie Jones
Janie Jones
| 17 September 2010 (USA)
Janie Jones Trailers

A young girl who has been abandoned by her former-groupie mother informs a fading rock star that she is his daughter.

Reviews
Infamousta brilliant actors, brilliant editing
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.
Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
tommylee69 This is the touching story of a hard living wannabe rock star rapidly approaching middle age and his 13 year old daughter, who he didn't even know existed, showing up while he and his rock group are touring. I found this movie to be very good with an excellent sound track. Many of the songs are performed live and filmed as they are sung and played. I love this movie and if you like to feel tremendous emotions that make you cry this movie is for you. I love when movies reach down into my soul and pull and tug until I am forced to submit to what I'm feeling and I just burst out with sobs. If you are a father of a daughter you will understand what I'm expressing. If you don't have kids, you might not feel much on an emotional level but you most likely will enjoy the high quality acting performances that are captured and also the beautiful songs that you will hear.
Violet Weed The lead character is excellent in this movie. I thought she was a very sweet young girl with a lovely singing voice too. They could have developed her character more, but then it probably would have overpowered the other characters in this ensemble movie. I liked it, even though it started out rather slow. Like another reviewer, I too think there could be a good sequel set 'five years later'. Enjoyable, 'almost' family movie, not quite... too much pot smoking.Elizabeth Shue must have had some money invested in this movie, because she didn't have a big part. It was almost like a 'pilot' for a TV series, actually. I loved it when the girl says she learned how to bail out her dad by watching "Dog the Bounty Hunter",
Preraphaelite-1 I don't understand this low rating. Completely believable- very well acted, directed, written. Abigail Breslin was so natural and lovely, Alessandro Nivola (Why doesn't he work more?) absolutely pitch perfect, Peter Stormare created a nuanced manager needing to support creatives in trouble and still make money, Frank Whalley is always awesome, Francis Fisher doing another sophisticated turn as an intelligent, cold woman who wants to warm up-all wonderful. The music affecting and unusual. Having been personally behind the scenes for independent music work- spot on. I guess this is what is called a sleeper- but I advise that you try it for the family/responsibility/addiction/creative ideas. See this movie- you won't regret it.
aegriffin This movie is about a down and out rock star who learns that he has a 13 year old daughter by a drug-addicted ex-groupie, whom, sadly, he doesn't remember. (The story has actually been done before in a terrible 1984 movie (the story line of which was suggested by 'Mick Jagger' (qv) entitled _Blame It on the Night (1984)_ (qv).) Fortunately, that's where the similarity ends as this is a much better film, with respect to both writing and acting. All performances are solid and credible and the viewer doesn't feel (at least as measured by the reaction of the audience at the Tribeca Film Festival) he wasted the price of admission. Ironically, the weakest part of the film is the music: the songs performed are so poor one wonders how the lead character could have become a rock sensation in the first place.