Happy Christmas
Happy Christmas
R | 25 July 2014 (USA)
Happy Christmas Trailers

After a breakup with her boyfriend, a young woman moves in with her older brother, his wife, and their 2-year-old son.

Reviews
Jeanskynebu the audience applauded
GamerTab That was an excellent one.
HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.
Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.
Matti Kaki I don't know what to think about this movie. The first impression was that it was a home movie because of the picture quality (16mm), lack of lighting, shaky shooting and strange camera movements.Anna Kendrick was showing her white teeth all the time when smiling thousand times exactly same manner which was odd. Perhaps she had new teeth and wanted to show them. These overly white and too perfect teeth look funny here in Europe because they don't look natural.And why an Earth was this called Happy Christmas? I wanted to give only one star of ten just to warn people if they think that this was some kind of Xmas-movie and more over a happy one. Well. The kid was nice and that's why I watched the movie to the end.
estronbase This is a film I would like to forget, a complete waste of time. The only entertainment I found in this came from watching the performance of the little boy, Jude Swanberg, who was very cute and amusing.Also, while I was trying to keep track of the number of times Lena Dunham was using the word "like", Anna Kendrick started trying to outdo her. I just stopped counting. I was like, is she like making like fun of her like, or like just like unconsciously like copying her like way of like talking?I saw an old interview with Lena Dunham and she really did talk that way all the time.I've just checked out a more recent interview, and she seems cured now, thank goodness.
Nicole of ArchonCinemaReviews.com Happy Christmas was made with only three film crew members, not including the director, in case you were curious the level of 'indie-ness' in this film.Joe Swanberg writes, directs and stars in Happy Christmas, the ensemble indie film that touches on the real life minor predicament that occurs during the holiday.Recently broken up with her boyfriend, Jenny decides to crash at her brother Jeff's and his wife Kelly's house in Chicago while she considers laying roots in the city for a change of pace. She drinks and smokes away her sadness while she desperately tries to distract herself, coping terribly while hanging out with her old friend Carson and new friend Kevin.Happy Christmas is a film for fans of the typical indie genre film. It utilizes real life cinematography and puts a microscope to the real life problems within the mundanities of life. This is not some film about profound transformation or extraordinary circumstances. In fact, Happy Christmas is so ordinary in its subject matter that 20-something viewers should see themselves or their friends in this film.If you, as a typical movie viewer, enjoy to put a mirror to real everyday life then you should give this film a shot. If you typically watch films to escape or put yourself into a film beyond your routine existence, then you should stay away, far away.Happy Christmas is a grainy film to watch, and was probably not shot in 1080p and then upscaled. this yields a mildly pixelated appearance which is nauseating on anything larger than a computer screen. Most of the film appears to be shot using hand-held or a steadicam operator which is extremely distracting as the film sight line moves along the edges of the frame. My guess is the techniques employed for the cinematography of Happy Christmas were deliberate to truly capture the reality in vision.Though Joe Swanberg is listed as the screenwriter of the film it seems as though most of the dialogue was improv-ed, and poorly. Mark Webber who plays Kevin and Anna Kendrick who plays the self-destructive Jenny are the most natural and believable of the bunch. Otherwise the scenes are stiff and slow with a lot of awkward pauses from the dull and banal conversation topics. The star of the film is baby Jude, real life son of director Joe Swanberg, who is so comfortable and natural that you can't help but be enamored by his energy, alas if only the whole film was like him.Happy Christmas is a narrative nonevent of a film that will be contemptibly boring to some and realistically introspective to others.Please check out our WEBSITE for all the reviews of the recent releases.
JRConsidine Joe Swanberg was on the precipice of becoming a recognized force in the indie film universe. He has plugged away for years making one film after another. They have grown from the "has promise" stage to the "this is pretty good" level. Drinking Buddies looked like he had found his footing and was going to build upon this success. It did not hurt Joe that his former muse, Greta Gerwig was nominated for a Golden Globe with "Frances Ha". Happy Christmas is blessed with a July release so that the world may not see it on the shelves in December 2014. This one needs to go straight to the cardboard bin in the Supermarket. It felt as if some devious film production executive found a movie that Joe made in college with his friend Anna and released it to cash in on their celebrity. Anna Kendrick ... how could she have put her name on this? The "lobby poster" looks like the graphic artist mated her with Mister Ed. She is not propped up by George Clooney and Vera Farmiga. Swanberg rolled back to the days when the hand-held camera shook and the movie was under lit since they could not open up the aperture anymore because the camera was already shaking. The audio supervisor was somebody's cousin and the budget could not afford the good microphones so they bought the East German surplus. Pray this will not be passed off as an artistic technique of the director. The unforgivable sin was when they used a scene where Kendrick forgets her line for a moment and the audience watches in bewilderment as she catches herself and continues. The cry of "We'll fix it in post" may have been abandoned. Neither Swanberg nor Kendrick can be so secure in their careers that they can afford to throw a wrench in the works. The big difference between those films from college and today is that the viewer is paying full price plus the cost of popcorn and soda to see a movie that is fit to be viewed while sitting on a metal folding chair.