Actuakers One of my all time favorites.

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

diogomanuel I would bet that this movie was someone's dare. It is a joke from start to finish, and not in a good way.We want to laugh with it but we just end up with a giggle or two, mostly because of the embarrassment that we actually chose to see it. There is no coherent story line just a number of small segments glued together to make a movie. We don't see the point of it, and after some time we just give up and can't wait for it to end...What a waste of time! Avoid this one...

nox09 1st room just painful to watch 2nd room again nothing interesting very bad 3rd room had some funny moments and 4th room is the only room you feel directors work , the ending shot was very good but that's it . the only thing that was really really good in the movie was the music and Tim Roths overacting if you like him you gonna enjoy it . everything else was just terrible especially first two rooms they just killed the movie and before you get into 3rd and 4th room you already want to quit........... this movie had sounds its gonna be fun and it had everything to be so but the result is complete opposite . Even Bruce Willis was not able to save this movie

SnoopyStyle Ted (Tim Roth) is the bellhop at the old Mon Signor Hotel in Hollywood. Elspeth (Madonna), Athena (Valeria Golino), Jezebel (Sammi Davis), Raven (Lili Taylor), and Eva (Ione Skye) are a coven of witches trying to release the goddess Diana. Elspeth brought along her daughter Kiva (Alicia Witt). Husband and wife Siegfried (David Proval) and Angela (Jennifer Beals) are role playing a fantasy game. A couple (Antonio Banderas, Tamlyn Tomita) leave to go to a New Year's Eve party and has Ted watch their kids. Ted calls his boss Betty (Kathy Griffin) and have a long talk with Margaret (Marisa Tomei). Betty tells him about important famous director Chester Rush (Quentin Tarantino) in the penthouse.Tim Roth is going insane with his performance. His manic energy gives this a drive. However the disparate stories rambles on and on. It's a mess and not a compelling one. Tim Roth's strange act is weird but it gets tiresome. That's basically the whole movie. The witchy start is a simple sex romp. Beals and Proval are boring. The movie loses my interest. The kids are OK and they end with a fun scene. Then Tarantino loses me completely. There is maybe one passable story or one and a half at most. There are too many boring parts in this.

zetes When I was in high school, anything Tarantino-related was required to be memorized. Yes, even this one was insisted upon in high school, though perhaps not as strongly as QT's first two. This portmanteau follows bellhop Tim Roth as he gets into several adventures over New Year's Eve. I remember liking this one quite a bit, but, viewing it now, it's just too uneven to be worthwhile. Anders' first segment is easily the low point, thankfully. Any film starring Madonna should be immediately suspect, and everything about this tale of witches is awful. Rockwell's segment is a bit of an improvement, but too forgettable. Rodriguez's segment is the one I remember being the best, and it thankfully does hold up okay. Antonio Banderas is hilarious in it, and most of the jokes hit. I remember QT's segment being the worst originally, but I actually thought it was by far the best this time around. It usually gets flack, I think, because it stars Tarantino, but he's comfortable here playing a pompous movie director. It's honestly his best performance (if it had been readily available, I might have suffered through Destiny Turns on the Radio again) and his direction is pretty brilliant. The one thing that really drags this whole movie down is Tim Roth. Man, I remember loving him when I was a teenager, and, though I criticized his performance in Reservoir Dogs above, he's on Olivier's level there compared to his awful mugging here. Even if QT's segment were the weakest, it would automatically be upgraded to the strongest just because he's the only one who settles Roth the crap down, a bit at least.