For Ellen
For Ellen
| 12 February 2012 (USA)
For Ellen Trailers

After an overnight long-distance drive, Joby has a special meeting—with lawyers and his ex-wife. A struggling musician with the prerequisite tattoos, slimy hair, goatee, and his head firmly floating in the clouds, Joby hasn’t been around to be a dad. Now is his last chance to fight for shared custody of his daughter, Ellen.

Reviews
Mjeteconer Just perfect...
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Bill Jordan Caught this while flipping through premium channels one afternoon. Dano usually plays the same character, so I was anxious to see if he'd do something different here. He doesn't. I missed about the first 20 minutes of the film, so no idea if anything happened then, but I can assure you nothing happens after. I got rather frustrated waiting for something of interest. In the toy store scene with the little girl, you'll see one of the most painfully slow scenes in the history of cinema. I guess it was rather realistic, but realism can be painful. Dano's character in 'Little Miss Sunshine' is a younger version of his character in this film, but much more volatile and interesting to watch. Perhaps this is a 'thinking man's' movie and I'm just not smart enough for it. I will say that some of the cinematography, particularly with wide shots, was quite well done at least.
bob-790-196018 As someone who detests most rock music, particularly the screaming histrionics of performers like the one played by Paul Dano in "For Ellen," I was surprised to find myself empathizing with his character, Joby Taylor. As the lead singer in a band, he may be on center stage surrounded by shouting fans, but in this movie we see him against a backdrop of ordinary suburban life, and he seems like a creature from outer space--a weird alien, cut off from the mainstream of life, a stranger in a strange land.It is clear almost from the start that Joby has been reckless, self-centered, and irresponsible. This is driven home like the impact of a judge's gavel when, late in the film, his little daughter Ellen--custody of whom Joby has loudly refused to relinquish to his wife in their divorce negotiations--simply asks, "Why didn't you come to see me?" Father and daughter have a precious two hours together at a local mall, and then it is time for him to leave her with her mother. But he returns to the house and sneaks in through the window in order to ask Ellen what she thinks of him. To the end, it is his own self that he is focused on. When she answers that he seems like a nice person, I waited for him at least to say that he liked her too--but he never did.The movie does manage to satirize ordinary middle class life through its portrayal of the young lawyer Fred Butler, played by Jon Heder. This sad sack, who still lives with Mom, seems downright goofy next to the "cool" Joby Taylor--to use Joby's term for just about anything that requires his approval. But in being so cool, Joby has lost out on any of the good that comes with ordinary "un-cool" life.Paul Dano's performance is outstanding in this film. The director, So Young Kim, lets the camera linger a little too long on bleak landscapes and nearly deserted highways, but her long closeups of Joby Taylor's face are effective, thanks to Paul Dano.The very final sequence is something of a cop-out. Even before we see where it is leading, I knew that it would be a replay of the final sequence in "Five Easy Pieces." And that explains why I have tagged this review with a Spoiler Alert.
Sindre Kaspersen Korean screenwriter, film editor, producer and director So Yong Kim's third feature film which she wrote and co-produced, premiered in the U.S. Dramatic section at the 28th Sundance Film Festival in 2012, was screened in the Forum section at the 62nd Berlin International Film Festival in 2012, was shot on location in USA and Canada and is a USA production which was produced by producers Jen Gatien and Bradley Rust Gray. It tells the story about a man named Joby Taylor who is a musician in a band called Snake Trouble and who after having travelled around for some time stops at a place where his attorney named Fred Butler is awaiting him and his wife named Claire lives. Claire has filed for divorce and is asking Joby to sign the divorce papers so that they won't have to take the case to court, but when Joby meets her again and realizes that his signature will grant her legal custody of their daughter named Ellen he begins thinking about his child which he doesn't know at all.Subtly and acutely directed by Asian filmmaker So Yong Kim, this quietly paced fictional tale which is narrated mostly from the main character's point of view, draws a gently moving portrayal of a father who has been running away from his responsibilities as a parent and who slowly though perhaps too late acknowledges what his way of life has done to him. While notable for its naturalistic milieu depictions, fine cinematography by American cinematographer Reed Morano Walker and production design by production designer Ryan Smith, this character-driven story about a daughter's meeting with her biological father depicts a reflective study of character and contains a great score by Icelandic composer and producer Jóhann Jóhannsson.This heartfelt, authentic and conversational indie which is set somewhere in America during a winter and where a man whom is about to make a crucial decision regarding his own life which will also affect the lives of others is struck down to earth by a person who alters his life forever, is impelled and reinforced by its cogent narrative structure, subtle character development and continuity, pivotal instrumental tones, humane aura and the genuinely good acting performances by American actors Paul Dano, Jon Heder and child actress Shaylene Lynn Madigo in her debut feature film role. A silent, minimalistic and incisive cinematic letter from a filmmaker who through an efficiently understated style of filmmaking reaches the essence of her characters.
ButchieWadd I think the acting for Dano was very spot on but unfortunately it just developed his character and did not advance any storyline very well. The spoiler is that the ending was just a cop-out with the lead character leaving his car, guitar and other belongings to run away. I guess that was supposed to be symbolic of his life in general. I also will almost agree with the other reviewer who said it should have been two short films. I think one really good short film could have been edited from this one film. The fact that reviews need to be ten lines is a foolish rule that needs to be protested and spotlighted for the inane babble that it will foster in that people will write a lot of crap so that they can have their ten lines whereas I think I expressed my sentiments and thoughtful comments succinctly and concisely with just the first five lines of this review and thus I had to write this five line single sentence so that my first five lines might be read and appreciated and that this very long sentence will be admired for the lack of brevity it represents. I think that is ten now. Peace BWadd