RyothChatty ridiculous rating

Fluentiama Perfect cast and a good story

ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.

Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

stephanlinsenhoff "If ..." is the leading word for this movie. But, beside 'if' Dolly was not sent to Albania and it did not happen. The flash backs tells the why's.What is not told is subtle between the lines: Dolly seems to be pregnant and is married with haste to the stand-in Tom Owen. But why invited Dolly Joseph, her summery adventure? He is not told of her assumed pregnancy and unable to do what a noble and gentle English should have done. But "time and tide waits not" is said and the blind servant, passing the glasshouse, sees everything. Joseph and Dolly where inseparable just past summer, up until he left for Greece. Tom Owen is in this British Victorian "Downton Abbey" of 1932 Josephs stand-in as second choice. Everybody is happy to take their part in this staged unhappy happiness. "Are you?" "If you know it, it's too late" is said. The title "Cheerful Weather" focuses the sunny weather, but everything else is far beyond sunny cheerfulness. Has the stand-in Tom a deal? As in "The Day after the Fair". The pregnant illiterate maid Anna, helped by her mistress with the letter-writing to her lover she met at Salsbury fair. The cheated barrister accepts to marry Annas body, telling upper class Edith, the author of the letters: "Legally I marry Anna, in my heart I marry you." "Do you feel less happy if you know you are happy?" is asked. "I 'wish' you could give me a reason to come with you." And the warning: "Be careful what you wish." No reason to run away. Tradition is stronger. Why invited Dolly her summer love to her wedding and does not see him? She upstairs. He downstairs. Neither she goes downstairs or he upstairs before it is too late and jump the fence of tradition. Waiting for the other to take the jump: unaware that nobody can take the decision to jump for the other. They see each other. Downstairs. In time or too late? Ready for the run? Used to traditional happy ends - actually here: no happy end. We wait as we are used but it does not happen. Unable to witness the act in church he stays at him: should have been his wedding. But "circumstances intervene." But beyond circumstances and what is called destiny? Beyond tradition. Was this the reason that he was invited, waiting for him upstairs. Ready for the run.

Amy Adler Dolly (Felicity Jones) is in her wedding gown, upstairs at her British mansion, in thought. Waiting on the first floor, where the ceremony will take place, is her fiancé, Owen (James Norton) and assorted guests. However, also in the crowd, is Felicity's former flame, Joseph (Luke Treadaway), whom she alone has invited. Last summer, just a few short months ago, they were in the throws of a "hot affair". Yet, things have cooled, as Joseph took off for Greece. Therefore, just why did Dolly invited Joe? Was it because she was uncertain whether she should marry Owen, in a hastily arranged nuptials, without seeing Joseph again? Her domineering mother, Hettie (Elizabeth McGovern) was hoping for a day without problems or hitches. Sister Kitty was just hoping to meet eligible young men. Now, will the wedding take place? This sad, very British stiff-upper-lip story, is one of the bleakest studies of love and marriage there could ever be. Its true, passions do go hot and cold and marriage is supposed to be forever, especially during the thirties when this tale takes place. One indeed must choose wisely but to secure that decision on ones own all important day is tragic indeed, especially for those left out. Aside from this, though, the film does have some funny moments and is gorgeous to view, with elaborate sets, costumes, and art direction. The cast, too, very large, with characters written for both upstairs and downstairs, is quite fine. If you adore well made films, are an Anglophile, like romantic dramas, or have a yen for Merchant-Ivory type pieces, this is the newest recommendation for you.

cnycitylady Cheerful Weather for the Wedding is a gloomy tale about a pair of crazy kids in love who just cannot get their sh*t together. This short story takes place the day of Felicity Jones's wedding. She is anxious about the choices she has made and is trying to figure out if this is what she wants, or if she has the gall to go through with something she doesn't want. Luke Treadaway is her former lover whom she invited to her wedding (to torment? to run away with? to confess her love to him before it's too late? That part wasn't really clear) and as he waits for the fateful hour where she will no longer be his, he grows increasingly anxious to talk to her. (to torment her? to run away with her? to confess his undying love to her? Also not sure why he showed up or what he wanted to say.) The two former lovers barely interact and you only discover that they were once in love by how frigid they become when the other's name is mentioned, or by the flashbacks that show how close they were several months ago. (Or in Felicity's case how strongly she tries to avoid him.)The costumes are pretty enough and the characters are well developed, but what this tale lacks is emotion. And it's not the story's fault. The plot line is designed to keep you thinking and rooting for a specific outcome but it's the acting that fails to sell you this romance. There is no genuine chemistry between any two actors at all in this film and it takes it's toll. In the end instead of being broken hearted or happy for the characters you kind of just wished someone slapped them and told them how they could have solved their "Problems." Luke Treadaway's character elicits the least amount of sympathy from the viewer, as it seems that he is the author of his own misfortunes.All of that notwithstanding, it's still a pretty good movie. Worth one viewing so that you can decide for yourself. 6/10

stills-6 Because of the presence of Elizabeth McGovern and other similar traits of an early 20th century English estate family, this movie felt like a failed script for the TV program Downton Abbey. There was no particular compelling reason for this story to be greenlit in the manner it was produced except to take advantage of this similarity.It's nice to see the subtle anti-romance character traits of the two leads play out over the narrative, but it's more curiously interesting than it is intensely interesting. The sophomoric foreshadowing and symbolism feel extremely contrived and almost insulting. The scenes that should be amusing are not amusing. The cleverish storytelling isn't clever enough to make you want to care about anyone or what happens to them. And the big reveal isn't at all revelatory, but serves more as a device to unlock the grand mystery of why these people behave the way they do. Sad to say, the mystery isn't all that grand and the viewer is left with the bad taste of being inexpertly manipulated.