Black Beauty
Black Beauty
G | 01 April 1971 (USA)
Black Beauty Trailers

Anna Sewell's classic 1877 novel beautifully comes to life in this family drama set in England. Told from the point of view of Black Beauty himself, the story sheds light on the details surrounding the colt's birth and his perception of humans (he has various owners throughout his life). While some owners are compassionate -- none more than Joe Evans (Mark Lester), the boy who first owns the colt.

Reviews
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
rjun67 This film is a gorgeous little gem from a more innocent age, the landscapes, the characters, and the horse itself, all blend to make an extremely watchable, and yet short film. Many user reviews have been dismissive of this film due to the differences between it and the original novel. But I say, who cares! I have never read the book, but I have seen a 1990's film version which is more faithful, with the inclusion of the Ginger story line, so go and watch that and stop moaning! I found this an incredibly moving story and I thoroughly enjoyed Black Beauty's journey, which goes full circle in a sad but slightly rewarding way, which is enough to leave you with a sense of satisfaction, albeit with a tear in your eye. This movie crams a lot into its 90 minutes, and the pace is fast, but somehow gives the viewer time to soak up the emotional road our equestrian hero is thrust along, including all the ups and downs he has to endure. Highlights for me are when Beauty ends up on the Continent after being sold to a travelling circus, and thereafter gifted to a humiliated hussar by his estranged lover, becoming in the process a war hero, after the horse charges with its mortally wounded master into the enemy cannon. More sad times follow as Beauty is brought and sold, finally almost expiring due to his ill treatment, but just as the old horse drags heavy coals up a steep road, and the tired animal is close to death, redemption comes at last. The final words are very sad, as it gives you the feeling that so much of the horse's life has been used without any real joy, and yet we see the old warrior sent to pasture in a field where horses live out their final days. I wish more films were made like this today, the music is very good and invokes the broad hills and mountains that feature so prominently (Ireland and Spain were used as the filming locations)
moonspinner55 English author Anna Sewell's 1877 children's book is more-or-less faithfully brought to the screen in this handsome 1971 adaptation starring Mark Lester, a hot property at the time following the success of "Oliver!" Awestruck youngster is incredibly attached to a male colt he names Black Beauty, but when his widower-father's farm is sold, the horse is inexplicably included in the deal (a detail which remains perplexing). Beginning with the tender birthing of a foal, director James Hill takes us to a frenzied hunt in the countryside wherein one rider (a glowering horse-hater) blames his horse for falling over on him and has the animal shot. This episode is followed by another in a similar vein, with the same hot-headed villain smacking Black Beauty for crossing his path on a private road. When the boy's farm is eventually sold, guess who the buyer is? One can easily become exasperated by the rote, formulaic storytelling, populated by too few genuine characters, though perhaps horse-lovers and kids won't mind as much. The cinematography by Chris Menges feasts on footage of stallions leaping, jumping, diving--sometimes in slow motion. It certainly looks good, even if the tale is just junior-league soap opera. ** from ****
UnicornMaiden This is a movie that can be looked at one of two ways. You can look at it as an adaptation of Anna Sewell's classic novel, or you can look at it as a story about a bunch of people who all happen to own the same horse. I'll do both.As an adaptation of the novel this movie disappoints terribly. The plot bears almost no relation to the original story. Classic characters like John Manly, Reuben Smith, and Jerry Barker are cut out completely. New characters are often shallow and one-dimensional. Ginger, one of the most important horses in the story, acting as a foil for Black Beauty and with her own heart-wrenching story is turned into a gelding, given about three seconds of screen time and has no involvement in the actual story. The plot, particularly the ways in which Beauty passes from owner to owner, often seems contrived. On more than one occasion Beauty is simply standing around in the middle of nowhere and someone comes along and finds him. Other times he performs some heroic deed which would merit his owners deciding to keep him forever and the next thing we know he's being sold again. While the novel deeply explores the society of the time and the effects of that society (for better or for worse) on both the humans and the animals this movie disregards that aspect entirely. It portrays some rather stereotypical views. Worse, some of the bad guys are just that: bad guys with no depth or personality. Take for instance the young squire who is cruel for no reason and loves to hurt horses just for the fun of it.As a movie with complete disregard to the book it isn't half bad. The story as it is presented here is not about the horse; it is about all the different people who own the horse. Beauty isn't a character so much as he is a plot device. If you don't mind the focus shifting from animal to human it is an enjoyable sequence of stories. I stand by what I said earlier about many of the characters being one-dimensional, but when the entire cast is reviewed as a whole it displays a wide range of personalities and backgrounds. There is a good balance between kind and cruel owners. Pacing was fairly good. The movie had a nice balance with enough action but not too much. Cinematography was very nice. Many of the shots of the countryside were beautifully done (if occasionally somewhat overdone). Most of the stories were fairly standard plots (a decent farmer at the mercy of a heartless bank, young lovers forbidden from meeting) but some, such as the circus family were rather creative and even the recycled plots were well done. Acting was good overall.My conclusion: A good animal and people story, but if you want something closer to the source watch the 1994 version.
dwpollar 1st watched 11/26/2004 - 2 out of 10(Dir-James Hill): Lazy telling of celebrated novel about the adventures of an almost completely black horse. The adventures are huge, but they are played out very un-magnificently with some scenes being so bad that the movie's almost worthy of turkey status especially during a couple silly love scenes. It all works out in the end with the horse coming back to his starting location with his grown-up original owner but the only good thing this movie does is make you feel bad for the horse. The problem is that at points in this movie even he looks bewildered and fatigued at being a part of this slow-moving fiasco.