Jeanskynebu the audience applauded

Platicsco Good story, Not enough for a whole film

GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

JohnHowardReid Songs (all rendered by Burl Ives): "Way Down Yonder in the Paw-Paw Patch"; "I Wish I Were Single Again"; "A Little Stranger". Sound recording: Bernard Freericks and Harry M. Leonard. Western Electric Sound System. Producer: Robert Bassler.Copyright 16 May 1948 by 20th Century-Fox Film Corp. New York opening at the Roxy: 9 June 1948. U.S. release: 20 April 1948. U.K. release: 21 February 1949. Australian release: 26 August 1948. Lengths: 8,166 feet, 90½ minutes (Australia); 89 minutes (U.S.A.); 85 minutes (U.K.).SYNOPSIS: Two Wyoming ranchers vie for honors at a trotting-race.NOTES: Clarke was nominated for an Academy Award for Best Color Cinematography (won by Joan of Arc). Green Grass of Wyoming is a sequel to Thunderhead, Son of Flicka (which itself is a sequel to My Friend Flicka).COMMENT: Third and final film in the Flicka series. Oddly enough, most of the main technicians from Thunderhead re-unite for this effort but this time the players are completely different. Even the Swedish man-of-all-work has been changed to an American Gus that will accommodate Burl Ives who is virtually repeating his characterization from Will James' Smoky (on which Bassler, King, Clarke and De Maggio also worked).There is a reason for the complete change of cast in that the McLaughlins are no longer the center of attention but are forced to share the limelight with two new characters played by Charles Coburn and Peggy Cummins. Just as well, for Master Arthur is no substitute for Roddy McDowall and even Lloyd Nolan fits indifferently into Preston Foster's shoes. Mr Ives, however, is a vastly more entertaining Gus - even if he has little to do in the action (his part in the climax is limited to a single camera set-up spliced into the proceedings at regular intervals). He does have two or three songs (wish there were more!) which he puts across with his usual delightful artistry.Charles Coburn plays what is virtually the lead role with ingratiating sympathy, but Peggy Cummins seems slightly ill-at-ease and miscast. She does her best, but her accent is all wrong too (even if the script does give her an Irish mother). Lloyd Nolan manages little more than to rattle off his lines but Will Wright is surprisingly effective in a much larger role than he is normally assigned. He does his own riding too - as does Coburn (except of course in the long shots of the race where it is skillfully doubled).Mr King's direction is a couple of notches above his usual pedestrian level, the locations are nothing short of breathtaking, and the film packs in more incident than Flicka and Thunderhead combined. The climactic race with its ingeniously suspenseful three heats is especially exciting (even if it does fall short of the thrilling conclusion of Home in Indiana}.Technical credits are Fox smooth. Mockridge has now mastered Alfred Newman's Flicka themes and although they are not as robustly delivered, they are more pleasantly and deftly handled than in Thunderhead. Which brings us to the one feature not mentioned till now: the horses. Animal and horse-lovers will find plenty to rejoice about. The picture even ends with an albino foal promising yet another sequel - although this did not eventuate. (Aside from the Flicka trilogy, the only other novel I have for Mrs Sture-Vasa is "The Catch Colt", published in 1978.)

bkoganbing For this third and final film in the saga of the McLaughlin family out west all the roles were recast from My Friend Flicka and Thunderhead, Son of Flicka. The McLaughlin family is now parents Lloyd Nolan and Geraldine Wall with son Robert Arthur and young Arthur is starting to notice girls. The girl he's noticing is Peggy Cummins a new neighbor who lives with garrulous Grandpa Charles Coburn who has a bit of a drinking problem. Coburn was once a big name in the harness racing sport, but has fallen on bad times.The main problem that all of them are dealing with is white stallion Thunderhead who is giving out a mating call that all the mares from miles around are heeding. That includes a mare that Arthur has been raising for the harness racing circuit.The usual plot situations involving kids and horses are present in Green Grass Of Wyoming. And we get a few musical numbers that fit in nicely with the country atmosphere of the film, courtesy of Burl Ives who plays the McLaughlin ranch hand.Green Grass Of Wyoming is a nice family film that still holds up well for family viewing in this century.

vironpride Mary O'Hara's trilogy, "My Friend Flicka," "Thunderhead," and "Green Grass of Wyoming" have been a treasured part of my life since I was a child. However, the three films made from them vary widely in quality, meaning specifically to their relationships to the books upon which they are based. "My Friend Flicka" is by far the best of the three, and "Thunderhead, Son of Flicka" (as it was renamed) was not bad, though each contains minor changes from the books. However, "Green Grass of Wyoming" is a total disappointment. The plot is changed so much that it bears almost no resemblance to its source. For instance, "Crown Jewel" is made into a harness horse instead of a "superb English Thoroughbred," as she is described in the book, and Burl Ives appears in a totally unnecessary role. Forget this film and go to your local library and read the book (if you can find it). This is one case in which the book is far better than the film!

David Atfield This is a sweet little film, in glorious technicolor, about kids and horses - a sequel to a sequel of "My Friend Flicka". but with a different cast. Robert Arthur is charming as the lead boy and Charles Coburn as his rival is excellent. But Peggy Cummins is wretched as the love interest - so saccharine! Lloyd Nolan is good as always, but Burl Ives is wasted (and sings a truly woeful song).But the humans don't matter much because the horses steal the show. A beautiful white stallion is the star and the glorious black mare he kidnaps is the leading lady. Together they gallop through magnificent mountain scenery like salt and pepper against the green. The scene where he seduces her is intensely erotic, and when she becomes stuck in a bog their distress is completely believable. How they got the horses to do the things they do I'll never know (and I pray it was not cruel), but they are superb.