Colibel Terrible acting, screenplay and direction.

Softwing Most undeservingly overhyped movie of all time??

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Mar Vela The beginning started great, the story seems to be actually quite good but the directing, the actors and the plot twist seem unfinished, the decisions by the actors on characterization quickly made, there's no depth, no reality. Ricardo seems great at times, but for a father who lost his children he doesn't perform a convincing role, I understand panic is sometimes withheld and shock is part of the process but we never get that "panic" feel. The mother is even less convincing, perhaps if one had played the "panic" role and the other the "nervous/supporting" role we could feel convinced by these parents going through turmoil. When the twist happens and then gets resolved there's one huge hole in which the audience can't find no logic for, this totally ruins the movie. We think perhaps the shock of the situation is what leaves the father ignoring this HUGE loophole the audience can see, but the directing, supporting actors or lead don't deliver a convincing way to forget about it. The ending comes fast, there's no moment to feel for the characters, the acting of the children is generic, as if someone told them "do this, or that" their roles have no depth and do not fit the situation they are in. Finally I can say that this is one of the worst movies I've seen.

Claudio Carvalho Sebastián (Ricardo Darín) is a successful lawyer in Buenos Aires and is in the middle of an important case. He has divorced from Delia (Belén Rueda) and they have two children, Luca (Abel Dolz Doval) and Luna (Charo Dolz Doval). Delia wants to move to Spain to live with her father and wants full custody of the children, but Sebastián is reluctant. Sebastián goes to Delia's apartment on the seventh floor of an old building to take Luca and Luna to school and Delia leaves the place. The siblings ask to go down playing on the stairs while Sebastián takes the elevator. When he arrives on the lobby, he realizes that the children have vanished. Sebastián needs to be in court for an important case but he seeks them out with the janitor and his neighbor Rosales (Osvaldo Santoro), who is a police detective. He calls Delia that returns to the building and suspects of everyone until a woman calls him asking for a one hundred thousand-dollar ransom in two hours. How can the desperate Sebastián raise this amount in a short time and who might have kidnapped his children?"Séptimo" is a tense and engaging thriller with a great idea but flawed conclusion. Sebastián destroys his professional life but let his wife go with one hundred thousand dollars and no other consequence? Delia should have an accomplice but it seems that her revenge on Sebastián was carried out alone. Did she keep her children on the fourth floor alone? How could she move in and leave the building with lookouts from the police and neighbors everywhere? My vote is seven.Title (Brazil): "Sétimo" ("Seventh")

Carmen Rodriguez (carmendeolle) A subject quite intriguing. A father who lost his two children playing a game that her wife had forbidden: who goes down faster from the seventh floor where they lived. Him by the elevator. Them down the stairs. However, when he reach the ground their children are not there. Suddenly commonplaces became unknown, mysterious. The performance of Ricardo Darin, great in films like Nine Queens and The Secret in Their Eyes, this time is not convincing and does not achieve the level of desperation that reaches for example Hugh Jackman, also as a father of a kidnapped girl in Prisoners, which compels him to cross the border of what is political correctness. Nor Belén Rueda reaches the level shown in The Orphanage where she also gives life to a mother whose son disappears in her own home. The end is resolved too quickly and with serious gaps in the plot (for example, how did her wife know exactly when will they play that game? It meant that someone had to be perennially waiting behind the door to catch the children? ). Anyway, absolutely forgettable film.

estebangonzalez10 "I'm your neighbor from the seventh floor. My children were coming down the stairs, and I can't find them, I don't know where they are."Septimo is an Argentinean thriller directed by Patxi Amezcua (25 Carat) starring Ricardo Darin and Belen Rueda. Despite the interesting premise and a promising trailer, I was disappointed with the final result. The only reason I'm giving this a passing grade is because of Ricardo Darin's performance. He is one of the greatest actors from Argentina, and if you haven't seen a film from him I highly recommend The Secret in their Eyes. He is a solid performer and in this weak script he does his best to keep the audience engaged with his character. The only reason I cared for the suspense in Septimo was thanks to his character. I was disappointed with the rest of the cast, especially the child actors who are only on screen to look cute. For the first half of the film I was having a decent time and enjoying the thrilling story, but the resolution and twists in the final 20 minutes or so are very unsatisfying and far fetched. It ruined my entire perception of the film, but I'm still going to slightly recommend it thanks to Darin who always delivers. This is just another example of wasted potential and not knowing how to resolve a pretty decent suspense story. The more you think of the film, the more flaws you will find.The original screenplay was co-written by Amezcua and Alejo Flah, centering on Sebastian (Ricardo Darin), a lawyer who is currently working on an important case for his firm. Before heading to the office he stops by his ex-wife's (Belen Rueda) apartment to take his two children to school. Delia mentions that she wants to take the kids to live with her in Spain, but he doesn't want them to be so far away. Since the kids live in the seventh floor they ask their father if they can race him down the stairs while he takes the elevator. This is a game they usually play together, but this time the kids never make it downstairs. At first Sebastian thinks the kids are hiding, but they never show up and the building's doorman (Luis Ziembrowski) says that no one came in or out of the building. Sebastian's worst nightmare comes true when he goes up the stairs and doesn't find any evidence of his children's whereabouts. He begins questioning each one of his neighbors, while the doorman explains the situation to a deputy who lives in the third floor. The deputy (Osvaldo Santoro) tells Sebastian that he should remain calm, that they are probably dealing with a kidnapping, but that the police was already investigating the case. Sebastian finally explains the situation to Delia and as time passes the more desperate they become questioning everyone close to them.The first half of the film managed to keep me interested in the story despite not much character development. The suspense of what had happened to the children was what kept me engaged, but once we got the resolutions and twists it was hard to feel satisfied. Ricardo Darin has played some great roles in films like 9 Queens, The Secret in Their Eyes, and A Chinese Tale, but in The 7th Floor there isn't much he can do. This will probably be one of his most forgettable roles, but he still gives a convincing dramatic performance of a desperate father trying to figure out what happened to his children. He stops at nothing to discover the truth, but unfortunately the truth about this film is full of flaws. The positives about Septimo are Darin's lead performance and the beautiful cinematography which captures some nice views of the city of Buenos Aires. The rest of the film is forgettable.