11:11
11:11
| 01 February 2004 (USA)
11:11 Trailers

Eighteen years after the murder of her parents, Sara Tobias searches for the meaning of the numbers '11:11' that was scratched in blood beside her mother's body. Following three sudden murders, supernatural events are unleashed as she gets closer to the truth.

Reviews
Softwing Most undeservingly overhyped movie of all time??
GazerRise Fantastic!
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Salubfoto It's an amazing and heartbreaking story.
trashgang Straight to DVD this one went, easy to watch, some good moments, some bad moments, in fact I don't really know what to think of it. The start, as with many movies, isn't really that bad at all but being a low budget you will have to do a lot of blah blah due money restrictions. Talking about the effects, well, there are no effects. Car crashes off screen. People being shot in the head, off screen. showing dead bodies, no blood and I can go on and on. In other reviews people are really tearing down the main actress, Laura Mennell. I admit, she isn't that good but here she plays in one of her first major rol. In 2010 she will be seen in the already acclaimed Hard Ride To Hell, a gory piece of exploitation. If they had money they could have made a great movie but it fails a bit, no scary parts, it's sad, but also in the editing there are some faults left in, for example, the shadow of the zooming camera on a wall, you can count on it that they mostly made one takers. Anyhow. One to watch before you get to business with the real stuff.
anxietyresister The film starts well enough. It is a truly terrifying scene as a couple of fugitives on the run from the law tear apart an innocent family living in a secluded country cottage by killing the mother and father. The young daughter only manages to escape with the aid of a mysterious spectre, who kills the two aggressors while she covers in a downstairs cupboard. Then, we catch up with her 15 years later as a drug-addled student researching the supernatural, living with her promiscuous aunt and being looked after by a mysterious redhead. She has no real friends, was almost raped at a party and keeps having bizarre visions which no-one else can see. So yep, life is grand. Things get a lot more pleasant when she has a falling out with her mum's sister, who is later found dead in a bathtub under suspicious circumstances with 11 etched into her forehead. Hmm, I wonder who the police's main suspect will be? This is quickly followed by more deaths, all linked by their relation to our heroine having been on bad terms with them before their passing. Could she be the culprit, or perhaps the explanation could be something of a more ethereal nature? Clue: If you think the former, you've picked up the wrong movie from Blockbuster. Go back and get the correct one, short-sighted gimp.As I said, I was all ready to fast-forward to the good parts, safe in the knowledge that I wasn't missing out on anything but a mediocre suspense potboiler. But the first ten minutes grabbed me, and I decided to give it a chance. I was quite pleasantly surprised: it certainly wasn't a masterpiece but the acting was good enough and the script kept throwing up intriguing situations of which I looked forward to finding the solution to. Alas, 45 minutes in, I realised my attention start to wander during a long sequence where the main character is walking round a library, doing nothing. We then get a cheap scare, followed by quarter of an hour of goddledegook about the paranormal between her and her new hunk of a boyfriend. Things only got worse from there, as the promising beginning is thrown out the window as we get one unconvincing plot twist after another, followed by an ending so anti-climatic it's like being promised the moon and ending up with a teeny weeny meteorite instead. Pathetic.If it was bad all the way through, it would have been far easier to swallow. The fact that it starts at a canter and barely ends with a whimper is not just disappointing, it is heartbreaking. How can something which began so promisingly end up being so formulaic? I don't know, and I don't particularly care. I'll just give the writer and director a bit of advice for next time: Don't spend 5 weeks writing the first part of your screenplay, then 5 minutes finishing the rest. You tend to notice these things in the final product when you treat your project as sloppily as you have here... 3/10
no_queen_blues What can be said about such a pathetic movie ? Very bad acting ! The main actress seems to know only one facial expression : fear mixed with weakness. Like a poor beaten dog... The other actress (the one who plays the evil) looks like the female double of Ozzy Osbourne, with an awful red wig. The other actors are so pitiful that they don't even worth being described. There's absolutely no plot. The story begins with possibilities but goes nowhere : we don't know anything about the meaning of "11:11", nor who Rayden really is, excepted the simple "she's evil" or "she's a child of Apocalypse"... which is not an explanation. We don't know why the parents have been killed, what kind of danger is growing and why Sara was chosen. As the film goes on, we just watch pseudo-scary scenes, with a bad music. Moreover, the end doesn't tell anything : we just see two possibilities as if one of them was a bonus scene or the director's cut... There's no plot, so no possible interpretation. "11:11" is just full of clichés ! It is so obvious that i couldn't help laughing. For example : the deserted library or the bathroom scenes, ghost silhouettes walking with a blast of wind, ... there's even the fashionable "little scary girl" as in "Dark Water" or "The Ring". Of course, the main character is bullied at school and looks like a stereotyped Gothic girl (dark hair, red lips, skinny, black clothes). Is it an obligation to make her credible ? I don't think so. The psychology of Sara is so few developed and so typical that it doesn't make her credible, nor endearing.Terrible direction : as i said, nothing original, everything has already been seen a thousand times and is used here without any real purpose. There are some funny incoherences. For example, i don't know if "ghost science", "paranormal course" or whatever is taught in American universities... In Europe it is really not the case : teachers talking about negative energies or using "unmaterial" creatures sensors... ridiculous. Also : how can you watch a movie shot in the sixties with a Super-8 camera on a computer screen without spending hours of your time for a digitalization (in the movie they watch it immediately on the computer screen) AND how can you, on this old film, isolate a tiny detail then zoom in and see a perfectly identifiable face ? I wonder if the director has ever tried to digitize an old analogical film...Eventually, "11:11" just worths being watched if you like to laugh at silly movies, or maybe if you want to fall asleep on your couch... But it's an expensive way to fall asleep !
Peter Groen Well This was a complete waste of celluloid. The preview was promising but after watching the movie, it looked like the preview *was* the whole movie. No plot, no clear storyline, just some misplaced suspense. It looks like the director tried very hard to create an atmosphere of mystique and fear, but still there are gaps to be filled. Why the drugs? Why the number 11.11? (Btw. As Sarah enteres the library, the clock says 11.14) What's the connection to the murder on the parents? What's the role of this Rayden woman? Is she one of the children or not? Who are those children anyway. There is a lot of material lying around to create the ultimate cult movie like "the Omen" but the director just leaves them lying on the floor without digging into the story. Even "the Blairwitch project" was more scary than this one. All the gaps you hope to be filled like in "The Butterfly effect" stay open as the credits start rolling.. OK. Off to the next movie...
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