Jeanskynebu the audience applauded

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Monkeywess This is an astonishing documentary that will wring your heart while it bends your mind

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

FilmBuff1994 10 is a good movie with a reasonably well developed plot and a cast that shine in both comedic and dramatic moments. It is certainly not a typical Blake Edwards movie, from creations such the Pink Panther films and The Party, what we have come to expect from this man is zany, madcap comedies. Here, however, he brings us a very grounded comedy that studies its characters and the effects ageing can have on our mentalities. Bringing this story and these characters to life is Dudley Moore and Julie Andrews, both delivering layered, complicated performances with subtle nuances throughout. I did find this movie to be far longer than it needed to be. Running at two hours, it gets carried away with its simple message and drags on. One of the most appealing aspects of this movie, something that drags people in, is to see the relationship develop between Moore and Bo Derek, but the two never end up interacting until more than an hour in. I just feel it could have been a lot more fun if it moved a little quicker. It was very difficult to sympathize with George Webbler in any way, he is an unkind, self centred man who we are never given a reason to truly support. I understand that what he is doing is wrong anyway, and it is not trying to be portrayed as a wise decision, but the character should have had some good qualities if we are going to follow him for 120 minutes. Grounded, as well as slow moving. Subtle humour and containing two actors delivering some of their best work, Ten is not exceptional, but it is enjoyable, I would recommend it to anyone looking for a good comedy, particularly to fans of the great Blake Edwards. After he reaches forty, a settled composer has a midlife crisis and begins to desire a newly married woman. Best Performance: Dudley Moore

Poppybiscuit If you never watch this film because the basic old man chases younger girl theme is too banal, you are missing a treat. This is a classic film, and so much richer than the simple premise. The cornerstone of the movie is the piano scene, outside under the palms by the beach. Dudley Moore, an exceptional pianist, plays "It's Easy". He plays for amusement, for himself, he plays with anger, for the frustration of unattainable lust, he plays to tease, to move the (delightful) holiday golddigger and he plays to bond with, perhaps just to impress, the the barman, the provider of his needs, his booze. It's hard to think how a scene could ever be played that could better depict a mid-life crisis, the theme of the film. It has been said that neither Bo Derek nor Julie Andrews were great, or suitable in their roles, but I don't think that matters. With such a strong performance as Dudley Moore gives, supporting roles can only ever be that. The scenes around his arrival at the resort are very funny. Don't just think of this as the film where a middle aged man sees a bikini clad girl running in slow-mo across a beach. That's the punchline - its a lot better than that.

Alfie Noakes Amazing for so many reasons:It's Dudley Moore at his comedy best ('Arthur' certainly wasn't),it has Dudley playing the finest rendition of Macini's 'Easy To Say',it has Julie Andrew's incredible voice and it has Bo Derek at her prettiest.There's something in there for everyone. As a youngster I remember liking this film for the titillating scenes with Bo Derek in them, but becoming a fan of Dudley Moore as an adult and being a pianist myself, the man's comedy timing and musical talent are a joy to behold.The only puzzling thing about this film is the title. As, when asked by his psychiatrist, 'what score would you give (Bo Derek) out of a maximum of 10' - he say's '11'. So really, the film should be called '11'.

ConDeuce Blake Edwards' best film by far. This is the only time that he managed to almost perfectly balance his strengths and keep some of his poorer directorial habits at bay. Edwards can stage a comedy "bit" like few others can. Just check out his masterful bit of editing with the cars flying by on the LA roads after Sam Taylor has spied George at the swingers house (he's racing back to his house; she's racing away from it. The camera is poised on a hill simply panning left to right and right to left). Or the simple scene where George tumbles down the hill climbing desperately to get to the phone. There are a number of others in "10" that get a good laugh while staying realistic and true to the film's narrative. None of the comedy bits feel out of place the way they often do in some of Edwards' films (see "Skin Deep" for some examples of what I mean).Edwards is one of the most over looked directors. Some of the fault lies with his own inconsistencies. When he's in top form like in "10", he's fantastic. But a lot of times he allows himself to become self indulgent. Some of this self indulgence comes out of his apparent (and laudable) willingness to allow his stars to shine. In "10", for example, he gives his wife, Jule Andrews, a bit of singing to do while at a rehearsal. Thankfully the scene is brief (not faulting Andrews or her singing but it's out of place in "10") but in other films, he lets things get out of hand. But not in "10". Edwards keeps the film focused on the story and the characters. With some fine supporting actors (Brian Dennehy, Dee Wallace) the film is mature and has some relevant, realistic dialogue.