StunnaKrypto Self-important, over-dramatic, uninspired.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Kirpianuscus more than a classic soap opera. maybe, a cultural phenomenon. or an ocean. because, for me, except Jeanne Cooper and Eric Braeden, the series is a huge Rubick cube, full of new presences, confuse conflicts, frozen time and old fights, relative friendships. a series with a life of 44 years is out of any definition. first, because it is the series of its fans. second, because, like each illusion/fairy tale, it is a source of alternative life events, different by generation who discovers it. short, endless series. maybe, the most seductive soap opera if you do not ignore its impressive longevity.

mark.waltz I started watching this show at the tail end of the original set-up where the Brooks and Foster families dominated the story. One upper middle class, the other working class, yet interconnected and all basically decent people. Along comes "the mustache", a 35 year plus villain who doesn't mellow, just gets more rotten. Victor Newman's story did overlap the original families by 2 years, and for a while, he was engaged to the show's original bitch goddess heroine, Laurie Brooks. Today, only Jill Foster Abbott remains from the first episode, having been played by many actresses, with Jess Walton now in the part for almost 30 years. After the death of long-time matriarch Katharine Chancellor, Paul Williams (Doug Davidson, now with 38 years on the show) became the longest running character, and for a while, had a family of his own who supplanted the Fosters as the lower working class family. Original Foster matriarch Elizabeth Foster (Brooks, thanks to a brief marriage to patriarch Stuart) was on and off the show for 37 years, a regular presence for the show's first 12 years, but neglected even though daughter Jill was still on after she was written off. The show's writers can't seem to make up their mind of how they want to history, destroying Jill's being a Foster by making her Liz and Bill Foster's adopted daughter. This wasn't the first show to capitalize on youthful characters, but with "Y&R", it pretty much declared war on focusing on more mature characters. Certainly, Jennifer and Stuart, supposedly widowed Liz and the complex Katharine Chancellor had their own battles: Jennifer with breast cancer, Liz finding her husband Bill was alive then pulling the plug on his life support, and Katharine's alcoholism. I've seen old episodes of each of these major stories, and certainly, Julianna McCarthy should have been nominated for an Emmy for her heartbreaking performance as Liz. When they killed Liz off for good in 2010, I was heartbroken, almost feeling like I had lost my grandmother. Jennifer did die of breast cancer during the early years of the show, and Katharine just passed away, but these three women showed that during the early years, young didn't mean youth; It meant young in spirit, and the ability to deal with heartbreak, loss and depression.The two early major stars were Jaime Lyn Bauer as the sultry Laurie and future prime-time TV star David Hasselhoff as Jill's brother, Snapper. But their departures from the show in 1982 pulled the story towards the growing Abbott family and Eric Braeden's ruthless Victor. I liked him around this time, but his character hasn't seemed to pick up any serious life lessons, only getting worse. In short, he's the Donald Trump of soaps. The 1984 wedding to former stripper Nikki Reed was a wonderful reunion of many of the show's veterans, with a great subplot of Victor's psychotic ex-lover Eve Howard in disguise trying to kill the bride. I was addicted to the show during the story-line the previous year when Eve (the beautiful Margaret Mason) tried to kill Victor through slow acting poison and her slide into insanity as Victor pretended to be dead to trap her.Such beautiful older women as Marla Adams (Dina Abbott) and Susan Seaforth Hayes (Joanna Manning) kept me intrigued as young women like Ashley, Tracy and Patty held my interest as well. Jack Abbott and Paul Williams were fascinating young male characters, with wise John Abbott showing that powerful businessmen could be decent, even with someone like Victor Newman breathing down their neck. By the end of the 1980's, I began to loose interest in "Y&R", but have gone back on several occasions, first when Margaret Mason returned to introduced Victor to their son, Cole, and later when Judith Chapman took over the role of John Abbott's gold-digging wife, Gloria. I also would make brief re-visits every time Dina or Joanna would pop into town, as well as one of Liz Foster's longer stays in 2003 when she had to tell Jill that she was adopted.Now, the show is a shell of itself, having diminished the importance of Jill and writing off the bulk of the characters that I liked. They turned Nikki Newman into a shrew, wasted the character of Ashley Abbott, and made Victor Newman so unrealistically evil that I wished I could go back as head writer and have Eve Howard's poison taken affect. Like Sonny on "GH", Victor has a loyal group of fans and disgruntled viewers who would love them to be killed off for good. "Y&R" has never had the best writing (no matter what the Emmy Awards may think) as it is often inconsistent, angry and pandering. Yet, they must be doing something right, because of the four soaps left, it has the highest ratings. Or perhaps I'm no longer young and restless either, or just above the cell phone style of Ebonics that come out of the writer's pens.

parickards I wish I was allowed to give zero star! Young and Restless is now a very pathetic show. Bill Bell Sr. must be twirling in his grave. Since Chuck Pratt took over as the head writer the show has deteriorated 100,000,00% It's beyond ridiculous.Victor Newman is a vile hateful character and needs to go. And no one is indispensable. The Brooks are gone, The Fosters are gone, The Chancellors are gone... Victor Newman needs to go. The show would go on.Chuck Pratt and Jill Farren Phelps needs to go along with all the talentless Friends of Jill that she hired.18 -49 is the target audience when it mostly people over 55 who watch the show keeping it as top soap. We are the ones at home all day watching soaps.

nblas As soaps go, this is by far the best. I watched religiously for 15+ yrs and recently came back and I love it. Acting, writing (some exceptions), production values, and personal charm of the actors....all top notch. Sure, it can get soapy to the point of being ridiculous but even that is fun. Could never waste my time on another soap. Hmmm, review must be at least 10 lines, well, must say that it has been fun catching up with the 'old timers' Victor, Nicki, Nick, Sharon, Jill, Phyllis, Jack, Ashley, Lauren, Paul, Katherine....they all look great, and tho I didn't think I would, am thoroughly enjoying the 'youngsters'. Thanks Y&R. Bummed about Cane tho :-(