ThiefHott Too much of everything

CrawlerChunky In truth, there is barely enough story here to make a film.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

JohnHowardReid Director: STEVE SEKELY. Screenplay: Houston Branch. Story: Frank Bentick Wisbar. Photography: Mack Stengler. Film editor: Richard Currier. Art director: Dave Milton. Music director: Edward J. Kay. Dialogue director: Howard Erickson. Assistant director: William Strohbach. Sound recording: Tom Lambert. Associate producer: Jeffrey Bernerd. Producer: Herman Millakowsky. Executive producer: Trem Carr. Copyright by Monogram Pictures Corporation. on 12 November 1943. No recorded New York opening. U.S. release: 10 January 1944. Australian release through British Empire Films: 16 November 1944. 8 reels. 6,576 feet. 72 minutes. Alternative title: HITLER'S WOMEN.SYNOPSIS: A German woman (Gail Patrick) returns to her homeland during WW2. Horrified at the degraded status of women in Germany, she seeks to overthrow the regime. COMMENT: A dated wartime propaganda story by Frank Wisbar is given a new lease of life here by the extraordinarily imaginative direction of Steve Sekely (of all people). True, the players offer no more than token conviction, the sets and costumes are seedy, the photography often drab. But producer Millakowsky has invested this offering with more production values than any two Monogram thrillers combined. Sekely has taken full advantage of this opportunity with a display of involved tracking and crane shots, masked camera set-ups and other highly ingenious effects. And we loved the script's unique device of reprising the story to ask a leading question at the finale.