V/H/S: Viral
V/H/S: Viral
R | 21 November 2014 (USA)
V/H/S: Viral Trailers

As the streets of Los Angeles overflow with camera-wielding gawkers seeking to capture images of a bizarre police pursuit, the same people who sought to exploit the suffering of others for amusement on the Internet become the stars of a gruesome viral video from which no one gets out alive.

Reviews
ReaderKenka Let's be realistic.
BroadcastChic Excellent, a Must See
Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
bladam-70097 Waiting on V/H/S 4 to come out. Anybody else with me?
Nancy666 If you have seen the first two, then the third will probably be a let-down. V/H/S Viral follows the same anthology premise as the first two but the stories don't flow as easily. "Vicious Circles" was the most confusing for me. "Dante the Great" was one of the best. "Bonestorm" visually great but not the best story. "Parallel Monsters" had potential but went a bit overboard wtf.It seems in the third they tried to push the creativity and it didn't work, not for me anyway. The cast is a solid as the previous installments but the stories aren't as easy to grasp and at the end you're kinda wondering what the hell went on. I thoroughly enjoyed V/H/S/ 1 and 2 and was excited for the third, but it lost something this time around. Unfortunately it wasn't good enough for me to want to buy the DVD for the surprise "Gorgeous Vortex" segment.
Scarecrow-88 While a viral virus outbreak seems to be spreading across the internet superhighway, as the film follows a teenage young man biking through a city searching for his love who seems to have been kidnapped in an ice cream van (that has seen better days), we are privy to a series of recorded episodes where characters face incredible, supernatural events.The first tale doesn't follow the found footage format religiously as the fourth wall of the popular subgenre is broken as pieces of it are shot by a "cinematic camera". It involves a trailer park magician-wannabe named Dante (Justin Welborn) who finds a demonic black cape (supposedly discarded by a frightened Houdini!) and exploits what it can do for great success. He records his cape's magic tricks and what the cape allows him to do with his hands and mind when wearing it. However, the cape is a carnivore (I can't make this stuff up!) and demands human nourishment (!) in order for Dante to be given access to perform with its magic. So a number of magician assistants wind up missing, and Dante records (why?) the process of the cape's feeding from them! In found footage, the obviousness of recording events which defy common sense, reeking of implausibility, finds its way into another example of the genre. You just kind of have to accept that what we mostly *wouldn't* record will be in order for us to experience what the characters do. This tale is a special effects showcase where the cape does some amazing things. Arial stunt work (climbing walls, the cape teleporting a person from one place to another and a rabbit from one place to another), bodies of a police task force suffering crushed bones without actually being touched by Dante, a rabbit being split open by Dante with him just moving hands right above it, the cape "eating" victims, and Dante performing fireball maneuvers that develop and fly from just his hands and mind making them appear; the tale has plenty of effects work to dazzle. The stunning red head, Emmy Argo, is the assistant who might just get the upper hand on Dante due to how much he likes her. Her boyfriend's fate is particularly ghoulish. Irony of the cape's feeding habits doesn't stop at just Dante's victims…he had better watch out as well! The second tale deals with parallel alternate universes *meeting* as two scientist Alfonsos (Gustavo Salmerón) discover each other after building successful dimensional machines in their basements. Exhilarated by their mutual encounter, the two Alfonsos decide to cross over into each other's worlds for a fifteen minute visit. One of the Alfonsos realizes that the alternate universe he crossed over into isn't necessarily to his liking…it seems the people in this universe are a bit biologically different (that is an understatement!). The horrifying addition to this is the alternate Alfonso has a particularly unique penile difference from his counterpart which might have bit of an overbite! Alfonso's alternate wife, Marta (Marian Álvarez), might just also have a biological, anatomical overbite all her own! Just its premise is creepy and unsettling enough to leave quite a Cronenbergian impression hard to forget (even if you *want* to unsee it!). The creation of the basement teleport machines certainly cause more harm than good to their creators! The third tale features skateboarders traveling to Tijuana for the ultimate experience, but the perfect location to vert presents more than they bargained for: true Mexican occultists in Day of the Dead skull makeup and attire arrive to attack them! An arm pulled from one of the boarders causes blood to leak on this chalk symbol which seems to awaken something evil. Eventually the occultists who die at the hands of the boarders awaken as ghouls! Even a monster seems to emerge thanks to the black magic that responds to the blood of the boarders! Mostly seen through the cameras hooked onto the helmets, with one boarder shooting from a hand-held, this features gruesome violence from skateboards, animal bones, and even a sword! The most virtuoso and exciting use of the POV approach of found footage. The stoner characters aren't exactly ingratiating, but they sure defend themselves well (well, two of them do!).Other found footage additions include a woman whose nude recording was posted on a website getting revenge on the blogger in a taxi and a Spanish harlem gangster soirée erupting into chaos when the lead hood gets enraged by the fork-stabbing of his pet dog! The wraparound story isn't anything to write home about. It has a young man chasing after a van (a van dragging a biker across a paved road is nuts!), eventually finding it with no one inside, perhaps left with a decision to make which could affect the entire city, maybe even the world!
adkulak11 Let me start out by saying I remember seeing the first VHS. I fell in love with it. I've always found the found footage genre interesting, and VHS was unlike anything I had ever seen before. The first film's ability to keep suspense by hiding things behind impurities in the video print, combined with creative and well- executed stories, made it instantly a horror masterpiece. Then I heard there was a sequel. I looked it up on Netflix, and I was satisfied with what I got. It wasn't as shocking or gripping as the first, but the idea's were still creative, the writing and acting was all around well done, and by sequel's standards, it held up well. Then I heard they were making a third film. I got hyped, and watched it the day it came on Netflix. What. The. F*ck. I'm still not entirely sure VHS Viral is part of the VHS series. The ideas were still kind of interesting, but were done terribly. Dumb executions, half-assed acting, and the encompassing storyline is attempting to be melodrama, but just ends stupidly. My advice is to avoid this movie, put on VHS and VHS/2, and live in denial of the third one.