Daninger very weak, unfortunately

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Brennan Camacho Mostly, the movie is committed to the value of a good time.

dbdumonteil It is actually the second version (I would not write "remake" ) of Japrisot' s thriller ;it was already transferred to the screen in 1965(two years after the novel was released).The director was André Cayatte ,an excellent old school artist too often ridiculed by the overrated new wavelet.(see "Piège Pour Cendrillon")By and large ,I'm not a fan of Japrisot whose plots are often complicated instead of complex and I do not put him in the same league as Boileau-Narcejac ("diaboliques","vertigo"),Frédéric Dard (whose "Toi Le Venin" broached the subject of the "double"in early sixties ),let alone Agatha Christie.That said ," Piège Pour Cendrillon " is a different matter;the subject is not new ("Spellbound" , the contemporary " the third day " ( 1965) "shattered" and countless others dealt with amnesia );but the treatment,including four parts ,each one containing the same verb in four different tenses of French conjugation was downright disturbing;and the ending was all the more baffling since the mystery was not solved .(It was the reader who decided )On the plus side,Kerry Fox took on Robinson's role-in the French movie- with consummate skill ;Alexandra Roach as brittle Do is eye candy;but it's not all good news :with such a story,it would have taken a great director and (mainly) a talented script writer (Japrisot wrote himself the screenplay of the French effort).Adding an overt lesbian relationship between Mi and Do does not help ,today it's no longer risqué and even trendy ,à la mode, as we French would say;an intrusive music does not help either.Editing is botched.Whereas the story was essentially psychological thriller,this flashy movie fills its quota of topless women and sex ,neglecting the harrowing frames of mind of the heroine.

suite92 Mickey and Domenica meet each other after a number of years. Do is a bank employee; Mickey is a photographer who lives as if she were rich. Do quits her job, and they get to know each other somewhat. They decide to get together at a house where they had common experiences as children.There is a terrible fire. One of them is killed, and the other gets amnesia and burns on her face.As 'Mickey' recovers her memory, and recovers from reconstructive surgery, we switch to flashbacks of when the two had just met each other again. Then there are further flashbacks to the estate where there was a near drowning incident when Do and Mickey were pre-teens. Mickey was blamed for this and a subsequent event that was at least as bad. They do not see each other for years, partly at Do's family's insistence.In the depths of these flashbacks, a plot is hatched. Will it succeed?-----Scores-----Cinematography: 7/10 Mostly good, parts excellent, but sometimes in shaky camera mode, which looked horrid.Sound: 3/10 Bad sound leveling.Acting: 2/10 There was acting? The characters were repellent, but not engaging. I hoped the trap would spring on Cinderella so that the film would end.Screenplay: 4/10 Neither the pacing nor the labyrinth of flashbacks and reinterpretations were engaging. I had a strong hope that all the main characters would be terminated with extreme prejudice.

leonblackwood Review: From the beginning, this movie moves at a really slow pace, to the point were I just switched off and I concentrated on something else. It doesn't really pick up until the very end, when the plot comes together and you realise what the hell is going on, but it wasn't anything amazing. The characters were really dull and boring, along with the storyline which just wasn't that exciting. I wasn't really that bothered about the whole conspiracy with the film because it wasn't interesting. I could have done with some matchsticks to keep my eyes open! Boring!Round-Up: I haven't seen these actors before so I wasn't expecting anything out of this world, but the adverts made this movie look interesting, which it wasn't. I was hopping for an intelligent drama, but for most of the movie you end up just watching a girl who is obsessed with her best friend, to the point were it was just way to creepy for me. I recommend this movie to people who are into there drama's about a girls obsession with her best friend. 2/10

euroGary 'Trap for Cinderella' features Tuppence Middleton (most recently seen in the BBC's version of 'The Lady Vanishes') as Micky, a fun-loving party girl who is caught in an explosion at the South of France villa of her aunt Elinor (Frances de la Tour), of whom she happens to be heiress-presumptive. Suffering from amnesia (and having undergone reconstructive surgery) as a result of the accident, Micky discovers the diaries of her childhood friend 'Do' (Alexandra Roach, Channel Four's 'Utopia') and enters a sequence of flashbacks - and flashbacks-within-flashbacks - piecing together the events that led to the explosion and frequently unveiling her breasts. Watching with keen interest is Julia (Kerry Fox), Elinor's long-time PA.Clever - or manipulative - editing of the trailer has made this seem like your bog-standard psycho-lesbo-revenge flick, but it isn't (although there is a touch of Sappho about it). Although written and directed by men, with all the main characters being female and only token presence from a couple of pretty-boys on the male side, it might appeal more to women than men, although if you're more interested in genre - psychological thriller - than gender that shouldn't matter. It's not the cleverest plot - without trying to I guessed most of the big reveals, which probably means most other people will too - and some plot points aren't adequately explained (eg: why Elinor made the decision she did about who gets her money, although it's pretty obvious from the preceding story). But it's entertaining enough, and the acting is agreeable, with Fox being a particular stand-out in her portrayal of scheming frustration. If I had been directing, I would have made more of the swimming pool bitch slap-down between Fox and Middleton, but then I was spoiled as a younger man by those Joan Collins/Linda Evans fights in 'Dynasty'...