StunnaKrypto Self-important, over-dramatic, uninspired.

Exoticalot People are voting emotionally.

Matialth Good concept, poorly executed.

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

saxena_ashes A typical Madhur Bhandarkar flick with the lives of a small sect of professionals as the subject. The traffic signal includes a microcosm of people who derive their daily livelihoods from it. There are beggars, prostitutes, tricksters, eunuchs and others who sell clothes, flowers and trinkets who owe hafta to the Signal Manager, Silsila. Kunal Khemu, Ranveer Shourie and Konkana Sen perform as expected. Life goes on through ups and downs but the movie ends on a sad note, as expected from Bhandarkar. But the movie entertains you throughout, especially with the Bambaiyya lingo, at the same time makes you think about people you normally never do.

vjoshi2002 Very ambitiously this movie tries to deal with more plots than are usually expected in a single movie. I am sure Madhur had his hands more than full with all that he wanted to communicate through this movie. Even though the actors have done a decent job, and some pretty insightful sub plots emerge during the course of the movie, in the end it leaves one with a feeling of things having been dealt with incompletely. The movie is in fact more like a series of sketches, each dealing with a different sub-plot or idea. This feeling is enforced by the fact that it's scenes do not fit together as a tight, cohesive production. This is because even though they involve the same characters, each of them tells a very different story.Traffic Signal seems to be the perfect example where a director should have gone for an extensive treatment of all these ideas through a serialized production rather than trying to put everything into one grand movie where the limitation of time is a huge constraint. Give me this movie's reel and a pair of scissors and I'll neatly cut out about 10 different episodes that could be independently developed to create a wonderful hard-hitting docu-drama series. With how much the movie attempts to cover of the Indian society and really, also the human condition at a deeper level, I really believe it would have been served better if executed in the way of Kieslowski's work on Dekalog.6 out of 10.

alyin May be my expectations were too high after watching chandni bar and page-3. The effort was no where to be seen through-out this movie.Having a good plot is not enough. The script was far below PAR, a lot of the scenes don,t glue together( most of them look to be squeezed in between)None of the actors were able to make an impression, except for konkana sen . I am still not able to digest madhur using "bollywood" style melodrama, in desperate attempt to create some effect on the viewer. kunal's dialogue delivery was mediocre, the scene when kunal talks to his folks while being taken away by the police, is the worst of all.spare your self!

beany82 Traffic Signal (2007) is the best movie I have seen in a very long time. Directed by Madhur Bhandarkar, who has taken a social stance on his movies, it is better than any Bollywood of Hollywood effort in the past year.Centred on those on the fringe and making money by begging at a certain traffic stop in Mumbai, it takes viewers on a journey in to what life is really like outside of the sugar coated, glossy depiction in other Bollywood movies. It strays from Bollywood convention but pays subtle homage to the song and dance routines that has made Bollywood a major economic force.The traffic stop is managed by Silsila, who feels at home among the poor on that street. Even bragging that he began working there at just 10 days old. He feels a moral responsibility for those there, seeing that despite being beggars, they are also human beings and have embraced this way of life. Protection is payed by all those working the traffic signal and the money is used to bribe government officials and then rest is given to a local mafioso, Bhaijaan. It also shows viewers how traffic signals are a major underground economy. Where traffic is forced in order to allow for begging from stopped cars.This movie is heartbreaking and enduring in many ways. Firstly, all of the actors are relative unknowns or from the indie circuit in the industry who prove that they have acting chops to outdo any seasoned actor. Secondly, the realistic approach gets through to viewers through clean and subtle directing and cinematography. Thirdly, the characters themselves are simple and in contrast with the rich that they beg from, shows that the human spirit is more alive in the ordinary. This movie takes you in to the lives of beggars, disabled, poor, prostitutes, drug addicts, newbies to the fringe, social workers and shop girls and even children as they try to make their living at the traffic signal. It also shows us the consequences of our actions and how one small action can affect many.This movie doesn't try to make you feel guilty. It doesn't try to preach nor does it try to educate. It is simply a movie about characters on the fringe. That is what makes this movie so striking. It just is. It is just a realistic portrayal that is so incredibly pure because the director doesn't try to make it be about enlightening on purpose. It's a natural and unforced portrayal.Madhur Bhandarkar has done many movies which take on a realistic approach, such as Corporate and Page 3. Perhaps that is why he has won so many awards for his work. What I do know is that Madhur Bhandarkar takes everything that should be different and interesting about Bollywood and actually makes it good.This movie should be India's entry to next year's Oscars, but sadly that probably won't happen as India has a history of choosing their regular fluffy Bollywood films as their official entries. Either way, I urge you to all see this.