Steineded How sad is this?

Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.

Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Serenity3000 Too Scared to Scream is an 80s slasher film. There wasn't too many kills. This movie had a story line along with the serial killer. Rarely do you find a slasher film that is character driven. The movie does drag a bit and some dull moments, but overall, the story is engaging. There is a twist at the end and the killer is not the obvious suspect. My rating is 4 out of 10...slightly below average.

Wizard-8 "Too Scared To Scream" was filmed in 1982, but it apparently took three years for the movie to find a distributor willing to release it to theaters. Watching the movie, it doesn't take long to figure out why it took so long to be picked up for distribution. As other user commenters have pointed out, the movie (despite some nudity and foul language) has the appearance and feel of a made for television movie of the same era and lacks the "oompth" of a theatrical feature. The stalk and slash sequences come across as pretty tame, and no character seems to be particularly concerned that the body count is slowly rising. I will say the movie never gets boring, and it fooled me when it came to guessing who the murderer was... though on the other hand, the movie is never extremely involving, and I am usually terrible guessing who did it in murder mystery movies. It's odd that Mike Connors thought so much of this project that he not only acted in the movie, he produced it as well. You'd think that his years on the TV show "Mannix" would have him well trained as to what a good mystery was.

lost-in-limbo Tony Lo Bianco (more known for his acting, especially in one of my Larry Cohen favorites 'God Told Me too') directs a mechanically snug and customary stark urban-set murder mystery thriller that throws in a dose of gratuitous nudity and psychotic violence that also has it dipping in to the low-brow exploitative market. Nonetheless it still demonstrates a low-budget made-for-television feel (due to Bianco's plain, but enduring style), even though its brimming with a toughly rough grittiness brought across by its seamy backdrop. After being drowned out by a wretch song through the beginning credits (yep it's rather bad!), it actually gets better to cement an conundrum of mystery led by an convincingly collected, but dreary Ian McShane as the detective's chief suspect the doorman of the apartment building where the viciously random murders are occurring.The problem here is that the material just paints him too obviously as a red herring to be the one, but the twist (and you know its coming) to who is the actual killer had me fooled (and it's an exaggeratedly ill-advised revelation that comes from nowhere and had me thinking of a late 80s slasher effort), as I had someone else in my sights as the culprit. The busy, pictorial layout has numerous character dramas (with even the police getting involved) and suspicious dabbling that can cause the lumpy pace to lull about at times with distracting details that don't really add anything and go on to undermine its attempts of consolidating tension. Not helping either was the constant use of false jumps and lead ups, which more often lead to the real one. It's the cryptic nature of the story along with the soberly first base performances by the likes of Mike Connors, Anne Archer, Leon Iassc Kennedy, John Heard, Val Avery, Carrie Nye and Phyllis Hyman in a colorful cameo that make-up for its wayward spells. However it opens up with lasting suspense in the dying stages, but the deaths for most part appear off-screen and those we do see are theatrically staged with sudden, but clunky force. The musical score is old-fashioned, but over-cooked which makes it hard to switch-off.Not perfect, but this old-hat, stone-cold premise manages to truly hold you there for it's outrageous, if tatty final.

mm-39 Well, the film is not that bad, I would give it a four. It has a few interesting scenes in it, and shows a lot of nudity to cover its low budget. Nothing great here, but watchable. It is like a Manix rerun, I would watch it out of boredom. In the end I give it a 4/10.